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Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

Patty and Walter Berglund were the new pioneers of old St. Paul - the gentrifiers, the hands-on parents, the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter - environmental lawyer, commuter cyclist, total family man - she was doing her small part to build a better world.

The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.

Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections.

It’s 23 December 1971, and the Hildebrandts are at a crossroads. Fifteen-year-old Perry has resolved to be a better person and quit dealing drugs to seventh graders. His sister Becky, the once straight-laced high school social queen, has veered into counterculture, while at college, Clem is wrestling with a decision that might tear his family apart. As their parents–Russ, a suburban pastor, and Marion, his restless wife–tug against the bonds of a joyless marriage, Crossroads finds a family, and a nation, struggling to do the right thing.

The Corrections is a grandly entertaining novel for the new century - a comic, tragic masterpiece about a family breaking down in an age of easy fixes. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.

Franzen über Franzen: Seine persönlichsten Erinnerungen. Jonathan Franzen hatte als Junge nicht nur vor Umkleideräumen und Quallen Angst. Zu Hause kam er sich wie Snoopy vor, der zwischen größeren Wesen einer anderen Spezies lebt. Wenigstens unter Gleichaltrigen wollte er dazugehören, also mied er auf einer Fahrt ins christliche Feriencamp den Bus des »sozialen Tods«. Von einer Österreicherin in irritierend kurzem Rock lernte er erste Brocken Deutsch, und bei seinem Versuch, seine Jungfräulichkeit zu verlieren, spielte Kafka eine Rolle – wie auch auf seinem Weg zum Schreiben.

Jonathan Franzen's Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the twenty-first century. In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him.

Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. The Discomfort Zone is his intimate memoir of his development from a "small and fundamentally ridiculous person", through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions.

St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. A classic of contemporary fiction, The Twenty-Seventh City shows us an ordinary metropolis turned inside out, and the American dream unraveling into terror and dark comedy.

The Lamberts–Enid, Alfred and their three grown-up children–are a troubled family living in a troubled age. After fifty years as a wife and mother, Enid is ready to have some fun, but her husband Alfred is losing his mind to Parkinson’s. As his condition worsens, and the Lamberts are forced to face the long-buried secrets and failures that haunt them, Enid sets her heart on gathering everyone together for one last family Christmas.

The way essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past 25 years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both.

This dramatisation of Jonathan Franzen's acclaimed, epic, award-winning novel revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to 'one last Christmas' together near the turn of the millennium. A family saga, that sits against the backdrop of this century's changing face of America, the novel was published 10 days before 9/11 but is widely considered an observation of what happened to the American psyche after 9/11.

The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it their chemistry is palpable. But after 50 years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?

In The Righteous Mind, social psychologist Jonathan Haidt explores the origins of our divisions and points the way forward to mutual understanding. His starting point is moral intuition - the nearly instantaneous perceptions we all have about other people and the things they do. These intuitions feel like self-evident truths, making us righteously certain that those who see things differently are wrong. Haidt shows us how these intuitions differ across cultures, including the cultures of the political left and right.

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigour to the themes - both human and literary - that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen....

A magnum opus for our morally complex times from the author of Freedom and The Corrections. Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother has always concealed her own real name, or how she can ever have a normal life.

Alfred Lambert es un ingeniero de ferrocarril jubilado cuya percepción de la realidad empieza a resquebrajarse a causa de la enfermedad de Parkinson. Su esposa Enid, tras cincuenta años de matrimonio, sigue obsesionada con mantener el orden en su enorme casa de un próspero barrio residencial. Los tres hijos se establecieron en la costa Este años atrás, lejos del hogar familiar.