Vampires and Vixens

Love Bites Books 1 and 2

De: Lauren Smith

Narrado por: Lucy Rivers

The Bite of Winter: She is theirs to claim. They are hers to save. Zoey finds herself caught in Ian's and Connor's web of seduction. But as Christmas draws near and her grief deepens, happiness seems far out of reach. And Ian and Connor join forces to prove their love is sacred, special...and forever.

His Little Vixen: Sadie Harris doesn't like immortals. After vampires leave her an orphan, she's raised by her grandmother at the edge of a werewolf pack's territory. As a fox shifter she knows the rules about werewolves: Stay clear of the boundaries, never go out after dark during the full moon, and take a vacation far, far away when she goes into her shifter mating heat or else she'll attract literal "big bad wolves." But when her flight gets cancelled and her mating heat is coming - so are the wolves. The last thing she expects is to get rescued by a tall, dark and gorgeous man...er...vampire. What's a vixen to do?

Contains mature themes.

©2020 The Bite of Winter copyright 2017 by Lauren Smith; His Little Vixen copyright 2020 by Lauren Smith (P)2020 Tantor

Great Read

I loved both stories. Both adorable and a great read. I won't mind reading them a second time.

2 Short books

I enjoyed the books especially the 2nd one where vampires and shifters come together. I will say I was extremely sad to see there is no book 3 ... I really wanted to hear that one especially after that teaser.

Too cutesy wootsey for me

Two books loosely connected about Scottish vampires finding true luv with little heart eyed damsels.

The Bite of Winter
Zoey’s living on the streets when she’s rescued by Ian and Conner and showered with clothes, sexy lingerie and the sorriest Xmas tree ever … doesn’t it just make you go awwww?

His Little Vixen
Sadie’s running from werewolves when she’s rescued by Seamus and snuggled in sheets and hugs.

Yeah, the teenage squee factor was smothering. The paranormal romance tropes (instant love, magical cures for what ails ya, etc) were eyerollingly hyperbolic, as were the one note villains and danger plots.