What lives in the spaces between dreams and apocalypse? What can Aboriginal filmmaking reveal about Indigenous presence and futures? The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, William Lempert’s Dreaming Down the Track delves deeply into Aboriginal cinema as a transformative community process. Here, Lempert is joined in conversation with Karrmen Crey about the process of preserving community stories and enacting sovereign futures.

William Lempert is assistant professor of anthropology at Bowdoin College and author of Dreaming Down the Track: Awakenings in Aboriginal Cinema.

Karrmen Crey is associate professor of Aboriginal communication and media studies in the School of Communication at Simon Fraser University. Crey is author of Producing Sovereignty: The Rise of Indigenous Media in Canada and coeditor (with Joanna Hearne) of By Their Work: Indigenous Women’s Digital Media in North America.

REFERENCES/MEDIA:

Donna’s Story (film)

Indians + Aliens (reality television series)

The Visit (animated documentary short)

Tjawa Tjawa (film)

Rutherford Falls (sitcom)

REFERENCES/PEOPLE:

Mark Moora

Faye Ginsburg

Jesse Wente

Doug Cuthand

Donna Gamble

Lisa Jackson

Billy-Ray Belcourt

Jeff Barnaby

Leanne Betasamosake Simpson

Cynthia Lickers-Sage

Taiko Waititi

Foucault

Coulthard

Audra Simpson

REFERENCES/OTHER

Mark Rifkin / Beyond Settler Time

ImagiNATIVE Australia

Dreaming Down the Track: Awakenings in Aboriginal Cinema by William Lempert is available from University of Minnesota Press, and has an open-access edition through Manifold. Karrmen Crey’s Producing Sovereignty: The Rise of Indigenous Media in Canada and By Their Work: Indigenous Women’s Digital Media in North America (a collection co-edited with Joanna Hearne) are also available from University of Minnesota Press.

In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book The Persistence of Masks: Surrealism and the Ethnography of the Subject, the inaugural volume in the University of Minnesota Press’s Surrealisms series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne.

Joyce Cheng is associate professor of art history at the University of Oregon and author of The Persistence of Masks: Surrealism and the Ethnography of the Subject.

Jonathan Eburne is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of Outsider Theory: Intellectual Histories of Unorthodox Ideas and Exploded Views: Speculative Form and the Labor of Inquiry.

REFERENCES:

Michael Stone-Richards

James Clifford / The Predicament of Culture

Natalya Lusty

Effie Rentzou

James Leo Cahill / Zoological Surrealism

Georges Bataille / Documents

Vincent Debaene / Far Afield

Severed hand collages

Marcel Mauss

Hannah Arendt

Johannes Fabian / Time and the Other

Malkam Ayyahou

The Persistence of Masks: Surrealism and the Ethnography of the Subject by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the International Journal of Surrealism.

In Copenhagen in 1972, during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the world, seven women had a child together. Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Pernille Ipsen’s chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived reminds us that new worlds are always possible. Here, Ipsen is joined in conversation with Adriane Lentz-Smith.

Pernille Ipsen is author of My Seven Mothers: Making a Family in the Danish Women's Movement and professor of gender and women’s studies and history at the University of Wisconsin-Madison. Ipsen is a historian of gender, women, feminism, race and colonialism in Scandinavia and the larger Atlantic world.

Adriane Lentz-Smith is associate professor of history, African American studies, and gender, sexuality, and feminist studies at Duke University. Lentz-Smith is author of Freedom Struggles: African Americans and World War I.

Praise for the book:

"This book is a treasure, especially for a second-wave American feminist who was thrilled to learn of the boldness and courage of our Danish sisters at the very start of the 1970s women’s movement. I can’t recommend it highly enough."

—Vivian Gornick, author of The Odd Woman and the City

"My Seven Mothers certainly is not all happiness and light, but that makes it even more moving, and as an American feminist I felt a sense of recognition infused with my own memories."

—Linda Gordon, author of Seven Social Movements That Changed America

"Compulsively readable and historically insightful, My Seven Mothers reveals the spirit, courage, and tenacity required of the women who paved the way for second-wave feminist organizing in Denmark."

—Birgitte Søland, author of Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s

My Seven Mothers: Making a Family in the Danish Women’s Movement by Pernille Ipsen is available from University of Minnesota Press. Thank you for listening.