Episodes

  • Philip Marlowe in ‘The Friend from Detroit’ – S. 11, Ep. 13
    Dec 14 2025

    This episode of the Crime Cafe podcast features an entry from The Adventures of Philip Marlowe, which you can get without the ads here or here. Other than the one in the Old Time Radio broadcast replay.

    This episode is called “The Friend from Detroit”. The Motor City. 🙂

    PS: The Crime Cafe Nine Book Set is on-sale at the reduced price of $2.99 until the end of the year.

    Or get a free copy as a patron here.

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  • Interview with James Polkinghorn – S. 11, Ep. 12
    Nov 23 2025
    My guest interview this week on the Crime Cafe podcast is with semi-retired attorney and crime writer, James Polkinghorn. Check out our discussion of Liquid Shades of Blue. And a little about the practice of law. You can download a copy of the transcript here! Debbi (00:54): Hi everyone. My guest today is semi-retired litigator and trial. He was a semi-retired litigator and trial attorney, is a semi-retired litigator and trial attorney. One of those tenses. And while he was based in Miami and Fort Lauderdale for 39 years, he handled some very interesting, a variety of cases of highly complex matters sometimes. He is originally from Pittsburgh, which fascinates me because I lived in Monroeville for a while. You probably know where that is. Jim (01:31): Went to the Monroeville Mall. Debbi (01:32): Oh, yeah. I remember the Monroeville Mall. It was a big deal when I was there. It was new or something, but he moved to Florida when he was 14 with his family, of course, and he now lives in Key West and is working on a follow-up, as I recall, reading from another interview on your novel, Liquid Shades of Blue. Am I correct? Jim (01:56): That’s right, yep. Debbi (01:57): Excellent. Very good. It is my pleasure to introduce the author James Polkinghorn. Hi Jim. How are you doing? Jim (02:05): I’m doing great. How are you? Debbi? Debbi (02:07): Oh, I’m hanging in there. I’m busy. Busy, but I’m hanging in there and glad to hear you’re doing well. I like your shirt. It goes really well with, even though you’re not in Key West at the moment, you’ve brought a little of that with you. Jim (02:21): Yeah, believe it or not, this was work attire for me for probably the last 15 years of my career. I sort of stopped wearing suits in the office if I could avoid it. It worked out for me. Debbi (02:36): Excellent. That is an excellent choice there. Who needs suits? I’m always happy to meet another lawyer turned crime fiction writer. What was it that made you turn to crime fiction as a way of expressing your stories? Jim (02:54): Well, I’ll tell you, Debbi, for me, it all really goes back to college, when I sort of dabbled with the idea of becoming a writer. I took the usual classes. I was an English joint major. I also majored in political science. But what really happened was my family circumstances at the time were terrible, and I made a conscious decision that I didn’t want to be poor anymore. (03:32): And so for me, the quickest way to an actual paycheck that was substantial was by going to law school. And so I made that conscious decision to go to law school, and I started that career and God knows it all turned out just fine. I had a long and good career, made money, did all that, and throughout all of that, I was thinking to myself, I always had this idea for a novel in my head, and I never wrote it. And I went on 40 years and finally it was I was about to turn 60 and I was thinking about retiring. I’d had the idea of retiring by age 60, and I was thinking to myself, if you don’t write this novel, if you don’t do it, you’re never going to do it. If you don’t do it now, now’s the time. And so that’s what I did. So I retired and the first thing I did upon retiring was write this book. And it was fairly well received and I enjoyed the process, all of that. And so after it came out and I started writing another one, and so I’ve done that and that’ll be out next year. Debbi (05:01): Excellent. Jim (05:04): So anyway, that’s how it all started. Debbi (05:07): Wow, very interesting. You still are doing the legal work? Jim (05:13): Well, I have a relationship with my law firm. I don’t actively practice anymore, but believe it or not, this is a national law firm. We’ve got, actually, it’s an international law firm now. We’ve got 35 offices all over the place, and I am now the ethics partner for the whole firm. And so I handle any ethical issue, any lawyer anywhere has, they will call me and we’ll work it out one way or another, conflicts, issues that arise and other things. If they’re accused of unethical behavior in a given case, they’ll call me and we’ll figure out what to do. Debbi (05:57): This is fascinating. Jim (05:59): Yeah. Well, I mean, it is a function. Every law firm of our size has somebody like that. (06:04): So anyway, so that’s what I, since I retired, that’s the role I’ve taken on. And plus I also do some training. I do litigation training, trial trainings, things like that. Mostly in the Fort Lauderdale office, but also elsewhere. But the ethics thing, that’s really the primary relationship that I have with the firm now. Debbi (06:29): Well, that’s very interesting. Thank you for sharing that. That might be a subject worth exploring, a whole nother podcast maybe because I feel like people don’t know enough about the law and the way lawyers work, Jim (06:45): And also the ethical challenges that lawyers face really almost every day when they...
