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This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding psychological thriller, newly revised for his bicentennial.

Often considered one of the first ever psychological thrillers, Crime and Punishment is a gripping tale of a poverty-stricken young man in Saint Petersburg, Russia, who hatches a plan to kill someone for money. Once the deed is done, he finds himself racked with guilt, confusion and disgust for his act. In this new recording, Will Poulter gives new life to the troubled protagonist, Rodion Raskolnikov, in a performance that will have you questioning where we draw the line between right and wrong.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.

Living in a squalid room in St. Petersburg, the indigent but proud Rodion Raskolnikov believes he is above society. Obsessed with the idea of breaking the law, Raskolnikov resolves to kill an old pawnbroker for her cash. Although the murder and robbery are bungled, Raskolnikov manages to escape without being seen. And with nothing to prove his guilt and a mendacious confessor in police custody, Raskolnikov seems to have committed the perfect crime. But in Dostoyevsky’s world of moral transgressions, with its reason and its consequences, Raskolnikov’s plan has a devastating hitch.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St. Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law.

Carpenter Whitney Whitaker and her cousin Buck are looking once again to rehab and resell a house, only this particular house is made of fiberglass, floats, and has been dubbed the Skinny Dipper. The old houseboat sure could use some work, but the unusual project has Whitney bubbling with excitement. The charming and handsome Grant Hardisty lives on the cabin cruiser in the adjacent slip, but the cousins soon learn he's left a half dozen angry ex-wives in his wake and made enemies of all sorts of unsavory folks.

This magnificent novel is about the murder of a miserly, aged pawnbroker and her younger sister by a radical, destitute St. Petersburg student named Raskolnikov, and the emotional, mental, and physical effects that follow. It is a remarkable masterpiece about a man's turbulent inner life and his relationship to others and to society at large. Dostoevsky explored the human condition on many levels in this great piece, and among the main themes the novel explores is the rather strange theory that criminals have a spiritual need to be punished - that indeed they demand it.

Crime and Punishment is a profound psychological novel by Fyodor Dostoevsky that follows the troubled journey of Raskolnikov, a desperate ex-student who commits a murder. Plagued by guilt and inner turmoil, he grapples with his own moral justifications and the consequences of his actions, leading him to a path of redemption and self-discovery.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

Raskolnikov, a student in St. Petersburg, murders an old woman, a money-lender, to prove his theory that violence purifies the strong. But no sooner is the deed done than Raskolnikov begins to feel remorse. What follows is one of the greatest psychological studies in world literature.

拉斯柯尼科夫长期罹患忧郁症并有犯罪念头，谋划后砍死了当铺的老太婆，从此便在自身罪恶感的折磨下受尽痛苦……拉斯柯尼科夫長期罹患憂鬱症並有犯罪念頭，謀劃後砍死了當舖的老太婆，從此便在自身罪惡感的折磨下受盡痛苦……

Crime and Punishment follows the story of a boy named Raskolnikov who commits a heinous crime because he believes he is in fact extraordinary. Through an internal battle of whether to confess or not, we follow him through his interactions with a drunk, a prostitute, the government, and his family. We see him do incredible acts of kindness, suffer the consequence of his crime on a physical level, and fall in love with an unlikely character, all while trying to reconcile his ability to be extraordinary.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in 12 monthly installments during 1866. Later, it was published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from five years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing.

A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means?

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck.