🎬 Ricky’s Wonderful World of Sound – Footsteps

In episode 5 of our Maker Series, Ricky Grove explores the often-overlooked power of footstep sound design — and how something as simple as a single step can define mood, build tension, and reveal character.

👣 What You’ll Learn:
How footstep sounds convey location, emotion, and suspense in film.
Why footsteps in the Spanish horror series 30 Coins masterfully foreshadow violence.
The challenges of using video game sound libraries for cinematic sound design.
Practical tips on recording and manipulating ambient sounds for realism.
How to find free, high-quality sounds using Creative Commons resources like freesound.org

🎧 Ricky breaks down how to use sound not just as background, but as storytelling — helping filmmakers, sound designers, and creators elevate their craft through the language of footsteps.

#SoundDesign #Filmmaking #MakerSeries #RickyGrove #FilmSound #FoleyArt #AudioDesign #HorrorFilm #CinematicSound #CreativeCommons #FreeSound #30Coins #Suspense #IndieFilm #FilmTips #machinima

About Ricky Grove
Ricky Grove is an award-winning actor, director, voice artist, and sound designer with decades of experience in stage, film, and virtual production.

After earning his BFA in Directing from Arizona State University and a Master’s in Acting from the Yale School of Drama, Ricky built a rich career in theatre and television, appearing in works such as Army of Darkness and ER. In the late 1990s, he became a pioneer in the machinima community, collaborating with trailblazers like Hugh Hancock, Phil Rice, and Jason Choi.

His contributions as a voice director, actor, and sound designer have shaped many award-winning early machinima films. He’s hosted festivals, championed the art form, and continues to share his passion as co-host of the Completely Machinima Podcast.

The first episodes of Ricky’s Wonderful World of Sound were originally created for the early-2000s machinima podcast The Overcast. This updated series expands his original teachings, offering timeless advice for creating powerful sound in machinima.

Credits -
Speaker / Producer / Sound Editor: Ricky Grove
Visuals & Music: Phil Rice

🎃 Halloween Special | Ricky’s Wonderful World of Sounds: MONSTERS! 👹

This Halloween, step into the dark side of Ricky’s Wonderful World of Sounds — where we explore the terrifying art of monster sound design! 🧟‍♂️

What do monsters really sound like? From the primal screeches that haunted early humans to the eerie, unearthly noises that send chills down modern audiences’ spines — this episode reveals how sound designers craft the perfect scare.

Discover:
🔊 Why you should hear the monster before you see it
🦴 How altered animal and environmental sounds create fear
🧬 The science of sound that taps into our instinctive fight-or-flight response
🎥 Classic monster sound examples from “Them!”, Godzilla, Predator, The Exorcist, and more

Whether you’re a filmmaker, sound designer, or just a Halloween horror fan, this episode will make you listen to fear in a whole new way.

💀 Subscribe, turn up the volume, and enter the world where sound becomes terror.

Ricky Grove shares his expert insights on using ambient sound to bring machinima to life, offering practical tips and creative ideas you can apply to your own projects. Whether you’re crafting your first indie animation or refining your cinematic game scenes, you’ll be inspired and better equipped to design unforgettable soundscapes.

About Ricky Grove
Ricky Grove is an award-winning actor, director, voice artist, and sound designer with decades of experience in stage, film, and virtual production. After earning his BFA in Directing from Arizona State University and a Master’s in Acting from the Yale School of Drama, Ricky built a rich career in theatre and television, appearing in works such as Army of Darkness and ER.

In the late 1990s, he became a pioneer in the machinima community, collaborating with trailblazers like Hugh Hancock, Phil Rice, and Jason Choi. His contributions as a voice director, actor, and sound designer have shaped many award-winning early machinima films. He’s hosted festivals, championed the art form, and continues to share his passion as co-host of the Completely Machinima Podcast.

The first episodes of Ricky’s Wonderful World of Sound were originally created for the early-2000s machinima podcast The Overcast. This updated series expands his original teachings, offering timeless advice for creating powerful sound in machinima.

🎧 Tip: For the best experience, close your eyes and immerse yourself in Ricky’s words.

Credits

• Speaker / Producer / Sound Editor: Ricky Grove
• Visuals, Monsters & Music: Phil Rice

#Machinima #SoundDesign #Filmmaking #3DAnimation #GameEngines #MonsterSounds #HorrorMovies #IndieFilm #VoiceActing

🕯️ Maker Series: Phil’s Music Notes – [Horror] Intervals 👻

🎃 A pre-Halloween special exploring the dark side of sound.

At its core, music is a game of intervals — the spaces between notes that define every melody, every emotion. Even without musical training, we instinctively recognize the cheerful sound of a major chord or the melancholy of a minor. But some intervals go far beyond sad or happy… some are unnerving, unsettling, even evil.