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  • Interview with Victoria Selman – S. 11, Ep. 11
    Nov 9 2025
    My guest interview this week on the Crime Cafe podcast is with award-winning crime writer Victoria Selman. And, yes, we do have a brief discussion of Doctor Who! 🙂 And Guy Fawkes! You can download a copy of the transcript here. Debbi (00:12): Hi everyone. My guest today is the Sunday Times and Amazon number one bestselling author of five thrillers, including her popular Ziba MacKenzie series. Her novel Truly Darkly Deeply was shortlisted for the Fingerprint Thriller of the Year Award and longlisted for the Theakston’s Crime Novel of the Year Award, and was a Richard and Judy Book Club Pick. It has also been optioned by See Saw Films. In addition, she’s been shortlisted for two CWA Dagger Awards, has written for the Independent, and hosts a popular podcast called On the Sofa with Victoria on Crime Time FM. It’s my great pleasure to have with me today, Victoria Sellman. (01:50): Hi Victoria. How are you doing? Victoria (01:51): I’m good. It’s my great pleasure to be here. Thank you so much for having me. Debbi (01:55): I am very pleased to have you on. I was going to say you’re in London and what’s the vibe like in London these days? Victoria (02:06): Well, the vibe in London today is very noisy. I dunno if you can hear the children outside my window, but it’s Halloween, so we may be interrupted by some doorbell ringing and some dog barking as the kids come. Debbi (02:18): Oh, that’s right. It’s tonight where you are. Victoria (02:18): We’re busy on the streets tonight. Debbi (02:22): Good heavens. Oh my goodness. Perhaps goblins will come visit us. I don’t know. In any case, have you always wanted to write thrillers? Victoria (02:33): I’ve always wanted to write, so when I was from a very young age, I’m sure the same with you, I was always an avid reader growing up, and I think when you love to read, at some point you’re going to want to write as well. You want to have a go, and it was a dream. From the age of seven, I wrote my first inverted commas novel on two sides of A4 paper. It was a very great achievement, which my parents went and lost. Otherwise, I’m sure it would’ve been a fabulous bestseller, but it was fun. That was on my bedroom floor one summer I wrote that. No, I’ve always wanted to write, but as is so often, I think as a writer, it was a long time coming, so life got in the way. I left university, I got a job, I got married, I had children. And it wasn’t until I was in my gosh, I’m trying to think, my late thirties, I guess, that I started properly going for it and I haven’t looked back. I’ve loved every minute, even the downs as well as the ups because of course publishing is a journey of peaks and troughs, and I think the biggest takeout is you just have to keep riding those waves and believing in yourself and keeping going. But it’s a rollercoaster and it’s a fun ride and I’ve loved it. Debbi (03:54): It truly is. Yeah, it is a great deal of fun when you can get things to work out and get the story to make sense finally. Victoria (04:03): Well, that’s right. I think that’s part of it. It’s not just that we want to tell a story, but as a writer, the challenge of telling the story of getting it right, of getting the character’s voice spot on and getting the character in with that first thing that they’re going to say on the page, you just have to see who they are, how to create suspense. I love sleight of hands, so my novels, I love to keep people guessing and hopefully guessing wrong if I’m doing my job right, but also to play fair. So I dunno about you, but I think there is nothing worse than reading a novel and it’s all about the big twist at the end and you get to the twist and you’re like, okay, so I didn’t see that coming. But also it doesn’t make any sense whatsoever. I think the twist should absolutely, when you get to it, it should be “Oh!” not “uhh?”, but when it’s done well, everything just falls into place and you feel satisfied. And one’s job, I think as a writer is certainly a writer of thrillers, is to do that. Debbi (05:02): Oh yes. Victoria (05:03): And that’s a challenge, and it takes a while, obviously, to get the books right. But as we say, that’s part of the fun. The puzzle isn’t just the puzzle we give to the reader, but the puzzle we give to ourselves about how do we tell the story in the best possible way. Debbi (05:16): I agree. Yeah, definitely. It’s really funny when you’re writing these things, you almost become like the protagonist in the sense of what do I do next? Victoria (05:28): Yeah, well, it’s got to feel real and you can’t just have the plot leading the character, the character, it has to make sense for the character to do whatever they’re doing. Again, there’s nothing worse than a character walking into a haunted house that they would obviously never think of going in. It just doesn’t make it. But no, they’ve got to do it. That’s where the ...
