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Ford Madox Ford's Parade's End tetralogy, written in the aftermath of World War I, was originally published in four parts in the 1920s: Some Do Not…; No More Parades; A Man Could Stand Up —; and Last Post. Highlighting the tension between traditional values and a rapidly changing social order in a world embroiled in war, the story details Tietjens' turmoils in both his personal life and on the warfront—and what follows when some of those struggles become one and the same.

First published as four separate novels ( Some Do Not…, No More Parades, A Man Could Stand Up, and The Last Post) between 1924 and 1928, Parade’s End explores the world of the English ruling class as it descends into the chaos of war. Christopher Tietjens is an officer from a wealthy family who finds himself torn between his unfaithful socialite wife, Sylvia, and his suffragette mistress, Valentine. A profound portrait of one man’s internal struggles during a time of brutal world conflict, Parade’s End bears out Graham Greene’s prediction that "there is no novelist of this century more likely to live than Ford Madox Ford."

The Dowells, a wealthy American couple, have been close friends with the Ashburnhams for years. Edward Ashburnham, a first-rate soldier, seems to be the perfect English gentleman and Leonora his perfect wife, but beneath the surface their marriage seethes with unhappiness and deception. Our only window on the strange tangle of events surrounding Edward is provided by John Dowell, the husband he deceives. Gradually Dowell unfolds a devastating story, in which everyone's honesty is in doubt.

On the face of it Captain Edward Ashburnham's life was unimpeachable. But behind the mask where passion seethes, the captain's "good" life was rotting away.

These iconic works explore the depths of human suffering, identity, and transformation, showcasing some of the most profound voices of the 20th century. From the haunting reflections on war in All Quiet on the Western Front and A Farewell to Arms to the poetic expression of inner conflict in the works of Owen, Rosenberg, and Brooke, this collection provides a window into the world of writers who grappled with the aftermath of trauma and the search for meaning.

Tras el pulido barniz de la sociedad inglesa eduardiana se gesta un mundo de represión, engaño y ambigüedad moral. En este pionero clásico modernista, El buen soldado de Ford Madox Ford desnuda las vidas entrelazadas de dos parejas aparentemente íntegras —los Dowell y los Ashburnham— a través de los recuerdos distorsionados de John Dowell, uno de los narradores más célebremente poco fiables de la literatura. En la superficie, todo parece perfectamente correcto y civilizado.

The Fifth Queen is a historical novel. It tells the story of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. Katharine Howard is presented in the first book as a genuine Roman Catholic, penniless, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal, a spy for Thomas Cromwell.

Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

Major BBC adaptations of Ford Madox Ford’s two most famous works, with stellar casts including Tom Goodman-Hill, Ruth Gemmell, Kyle Soller and Mark Bonnar A forgotten great of British fiction, Ford Madox Ford wrote over 80 books, founded two trailblazing literary journals and was a friend and...

The Good Soldier is a story about the complex social and sexual relationships between two couples - one English, one American - and the growing awareness of American narrator John Dowell of the intrigues and passions behind their orderly Edwardian façade. It is Dowell’s attitude - his puzzlement, uncertainty, and the seemingly haphazard manner of his narration - that makes the book so powerful and mysterious. In Ford’s brilliantly woven tale, nothing is quite what it seems.

Last Post is the fourth and final installment of Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The story follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his wife, Sylvia; and his mistress, Valentine Wannop.

The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature.

The tragic story of two couples, one American and one English, traveling together through Europe for an extended amount of time told by a seemingly unreliable narrator John Dowell.

The Nature of a Crime is a haunting literary collaboration between Joseph Conrad and Ford Madox Ford, exploring the dark undercurrents of human morality and the elusive boundaries between crime and conscience. Told through a series of deeply personal letters, the narrative reveals a man on the verge of emotional and ethical collapse as he reflects on a hidden past, his relationship with a mysterious woman, and the consequences of his actions.

No More Parades is the second of four in Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The novel follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Highlighting the tension between traditional values and the new reality of a world marred by war, the novel details Tietjens' turmoils in both his personal life and on the warfront—and what follows when those struggles become one and the same.

A Man Could Stand Up—is the third of four installments in Ford Madox Ford's Parade's End tetralogy, which follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Opening on Armistice Day (November 11, 1918), A Man Could Stand Up—serves as the climax of the series. Highlighting the tension between traditional values and a rapidly changing social order, the novel details Christopher and Valentine's trials as the post-war world takes shape around them.

Derrière le vernis poli de la société édouardienne anglaise se cache un monde de répression, de tromperie et d'ambiguïté morale. Dans ce classique moderniste pionnier, 'Le Bon Soldat' de Ford Madox Ford met à nu les vies entremêlées de deux couples en apparence irréprochables - les Dowell et les Ashburnham - à travers les souvenirs déformés de John Dowell, l'un des narrateurs les plus célèbrement peu fiables de la littérature.

"The Fifth Queen" trilogy is a series of connected historical novels by English novelist Ford Madox Ford. It consists of three novels: "The Fifth Queen; And How She Came to Court" (1906), "Privy Seal" (1907) and "The Fifth Queen Crowned" (1908), which present a fictionalized account of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. The "Fifth Queen" trilogy has an omniscient narrator.

The Fifth Queen is Ford Maddox Ford’s masterful trilogy of historical fiction centered on Katharine Howard, a young girl of a proud, noble, and impoverished family who catches the jaded eye of Henry VIII and becomes his controversial fifth Queen.

Two couples, two marriages; both seemingly perfect, both falling apart. Beneath the surface gentility of the American John Dowell with his wife Florence and the landed grace of Edward and Leonora lie fictions and deceit. There are secret desires, hidden power-games, suicides and madness. Everyone is hiding something; even the narrator can’t be trusted. Brilliantly inventive, tragic and ironic, The Good Soldier is one of the great novels of the 20th century.