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This fully annotated edition of "Frankenstein" includes: Two original critical afterwords (over 7,500 words) Computational lexical analysis of the 1818 text Historical essay on Mary Shelley's life and context Comparison of the 1818 and 1831 editions Original orthography of the first edition preserved Most readers have never read the real Frankenstein. The version taught in schools — the 1831 revised edition — is a domesticated text. Mary Shelley, older and burdened by grief, softened Victor's choices into the workings of fate, severed Elizabeth's blood tie to Victor, and muted the ...

NOW A NETFLIX FILM FROM ACADEMY AWARD–WINNING VISIONARY GUILLERMO DEL TORO NOMINATED FOR NINE ACADEMY AWARDS, INCLUDING BEST PICTURE Mary Shelley’s timeless gothic classic accompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of...

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

On a miserable summer trip to Geneva with her future husband, Percy Bysshe Shelley, poet Lord Byron and a small group of friends, writer Mary Wollstonecraft was asked to participate in a game where the guests would create a ghost story and share it with the group. Everyone told their stories, but Mary's creation surprised them all. She had conceived of the idea that would later become her best known work, a tale of horror and creation, the legendary early science fiction classic: Frankenstein, or the Modern Prometheus.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

First published in 1818, Mary Shelley’s Frankenstein: Or the Modern Prometheus stands as one of the greatest achievements in English literature and the foundation of modern science fiction. In this groundbreaking novel, Shelley weaves a tale of genius and despair, creation and destruction, exploring the boundaries of human ambition and the consequences of defying nature.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

Mary Shelley wished with her classic Gothic novel Frankenstein to "make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart". Mary Shelley succeeded. Victor Frankenstein finally fulfills his dream of creating his own living creature, stitched together from the macabre remains of corpses. To his horror he finds he has created something even more ghastly than in his worst imaginings. Frankenstein has created a monster with a soul!

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

The real love story of Frankenstein! Released from a promise to keep portions of her journey secret, Mary Shelley lays her soul bare in the intimacy of love, loss, and betrayal, the search for a mother's validation, and inspiration as a woman artist discovering her voice.

Following the framework of a tale within a tale, Mary Shelley's novel Frankenstein, which features the subtitle The Modern Prometheus follows the scientific - and at times horrific - exploits of Victor Frankenstein. Victor studied alchemy in college, and after a mere two years he figures out that he can put human body pieces back together and restore the entire corpse to life.

Frankenstein, or The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on January 1, 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.