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  • Interview with Patrick H. Moore – S. 11, Ep. 10
    Oct 26 2025
    My guest interview this week on the Crime Cafe podcast is with former investigator and crime writer Patrick H. Moore. Check out our discussion of Patrick’s work in sentencing mitigation work. It’s a lesser-known unique type of investigative work. You can download a copy of the transcript here. Debbi (00:54): Hi everyone. My guest today is a retired Los Angeles based investigator and sentencing mitigation specialist. Since 2003, he worked on more than 500 drug trafficking, sex crime, violent crime, and white collar fraud cases. My, what a mix. He also studied English literature and creative writing at San Francisco State University. As a student, he published several short stories and novel excerpts. In 2014, he published his first thriller novel Cicero’s Dead. Today he has a three-book series, the first of which is a political thriller called 27 Days, which was along with Cicero’s Dead, a finalist in various awards contests. As I said, it is the first of the three books in the Nick Crane thriller series. My guest was also co-founder of a blog called All Things Crime that apparently reached its zenith of popularity somewhere in the mid-2010s, which was what, 20 or 30 years ago? No, no, it was only last decade. It only feels like 50 years. Alrighty. It’s my pleasure to introduce my guest, Patrick H. Moore. Hi. So how are you doing? Patrick (02:26): Oh, I’m doing great, Debbi. Hi. Thank you very much for having me on. Debbi (02:30): It’s my pleasure. Believe me. And I was very intrigued to see that you used to be an investigator. Was that like a private investigator? Patrick (02:39): Well, I worked for a private investigator. The person I worked for, he held the private investigator’s license, so I did investigations for him and also I did what’s called sentencing mitigation work. We worked for lawyers primarily in the greater Los Angeles area, but also all around the country. And we would do a lot of their legwork. We would do a lot of their interviewing, and so we do their legwork, their interviewing, and also we would do a lot of the ghostwriting for the lawyers. So my specialty was actually writing federal sentencing memorandums, which are highly precise documents written in a very formal style that follow certain ground rules. (03:36): And so I wrote hundreds of these federal sentencing memorandums, and I also edited hundreds for my boss, but I also did investigations. But in doing sentencing mitigation work, it really is, it is like an investigation of a slightly different sort, that is you’re not going out and knocking on doors or searching for things on the internet in one of the databases, but rather you’re actually talking to your clients or our clients, my boss’s company, John Brown and Associates. And so I would interview the clients at great length. I would interview their family members. I would collect character reference letters. So I was basically investigating the client his past, what he had or had not done, whether or not he had come from a disadvantaged background, all of those things. And so it was a kind of investigative work, but a kind of investigative work that very few people know about because the vast majority of the population has no idea that there are sentencing mitigation specialists in existence. And there actually are very few. I think Los Angeles really created this phenomenon, and I don’t think it’s really caught on in other parts of the country, which is why lawyers from other parts of the country would use my boss’s firm too. Debbi (05:07): That’s very interesting. Patrick (05:09): Because sharp lawyers quickly realized that to get those sentences a fair deal, they needed to have lots of ammunition, they needed to have lots of arrows in their quiver, and a full complete workup on the client they discovered was hugely helpful. We also did state cases, but those were fairly simple compared to the federal cases. My specialty was federal cases, drugs and fraud cases, and of course you’d get the sex cases too, which were unavoidable. And them too. And do your best on those too. Debbi (05:46): You’re trying to tell a story about these people that paints a full picture, I take it. Patrick (05:52): Exactly. Debbi (05:54): How could a person get to the point where they’re at now? Yeah, it makes a lot of difference. Huge difference. Patrick (06:03): One of the curious things I learned is that most people who get indicted for fraud really are the vast majority are perfectly fine people who just got greedy and made a mistake, and then oftentimes they get in and they can’t get out and it snowballs. But that was a curious thing I learned, whereas most drug traffickers, well, especially transporters, mules as they’re called, they’re like poor, hardworking people usually of Latino background desperately trying to support their families and possibly the relatives back in Mexico for low wages. So they would typically make the mistake of,...