In this pre-Halloween edition of Phil’s Music Notes, we dive into the tritone, the infamous “Devil’s Interval.” Once banned by tradition and feared for its dissonance, this interval has haunted music for centuries — from John Williams’ shark-infested tension in Jaws, to John Carpenter’s chilling Halloween theme, to the thunder of Holst’s Mars, the chaos of Mussorgsky’s Night on Bald Mountain, and the heavy riffs of Black Sabbath and Metallica. 🎸

But there’s more to this sinister sound — it’s also at the heart of jazz harmony. Those lush, complex 7th chords you hear? They’re built on the same mysterious tritone. The very interval once deemed forbidden became the key to modern expression. In this episode, we’ll explore how this interval transformed from symbol of darkness to a cornerstone of musical color — and how you can use it to bring new life (or afterlife 👀) to your own compositions. For a full list of playlist Phil refers to, go to our Show Notes here: https://completelymachinima.com/maker-series-e2-phils-music-notes-horror-intervals/

🎧 About Phil Rice aka @zsOverman

Phil Rice is a composer, multi-instrumentalist, filmmaker, and storyteller whose creative work bridges the worlds of music, technology, and narrative art. With a background spanning rock, jazz, and digital media, Phil brings a uniquely analytical yet deeply emotional perspective to music theory and composition. His Maker Series: Phil’s Music Notes explores the building blocks of sound and how they shape the way we feel, think, and create — from timeless harmonic traditions to modern experimental sounds. Phil’s original music has appeared in independent films, multimedia projects, and his own albums, including Mad Hominem, where his song “Walking Papers” features a deliberate use of the tritone explored in this episode.

Through his work, Phil continues to celebrate the craftsmanship and curiosity at the heart of making music.

🧠 Listen. Learn. Create. Subscribe for more reviews, tips and hints 🔔 Don’t miss the next deep dive into the world where sound meets story.

For a full list of works referenced in this episode, go to our show notes web page.

Credits -
Producer/Editor: Phil Rice
Music: Phil Rice

#Makerseries #PhilsMusicNotes #HalloweenSpecial #MusicTheory #Tritone #DevilsInterval #HorrorMusic #JazzHarmony #FilmScore #Composing #MusicEducation #PhilRice

How do you make virtual worlds sound real? 🎧

In this episode of Ricky’s Wonderful World of Sound, Ricky Grove reveals the secrets of sound frequency—the subtle audio magic that transforms machinima and 3D game-engine films into unforgettable experiences. Perfect for filmmakers, animators, and sound lovers alike.

🎬 Ricky’s Wonderful World of Sound – Ambient Sound in Machinima

Discover how sound transforms storytelling in filmmaking, with a deep dive into frequency—the subtle audio that sets mood, builds atmosphere, and immerses your audience. This episode focuses on machinima—films created using 3D game engines and virtual worlds—making it a must-watch for filmmakers, sound designers, game creators, and animation enthusiasts.

Ricky Grove shares his expert insights on using sound frequency to bring machinima to life, offering practical tips and creative ideas you can apply to your own projects. Whether you’re crafting your first indie animation or refining your cinematic game scenes, you’ll be inspired and better equipped to design unforgettable soundscapes.

About Ricky Grove
Ricky Grove is an award-winning actor, director, voice artist, and sound designer with decades of experience in stage, film, and virtual production. After earning his BFA in Directing from Arizona State University and a Master’s in Acting from the Yale School of Drama, Ricky built a rich career in theatre and television, appearing in works such as Army of Darkness and ER.

In the late 1990s, he became a pioneer in the machinima community, collaborating with trailblazers like Hugh Hancock, Phil Rice, and Jason Choi. His contributions as a voice director, actor, and sound designer have shaped many award-winning early machinima films. He’s hosted festivals, championed the art form, and continues to share his passion as co-host of the Completely Machinima Podcast.

The first episodes of Ricky’s Wonderful World of Sound were originally created for the early-2000s machinima podcast The Overcast. This updated series expands his original teachings, offering timeless advice for creating powerful sound in machinima.

🎧 Tip: For the best experience, close your eyes and immerse yourself in Ricky’s words.

Credits

• Speaker / Producer / Sound Editor: Ricky Grove
• Visuals & Music: Phil Rice

#Machinima #SoundDesign #Filmmaking #3DAnimation #GameEngines #AmbientSound #VirtualWorlds #IndieFilm #VoiceActing

How do you make virtual worlds sound real? 🎧

In this episode of Ricky’s Wonderful World of Sound, Ricky Grove reveals the secrets of ambient sound—the subtle audio magic that transforms machinima and 3D game-engine films into unforgettable experiences. Perfect for filmmakers, animators, and sound lovers alike.

🎬 Ricky’s Wonderful World of Sound – Episode: Ambient Sound in Machinima

Discover how sound transforms storytelling in filmmaking, with a deep dive into ambient sound—the subtle audio that sets mood, builds atmosphere, and immerses your audience. This episode focuses on machinima—films created using 3D game engines and virtual worlds—making it a must-watch for filmmakers, sound designers, game creators, and animation enthusiasts.

