Yonder
A Novel
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Jabari Asim
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most.
It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him.
Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust?
In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?
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Reseñas de la Crítica
of enslaved Black characters—searingly called the Stolen, their white enslavers rightfully are
Thieves—who attempt to survive the atrocities of the antebellum South. “All of us have two
tongues,” Janina Edwards opens as the narrator. “The first is for them. A broken joke of
language . . . The second is for us. It is a song of dreams and drums, whispered promises and
incantations.” And yet for each of the Stolen, the intimacy of their communications with each
other “can bring us to ruin,” risking vulnerabilities that reveal fears, desperation, joy, and most
especially love. Each of the remarkable, seasoned narrators seems well aware how the stunning
beauty of Asim’s lyrical writing ironically serves to amplify the brutality woven throughout. Adam
Lazarre White is measured William, who, driven by an inner strength, leans toward a gentleness
nurtured by his love for Margaret, who is at turns desperate and determined in Joniece Abbott-
Pratt’s presentation. JD Jackson aches as soulful Cato. Lamarr Gulley inspires both suspicion
and hope as freedom-encouraging Preacher Ransom. A single production quibble looms: that
rare who-read-whom would have added closing excellence." (Terry Hong)
Featured Article: 175+ of the Best Quotes from Black Authors, Activists, Entrepreneurs, and Artists to Celebrate Black History Month
Black History is American History. Whether writers, poets, activists, entertainers, scientists, entrepreneurs, or some combination thereof, Black people have frequently offered exactly the right words when they were needed most. This sweeping collection of wise, stirring, and thought-provoking words from Black Americans offers much to inspire all Americans.
poignant
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Powerful story of strength, faith and love
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Rushed ending
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Great listen
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Powerful
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Hated for it to End!
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Slavery
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Each of the characters was complexly written, with back stories that allowed a better understanding of each of them. I thought that the author did a great job of interweaving the worlds of the stolen and the thieves.
I especially loved the transcendent moment that Margaret experienced when among the people. When she worried that once on free soil, she would become like the thieves, unable to think of the “we” as opposed to the “I”. I was also left wondering about the hot ember inside the (to the thieves) complacent girl with the scar running down her face from having a jar, smashed upon it by screech owl. What would come of her?
The jarring opening paragraphs about the dead children, and the cruelty of fate will stick with me. I loved, especially, when Margaret said to William about their memory, that “they were not our children” to which he replied, “ of course they were”. And of course they are ours!
Kudos to the author, and kudos as well to the actors who brought the story to life.
Gorgeous story
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Mr Asim REALLY knows how to tell a story, and the actors really brought his words and characters to LIFE! Preacher Ransom’s rousing ceremony scene was a favorite of mine!
The audio seemed wonky at times (a few editing issues perhaps?), but did not detract from the overall experience of the story.
GREAT NARRATION Team! Editing could have been better
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new name for slaves and slave owner
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