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  • Interview with Amanda DuBois – S. 11, Ep. 9
    Oct 12 2025
    My guest interview this week on the Crime Cafe podcast is with legal thriller author Amanda DuBois. Among other things, we talk about how telling true stories persuasively can make you a better fiction writer. Learn more about her novel, Unshackled, here. For a PDF copy of the interview, just click here. It’s there, somewhere. 🙂 Debbi (00:54): Hi everyone. My guest this week is the founder and managing partner of DuBois Levias Law Group, one of Washington State’s longest standing woman-owned law firms before becoming a family law attorney, a field I learned to avoid like the plague, frankly, she was a labor and delivery nurse. She uses her medical and legal knowledge to address inequities in the legal system as an author of the Camille Delaney Mystery series, an award-winning book series. Her third and latest book is called Unshackled. She also founded an organization that helps formerly incarcerated people to reenter society. What a laudable goal. And I just finished reading the script for The Shawshank Redemption. What interesting timing. Anyway, I’m pleased to have with me today the author Amanda DuBois. Hi, Amanda. How are you doing? Amanda (01:57): I’m doing awesome. I want a copy of that script. How interesting that would be. Debbi (02:01): Oh, I can probably send you the link to where it was found. Or even a copy. Amanda (02:05): Oh, fantastic. I didn’t know you were reading that. Debbi (02:09): Oh, it, it’s kind of cool to read it, and I didn’t have a chance to actually watch the movie. We were doing a discussion on it, and I hadn’t had a chance to see it in a long time, but it seemed like there were scenes in there that might not have made it into the movie, which was interesting. Amanda (02:24): Yeah, that’s exactly right. Debbi (02:26): It was very interesting to read, but I’m always pleased to have a lawyer on who has written crime fiction. I’m just pleased to see lawyers writing fiction, frankly, in general. And you have done some remarkable work starting your own law firm. How long have you had your own law firm? Amanda (02:49): So I’m just this year celebrating 30 years. Debbi (02:52): 30 years. Amanda (02:53): And so that makes us one of Seattle’s longest-standing women owned law firms. Debbi (02:58): That’s really awesome. Amanda (02:59): We’ve been celebrating all year. We have a little pontoon boat outside our office. Our office is on a lake, and we just did this champagne thing. You cork the champagne off and yeah, we’ve been having a good time celebrating. Debbi (03:11): That’s awesome. That’s fantastic. I think I can hazard a guess as to what led you from delivering babies to law, perhaps the absolutely broken healthcare system in this country that had something to do with it? Amanda (03:26): Well, a little bit. Yeah. Mostly I just wanted to do something different and was, here’s a really funny story. How I ended up in law is I wanted to get out of nursing and I thought I’d go to medical school. So I went, took all the super hard science classes and then I decided I didn’t really like … I took like two years of biochemistry and all that stuff. And then I thought, well, maybe I’ll go get an MBA. And so I went to buy the MBA study guide book at the bookstore, and right next to that was the law school book. And I thought, well, I’ll buy that. I’d never thought about law school. So I went home and I was doing the MBA study book, and it was all this math and calculus and it was really hard, and I thought, this is awful. So I got a beer and sat down and did the law school study book, and I’m like, oh, this is much easier. (04:09): So my husband came home and I said, I’m going to go to law school. And he goes, what? I said, well, I’m not good at this MBA stuff. It’s too much math, and I’m really good at this law school, so they must have a better idea about what would make a good lawyer. So I was totally the accidental lawyer. I had no interest really in being a lawyer at all, but I thought I had the aptitude. So anyway, I ended up in law school and ended up as a medical malpractice lawyer for the first seven years of my practice. So once I got into law school, I thought, okay, I got to work on this healthcare system. So you’re right. Debbi (04:40): Oh, wow. Well, that is really interesting. There are so many similarities between you and me in terms of background. I had this hard science background for a while and then the math killed me and I was like, oh, no, no, I can’t do this. I was really interested in physics for some reason, and then it was just like– Amanda (04:58): Me, too! Debbi (04:58): Wow, how interesting. Amanda (05:02): In my other life I want to be like an astrophysicist or somebody kind of like math genius or something, but it’s not happening in this lifetime. So here we are. Debbi (05:10): Here we are, yeah. Amanda (05:10): Here are writing books. Debbi (05:12): I’m a would be cosmologist. You’...
