Unstrung

Rants and Stories of a Noise Guitarist

De: Marc Ribot

Narrado por: Marc Ribot

Iconoclastic guitar player Marc Ribot offers up essays and stories in this darkly funny and subversive debut collection.

"Ribot is an all-American original, and this collection provides plenty of insight into his fascinating mind." (Kirkus Reviews)

"Unstrung has all the honesty, original angles, beauty, and clangor found in Marc Ribot’s playing. His compassionate writing about Frantz Casseus gives a human face to his calls for artists’ rights. Like life itself, this book is bloody, funny, and bloody funny." (Elvis Costello, musician)

"An insightful tour through the razor-sharp mind of one of the world's most original and influential guitar masters. Ribot's acerbic wit, self-deprecating humor, and profoundly vexing love-hate relationship with all things guitar make for a fun and stimulating read." (John Zorn, musician)

"Ribot writes with great care for words, for sounds.... A good writer, like a good musician, and Ribot is both, needs to know what they're composing to be able to understand it, maybe even do it better the next time. His stories are moving and compassionate...revelatory, honest, and insightful." - Lynne Tillman, from the Introduction

"In the beginning, we may have thought Marc Ribot was a full-time Lower East Side tenants rights activist who moonlit as an ubiquitous downtown noise guitarist. Now we come to find out he's a phenomenal essay writer who has the nerve to be one of our loudest and most beloved electric jazz improvisers...[Ribot] composes essays about music and life of sublime wit, probity, and severe self-reckoning." (Greg Tate, author of Everything But the Burden: What White People Are Taking from Black Culture)

Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occasional unfilmable film "mistreatment" that showcase the sheer range of his voice, Unstrung captures an artist whose versatility with words rivals his dexterity onstage.

In the first section of the book, "Lies and Distortion", Ribot turns his attention to his instrument - "my relation to the guitar is one of struggle; I'm constantly forcing it to be something else" - and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician - he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties", Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.

©2021 Marc Ribot (P)2021 Audible, Inc.

Interesting Perspectives from Accomplished Artist

Engaging and relevant autobiography of this talented guitarist, composer, and storyteller. The various anecdotes detailing Ribot's personal life were fascinating, though, I particularly enjoyed the collection of short stories and film treatments.

Smart essays and clever stories

4.5 stars rounded up to 5. 5/5 for the essays and 4/5 for the stories.

First half is great.

Love the first half. It is inspiring and well written. Unfortunately the last half is self indulgent and disjointed, leaving the feeling that this could have been so much better had their been some quality control. I really wanted to hear more of the authors own story, I’m sure he has a lot more to tell, oh well.

There is a reason its free.

Mr. ribot who's guitar playing i enjoy. Comes off as jaded condescending and anything but open minded. For a man who's traveled the world he comes off a narrow minded to anyone who is not in some lower east side political underground movement. He uses offensive terms such as goy and goyish to describe middle american gentiles. (Which is a highly offensive slur) but he does a fine job has a nice narrating voice and the sound quality is fine. There are very few people who want to here a avant garde jazz guitarist play. I do. Sad part is im sure i could of learned something from his life lessons. But as with most things these days. They have to sprinkle in the politics