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Herman Melville’s tale of corporate discontent, Bartleby, the Scrivener, tells the story of a quiet, hardworking legal copyist who works in an office in the Wall Street area of New York City. The business where he works handles the official financial paperwork of wealthy men. One day, Bartleby’s employer requests he proofread one of the documents he has copied. Bartleby declines the assignment with the inscrutable “I would prefer not,” the first of what will become many refusals.

The life of a Scrivener can be a dull one. After all, your entire occupation has to do with the handwritten copying of law documents. But when Bartleby arrives, he turns the office upside down with the enigmatic phrase: “I prefer not to.”

Un abogado que tiene su oficina en Wall Street narra la historia de Bartleby, un peculiar escribiente, quien un día, de repente, deja de escribir amparándose en su famosa fórmula: "Preferiría no hacerlo". Nadie sabe de dónde viene este escribiente, prefiere no decirlo, y su futuro es incierto pues prefiere no hacer nada que altere su situación. El abogado, desconcertado, no sabe cómo actuar ante esta rebeldía, pero al mismo tiempo se siente atraído por tal misteriosa actitud. Su compasión hacia el desobediente escribiente, hace de este personaje un ser tan extraño como el propio Bartleby.

In the spring of 1841, a lonely worker in Washington's Dead Letter Office encounters a package that prompts him to quit his job and travel into the western wilderness in search of a woman he’s never met, to claim land he doesn’t own, using a name that isn’t his. There he discovers danger and opportunity, the beauty and corruption of the frontier, and the darkness of his own heart. Striving for redemption, he encounters Indian agents and displaced tribes, escaping slaves, and new immigrants come, like him, to find their fortunes in the promised land of America. From the debauchery of ...

A quiet unassuming scrivener is hired by a successful Wall Street law firm, but his strange demeanor is an unwelcome presence.

Herman Melville is now seen as one of the great figures in American literature, a man who expanded the role of the novel and gave new and complex depths to the meaning of a story. His best work uses the form of the novel or the story as a means of carrying and discussing concerns about the nature of humanity, the role of God, and a sometimes satiric, sometimes bitter, examination of colonialism and capitalism.

“Literary Legend” (New York) Gay Talese retraces his pioneering career, marked by his fascination with the world's hidden characters. In the concluding act of this ""incomparable"" (Air Mail) capstone book, Talese introduces readers to one final unforgettable story: the strange and riveting...

With the same vigor he brought to examining man's relationship with nature (and himself) in Moby Dick, Herman Melville turns inward in this deeply textured novella of an unknowable soul, his effect on those who encounter him, and how little we really understand about our fellow creatures. Melville's deft touch in dialogue and description evoke a Wall Street of another age, but lay bare ageless and difficult truths about being. To hear this timeless tale, and to return to it, is to be enriched and prodded at the same time.

In Manhattan, an elderly lawyer's business is growing. Having two scriveners in his employ, the lawyer advertises for a third to meet demand. Enter Bartleby, a glum albeit quality scrivener. However, the lawyer quickly discovers that something is off with his new employee. When asked to perform any duties outside of writing, Bartleby responds with a canned "I would prefer not to." Soon Bartleby is living at the office and performing less and less at work.

Bull chronicles the story of Iraq from the exploits of Gilgamesh to the fall of the Iraqi monarchy that ushered in its modern era. The land between the rivers has been the melting pot and battleground of countless outsiders. Here, Judaism was born and the Sunni-Shia schism took its bloody shape.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856.

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist."View our full collection of podcasts at our website: https://www.solgoodmedia.com or ...

Bartleby, un hombre discreto y apocado, es contratado por un abogado para trabajar como copista judicial. Pronto descubrirá que la actitud de Bartleby es extraña y sorprendente. Con serenidad y educación se niega a realizar las tareas que le encomiendan: "Preferiría no hacerlo", esa es su respuesta. Bartleby ha perdido toda motivación y apetencia hacia la vida, no hay nada que desee hacer. Afronta los días impasible, aletargado, en silencio.

Discover Bartleby - Proven to Drive Bartenders Nuts! Roy, a no-nonsense bartender, suddenly meets Bartleby, a strange man. When Bartleby refuses to obey bar rules, Roy and his bouncers take action - but they cannot handle this weird, little man. Will Roy commit the ultimate crime and destroy Bartleby? Click the "Buy Now" and find out! Get Yours Today.

Bartleby, The Scrivener by Herman Melville is a profound and haunting tale that explores themes of isolation, free will, and the dehumanizing effects of modern work. The story is narrated by a Wall Street lawyer who hires a quiet and enigmatic scrivener named Bartleby. Initially diligent, Bartleby soon begins to refuse his tasks with the simple yet unsettling phrase, “I would prefer not to.” As his passive resistance escalates, his employer struggles to understand the man’s mysterious behavior, leading to a meditation on society’s treatment of those who refuse to conform.

Herman Melville’s novel The Confidence-Man: His Masquerade (1857) is a comedy of masquerades and a blend of allegory, cultural satire, and metaphysics. The book portrays a confidence man who sneaks on board a Mississippi steamboat on April Fool's Day, and sets out to defraud his fellow passengers. He rapidly assumes various guises and the pleasure of trickery seems more important than the monetary gain. Each person is forced to confront that in which they believe.

Herman Melville was born in New York City on 1st August 1819. His father died when he was 12, leaving the family in very straitened times. Two years later Melville took a job in a bank and followed up with a failed stint as a surveyor. He went to sea and travelled across to Liverpool and then to the Pacific on adventures. Presented here is perhaps his best known short story, ‘Bartleby, the Scrivener’, an enduring story of a Wall Street lawyer and his very particular assistant.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine.

Do you want to learn about the botanist John Bartram but don’t have the time or patience to read a thick book? Then this is the short and concise book for you! Some of the many accomplishments of John Bartram were: Established one of America’s first botanical gardens in Philadelphia. Held regular scientific correspondence with such notable scientists as: Peter Collinson, Carl Linnaeus, Alexander Garden, Benjamin Franklin, Cadwallader Colden, and more. Explored and recorded his journey into uncharted parts of up-state New York in the 1740s. Co-founded the American Philosophical Society ...

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist." The story has been adapted twice: once in 1970, starring Paul Scofield, and again in 2001,...