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  • Interview with Desmond P. Ryan – S. 11, Ep. 8
    Oct 5 2025
    My guest interview this week on the Crime Cafe podcast is with crime fiction author Desmond P. Ryan. Check out our discussion about Toronto and the experiences in law enforcement that have informed his fiction. You can download a copy of the transcript here. Debbi Mack (00:07): Hi everyone. My guest today is a former police detective with the Toronto Police who draws on his experiences to write two very distinctive series, the Mike O’Shea series of gritty police stories, reminiscent of Joseph Wambaugh, so definitely gritty stuff. And also a series called A Pint of Trouble, which is closer in tone, apparently to the Thursday Murder Club books by Richard Osman. So I find that just a fascinating dichotomy of series there. Way not to get pigeonholed. It’s my pleasure to have with me today, the author Desmond P. Ryan. Hi Des, how are you doing today? Desmond Ryan (00:54): I’m doing great, Debbi. How about yourself? Debbi Mack (00:57): Quite well, thank you. I just got through wrapping on my first film. I directed a film a week ago. It was a short film. It’s a short film. Yes. Desmond Ryan (01:12): I’ll bet that’s a lot of work. Debbi Mack (01:14): Oh boy. It was a lot of work and it was a very, very interesting and eye opening, just kind of an experience I’ll never forget. Desmond Ryan (01:24): What’s the film about? Debbi Mack (01:25): It’s about a priest who has a dark, somewhat dangerous past who has to face the consequences of what he’s done. Desmond Ryan (01:36): Okay. Debbi Mack (01:37): I’ll leave it at that. I don’t want to spoil anything. Desmond Ryan (01:40): And where will we be seeing this film? Debbi Mack (01:42): I hope to have it somewhere online eventually. Somehow I think that the company that I was associated with, the nonprofit called Charm City Filmmakers helped make this happen. They basically teach new directors how to be directors, what’s involved and who does what on the set, that kind of thing, and what your role is. And you’d be surprised how much work the first AD or assistant director does. It’s just this amazing process that, it requires you to be really paying attention for one thing. Desmond Ryan (02:32): So it’s not all magic? Debbi Mack (02:35): It’s magic, but it’s magic that looks invisible. I mean, the best magic does not reveal its tricks. Right? Desmond Ryan (02:44): That’s true. Debbi Mack (02:45): But it’s funny. People go behind the scenes all the time and see the tricks, so it’s interesting, but it’s a magic that we willingly buy into. Something like that. Desmond Ryan (02:56): Yes, you’re going to have to let us know when it’s going to be [inaudible] I’m already excited. Debbi Mack (03:03): Thank you. I feel like I’ve kind of hijacked this interview with you here. Just mentioning that film. My God, the film was really just a great experience and I’ll probably talk about it more on a YouTube channel, so I’m on YouTube as Debbi Mack if you want to find it there. Desmond Ryan (03:22): We will. Debbi Mack (03:23): Okay, awesome. Let’s see. You have the Mike O’Shea Series and the Pint of Trouble series. It’s interesting. They’re so very different. I love that you’re writing though focuses on the diversity of Toronto’s neighborhoods. I’m just fascinated with neighborhoods and how cities are made up of neighborhoods often. Tell us about the neighborhoods in Toronto and in particular, Cabbagetown, which I never knew about until I found out you were there, looked it up and has a very interesting entry on Wikipedia. Desmond Ryan (04:03): Yeah. Well, Debbi I’m born and raised in Toronto, and so I take a lot of it for granted, and it would take me hours and hours and hours to explain the diversity of Toronto. I believe it is the most diverse city in the world, not just because Des says so, but I think in whoever measures all of that stuff out it is. And it’s made up of little neighborhoods, and a lot of the neighborhoods are based on culture and ethnicity, and it’s a really, really, I think, fascinating city. You have things like Chinatown, Little Italy, Little Portugal, Little India. You’ve got Somali neighborhoods, you’ve got all kinds of neighborhoods. And the neighborhood I live in is called Cabbagetown, and it is an old, old neighborhood, when we are talking Toronto years. Many of the houses here were built in the late 1800s, and they were originally built as fairly large Victorian homes. (05:14): And as the neighborhood turned over and the economy went belly up and all that sort of thing, the houses got into disrepair. A lot of them were turned into rooming houses or broken up into flats and things like that. And one of the reasons that they call this neighborhood Cabbagetown is that the people who lived here, because of the economic depression at the time, were growing cabbages in their front yard. And so that’s how it came to be called Cabbagetown. And for a long time, this neighborhood ...
