Surrealism and selfhood

In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book The Persistence of Masks: Surrealism and the Ethnography of the Subject, the inaugural volume in the University of Minnesota Press’s Surrealisms series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne.

Joyce Cheng is associate professor of art history at the University of Oregon and author of The Persistence of Masks: Surrealism and the Ethnography of the Subject.

Jonathan Eburne is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of Outsider Theory: Intellectual Histories of Unorthodox Ideas and Exploded Views: Speculative Form and the Labor of Inquiry.

REFERENCES:

Michael Stone-Richards

James Clifford / The Predicament of Culture

Natalya Lusty

Effie Rentzou

James Leo Cahill / Zoological Surrealism

Georges Bataille / Documents

Vincent Debaene / Far Afield

Severed hand collages

Marcel Mauss

Hannah Arendt

Johannes Fabian / Time and the Other

Malkam Ayyahou

The Persistence of Masks: Surrealism and the Ethnography of the Subject by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the International Journal of Surrealism.