Ricky Grove shares his expert insights on using ambient sound to bring machinima to life, offering practical tips and creative ideas you can apply to your own projects. Whether you’re crafting your first indie animation or refining your cinematic game scenes, you’ll be inspired and better equipped to design unforgettable soundscapes.

About Ricky Grove
Ricky Grove is an award-winning actor, director, voice artist, and sound designer with decades of experience in stage, film, and virtual production. After earning his BFA in Directing from Arizona State University and a Master’s in Acting from the Yale School of Drama, Ricky built a rich career in theatre and television, appearing in works such as Army of Darkness and ER.

In the late 1990s, he became a pioneer in the machinima community, collaborating with trailblazers like Hugh Hancock, Phil Rice, and Jason Choi. His contributions as a voice director, actor, and sound designer have shaped many award-winning early machinima films. He’s hosted festivals, championed the art form, and continues to share his passion as co-host of the Completely Machinima Podcast.

The first episodes of Ricky’s Wonderful World of Sound were originally created for the early-2000s machinima podcast The Overcast. This updated series expands his original teachings, offering timeless advice for creating powerful sound in machinima.

🎧 Tip: For the best experience, close your eyes and immerse yourself in Ricky’s words.

Credits

• Speaker / Producer / Sound Editor: Ricky Grove
• Visuals & Music: Phil Rice

#Machinima #SoundDesign #Filmmaking #3DAnimation #GameEngines #AmbientSound #VirtualWorlds #IndieFilm #VoiceActing

This week, we continue our discussion, reflecting on Season 5 and our predictions for 2026.... yep, sure is a lot going on in the world of #machinima! Do add your own thoughts into the comments (on our show notes).

1:01 Our predictions for 2026
1:10 Tracy’s thoughts!
4:26 A quick interjection on the Minecraft short we reviewed
6:47 Damien’s views and perspective on tools being used
7:38 Ricky’s prediction on genAI and it’s layering out and ethical approaches
10:27 Who is the world’s smartest dumb person?! Phil tees up some fab analogies – who is going to keep golfing?
22:30 The joy of machinima!
27:31 Killing off the golden goose
28:17 Creators we look forward to seeing: ⁨@Dominzki⁩ ⁨@thebizthebiz⁩ ⁨@biggstrek⁩ among others
30:00 Celebrating ⁨@DarthAngelus⁩ achievements with Heir to the Empire – a ‘big’ production project completed in machinima is a rare thing!
36:08 Ricky’s final wishes for 2026: ⁨@NeuralViz⁩ figures out how to bring Prag Snarbo back!
36:38 Exciting new CM episodes introduced – The Wonderful World of Sound by ⁨@RickyGrove⁩ and ⁨@zsOverman⁩

Credits -
Speakers: Ricky Grove, Phil Rice, Damien Valentine, Tracy Harwood
Producer: Tracy Harwood
Editor: Phil Rice
Music: Phil Rice & SunoAI

In this first part of our 200th episode of Completely Machinima Podcast, Ricky highlights ⁨@NeuralViz⁩ AI-driven films as a significant advancement, while Phil praised the fast-paced, subtle social commentary. We discuss legal developments affecting AI use, such as Warner Brothers suing Midjourney. The success of Blender's "Flow" at the Oscars is noted, emphasizing the growing capabilities of open-source tools. The conversation also touches on the breadth of aesthetic approaches to machinima projects, the rise of big-budget projects like "Predator: Killer of Killers," and the evolving role of generative AI in storytelling. Tune into next week's part B to hear about our predictions for next year!

Credits -
Speakers: Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine
Producer: Tracy Harwood
Editor: Phil Rice
Music: Phil Rice and SunoAI

This is our final film pick for Season 5, and it stimulates quite a discussion. The film is a concept test of tools and techniques, but the story and aesthetic is less inspiring. Check out our thoughts and do add your own comments below.

1:47 Introduction to Reflekt by @derunique
4:00 Anachronistically broken
10:25 Gelling the story?
11:54 The aesthetic of Unreal
13:19 Who is the apocalyptic soldier Unreal tutor?
14:00 The attraction of Unreal – its all about the technology, and little about the story
15:02 Comparison to Project Zomboid movie (S5 ep 193)
15:40 Camera work in Unreal is uninspiring!
18:12 Prazinburke Ridge remains the outstanding Unreal film we’ve seen
18:22 Lighting is a standout, ambiguity and some suggestions
25:31 Speaking vs talking to self, and quality and use of the sound library
33:11 Surrealism and uncanny are some of the most creative ideas
37:35 Why is the Unreal creator community just not hit the high notes just yet
39:29 Final words

Credits -
Speakers: Ricky Grove, Phil Rice, Tracy Harwood, Damien Valentine
Producer: Phil Rice
Editor: Phil Rice
Music: Phil Rice & SunoAI