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  • Interview with Christina Kovac – S. 11, Ep. 7
    Sep 28 2025
    My guest interview this week on the Crime Cafe podcast is with thriller author Christina Kovac. Get the bird’s eye lowdown scoop inside story about her latest novel, Watch Us Fall! For a copy of the transcript, click here. Debbi (00:54): Hi everyone. My guest this week worked in television news covering crime and politics at Fox Five’s 10 o’clock news in Washington DC. She went on to become a news producer and desk editor at the Washington Bureau of NBC News. She now writes psychological suspense thrillers set in DC. DC is one of my favorite places to talk about since I live near DC and worked in DC and well, I feel like a DC native almost. Her latest novel coming out in December is called Watch Us Fall. It’s my pleasure to have with me. Christina Kovac. Hi, Christina. How are you doing today? Christina (01:36): I’m doing great. Thanks for having me. Debbi (01:38): It’s my pleasure to have you on. Believe me, I’m always interested in talking to journalists and former journalists because you guys have such a difficult job. I mean, I know once upon the time I aspired to be a journalist, did freelance writing for a bit, but anyway, but I am intrigued by the description of your latest novel, which Alafair Burke described as, and I quote, “an insightful look at the complex dynamics of close female friendships and the lingering effects of trauma.” Wow. Tell us more about what inspired you to create the story. Christina (02:19): I started writing in the beginning, or I think it was in the beginning of the end of the pandemic, and a lot of people around me were coming out of the pandemic. It felt sort of traumatized. I think we all came out of our houses sort of stumbling. I don’t know how to act anymore. I don’t know how to with my friends anymore. I don’t know how to hug people anymore. And it really struck me that being alone, being away from each other felt like a traumatic experience. I wasn’t writing out of my own experience. But then I started thinking about what must that be like to have a kind of traumatic experience and then finally find a bunch of friends that you just want to hold onto and that you build this life around. And that was what these four female characters did. (03:30): They met in college. They’re Addie, Lucy, Penelope, and Estella, and they met at Georgetown and they became fast friends, and they were actually, when I was writing, I imagined that they started college during the pandemic like my daughter did, which was really a traumatic experience. They were stuck in their dorms. It was just a really horrible thing. They didn’t get to know each other, but what they did was they kind of hung out, the group in their little quad. They hung out very tightly together, and they became just kind of forever friends. And so I thought that was really interesting. I wasn’t writing out of my own traumatic experience, I will be honest. But at the time that I was writing, I was also very interested in the fact that misinformation had taken off. (04:25): A lot of people were listening to lies on the Internet about COVID and all the rest of things, and I wondered why they were so open to things that were obvious lies and misinformation. And I started to wonder if there was a connection between being alone in COVID and feeling kind of traumatized by that and believing things that were the exact opposite of what their doctors were telling them and what made absolutely no sense to any sensible human being. Basically, why you would believe a lie. And that was really the beginning of my thinking about these people. So it’s a bunch of disparate strands, strands, excuse me. It started in one place. It moved all over the place. That’s kind of how I write. I don’t know why. I wish I could just pick a lane and ride down the highway, but that’s just not really how I roll. Debbi (05:19): Yeah, yeah, I can appreciate that. It’s funny how when you’re writing, sometimes ideas come and stuff that you thought you were going to do change. Christina (05:30): But the beginning idea to take these four best friends in college and have them living a post-grad life in Georgetown, that was kind of always there. I was thinking a lot about how I miss my friends during the lockdown. I really miss the kind of hugging and the whispering, the drinking together and just handing a book off and saying, Hey, this is, and so I really had this feeling of just really intense loneliness that I wanted to write about four friends who would just do anything for each other and who would protect each other no matter what. And that was actually the seed of it all, and I think it stemmed from loneliness, from the pandemic. Debbi (06:26): Yeah, I can definitely believe that. It’s very interesting. Yeah. What sort of writing schedule do you keep? Christina (06:35): I write first thing in the morning. Debbi (06:37): First thing in the morning. Christina (06:38): I’ve trained myself. I used to be, ...
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  • Philip Marlowe in ‘The Lonesome Reunion’ – S. 11, Ep. 6
    Aug 31 2025

    The Crime Cafe once again is pleased to bring another episode from the annals of Old Time Radio! With one of my favorite protagonists–Philip Marlowe! With Gerald Mohr in the title role!

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