
Will You Please Be Quiet, Please?
Stories
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Narrado por:
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Norman Dietz
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De:
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Raymond Carver
Acerca de esta escucha
With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.
©1991 Tess Gallagher (P)2017 TantorLos oyentes también disfrutaron...
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By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.
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Love Carver, But Dietz Ruins It With Reading
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Beginners
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- Duración: 8 h y 37 m
- Versión completa
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General
-
Narración:
-
Historia
Here is the original manuscript of Raymond Carver's seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature - his style is both instantly recognizable and hugely influential - and the pieces in What We Talk About..., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story.
De: Raymond Carver
-
Short Cuts
- Selected Stories
- De: Raymond Carver, Robert Altman
- Narrado por: Norman Dietz
- Duración: 4 h y 59 m
- Versión completa
-
General
-
Narración:
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Historia
The nine stories and one poem in this volume formed the basis for the astonishingly original film Short Cuts, directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. With deadpan humor and enormous tenderness, this is the work of "one of the true contemporary masters" ( The New York Review of Books).
-
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- Duración: 6 h y 20 m
- Versión completa
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General
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Here are twelve magnificent stories in which John Cheever celebrates—with unequaled grace and tenderness—the deepest feelings we have.
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- Narrado por: Holter Graham
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- Versión completa
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In Savages, Don Winslow introduced Ben and Chon, twentysomething best friends who risk everything to save the girl they both love, O. Now, in his high-octane prequel, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to the recent past, it is a tale of family in all its forms. As the younger generation does battle with drug dealers and crooked cops, they learn that their future is inextricably linked with their parents' history.
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- Narrado por: Jon Padgett, Linda Jones
- Duración: 21 h y 54 m
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Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.
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Lo que los oyentes dicen sobre Will You Please Be Quiet, Please?
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Sharlotte
- 04-24-18
Yes!
I rather enjoyed these stories. Albeit short stories are usually frustrating because they lead you in then desert you in a foreign landscape, I think the title of the book was true to the theme and absolved some of the guilt of the inherent abandonment. Yeah, I liked them, and the narrator as well.
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- Dirk Rasmussen
- 06-17-21
Ignore the Dietz haters
Completely bypass the negative comments about Norman Dietz from some of these supposed critics. Who knows what they were looking for in a narrator and who cares. He does a fantastic job and no emotion or humor is lost from the stories with his voice.
If you are new to Carvers writings be prepared for abrupt endings that may make you feel like either missed something or the recording cut out. It is written this way with purpose, and concentration on character. This may be off putting to those who look for formulaic style like you were taught in school. Carver is advanced literature but completely accessible to anyone who appreciates the art of writing.
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- Convere
- 12-01-20
RaymondCarver
Masterful story teller. Catches human’s most basic primitive instincts in a modern world. Stories are like a contemporary abstract painting which leaves the viewer/reader with the interpretation and conclusion up to them. Few writers have this gift.
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- Kevin McCoffee
- 03-10-24
I kept thinking horror
I know these aren't horror stories, spooky or jumpy, but they capture horror better than most short stories in that genre. I'm not saying that in a bad way. These stories are realistic and for the most part perfectly shaped scoops of life and decisions and dread. It's a superb collection.
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- Jeff
- 10-05-17
I guess I don't get Carver
I felt most of his stories stopped short of having a point. Narration wasn't great
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- Amazon Customer
- 08-02-23
Wonderful
Carver is a genius, and it's a shame he often goes underappreciated.
These stories are simple and have a very real, visceral quality to them. He doesn't waste words.
Also, it's worth mentioning that enjoyed the performance quite a lot. I understand some other reviewers didn't, but I wanted to provide a counter weight.
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- Darwin8u
- 03-31-19
Humanity at the Breaking Point
“Not in pictures she had seen nor in any book she had read had she learned a sunrise was so terrible as this.”
― Raymond Carver, "The Student's Wife" in Will You Please Be Quiet, Please?
A collection of 22 short stories averaging about 6-8 pages each (a couple might stray into the 11-15 page range) that Carver wrote during what Carver called his "Bad Raymond days" or "First Life" (1960-1974) . Disclosure, like in other short story collections, I may have put one star too many on some of these and accidentally left of a star when I should have actually included it it on several. I read these stories in San Diego drinking Diet Coke while laying under palm shade on fake grass at the Hotel del Coronado. I probably should have been drinking cheap bourbon to really get more into it. But that's it. I can't imagine getting MORE into it. Carver's spare writing guts me. I feel like I'm exposed, raw, and sore. He is brutal. Several stories almost made me cry (and I'm not a casual literary crybaby). While reading this, I kept thinking how different directors (Not Altman) would direct these stories? Some seemed almost Lynchian (the macabre hiding under the banal and normal), while some seemed more like they gave a K-Mart meets Alfonso Cuarón vibe. I liked the idea of him as the poor-man's Hemingway, but he is more human and brutal than just that. He captures humanity at the point where we break (and we all break).
1 "Fat" - ★★★★
2 "Neighbors" - ★★★★★
3 "The Idea"- ★★★★
4 "They're Not Your Husband" - ★★★★★
5 "Are You a Doctor?" - ★★★
6 "The Father" - ★★★
7 "Nodody Said Anything" - ★★★★
8 "Sixty Acres" - ★★★
9 "What's In Alaska?" - ★★★★★
10 "Night School" - ★★★★
11 "Collectors" - ★★★★
12 "What Do You Do in San Francisco" - ★★★★
13 "The Student's Wife" - ★★★★★
14 "Put Yourself In My Shoes" - ★★★★
15 "Jerry and Molly and Sam" - ★★★★★
16 "Why, Honey?" - ★★★★
17 "The Ducks" - ★★★★★
18 "How About This?" - ★★★★
19 "Bicycles, Muscles, Cigarettes" - ★★★★★
20 "Are These Actual Miles?" - ★★★★★
21 "Signals" - ★★★★
22 "Will You Please Be Quiet, Please?" - ★★★★★
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esto le resultó útil a 12 personas