
The Three Apologies of G.K. Chesterton
Heretics, Orthodoxy & The Everlasting Man
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Narrado por:
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Henry Schrader
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De:
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G. K. Chesterton
Acerca de esta escucha
The three great apologies of G.K. Chesterton in one volume: Heretics, Orthodoxy, and The Everlasting Man.
Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton."
Before his conversion from atheism to knowing God, C.S. Lewis, the author of Mere Christianity and The Great Divorce, said "In reading Chesterton, as in reading MacDonald, I did not know what I was letting myself in for. A young man who wishes to remain a sound atheist cannot be too careful of his reading. There are traps everywhere."
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"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."
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Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.
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G. K. Chesterton was a famous English writer, Christian thinker, and philosopher that lived between 1874 and 1936. Here are three of his finest nonfiction works collected in a single volume: What's Wrong with the World, Orthodoxy, and Heretics. Within the audio of this collection, you’ll discover how Chesterton sets forth one of the most telling critiques of contemporary religious notions ever, and how he accepted his opponents’ challenge to set forth his own reasons for accepting the Christian faith.
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Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.
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A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.
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In this important book, G.K. Chesterton offers a remarkably perceptive analysis of social and moral issues, even more relevant today than in his own time. With a light, humorous tone but a deadly serious philosophy, he comments on errors in education, on feminism vs. true womanhood, on the importance of the child, and other issues, using incisive arguments against the trendsetters’ assaults on the common man and the family.
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The mind that finds...
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- Versión completa
-
General
-
Narración:
-
Historia
Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.
-
-
The reader makes the difference
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The Everlasting Man
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- Versión completa
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General
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Narración:
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Historia
Considered by many to be Chesterton's greatest masterpiece, this audiobook declares his comprehensive view of world history as informed by the Incarnation. Retelling mankind's story from the very beginning, he shows how all human desires are fulfilled in the person of Christ and Christ's church. With his characteristic brilliance and irony, he argues that Christianity is not just a religion to stand beside other religions, for the fact of the Incarnation sets it apart.
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General
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Historia
G. K. Chesterton was a famous English writer, Christian thinker, and philosopher that lived between 1874 and 1936. Here are three of his finest nonfiction works collected in a single volume: What's Wrong with the World, Orthodoxy, and Heretics. Within the audio of this collection, you’ll discover how Chesterton sets forth one of the most telling critiques of contemporary religious notions ever, and how he accepted his opponents’ challenge to set forth his own reasons for accepting the Christian faith.
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Disliked this reader's tone and cadence
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- Versión completa
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General
-
Narración:
-
Historia
Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.
-
-
well narrated audio of a masterpiece.
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De: G. K. Chesterton
Lo que los oyentes dicen sobre The Three Apologies of G.K. Chesterton
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- Brandon
- 07-01-20
A classic read well by a good narrator
I believe this narrator captures the essence of Chesterton's words. The narration is rather impressive and engaging.
I need not speak of Chesterton's work in much detail. But these three works contain essential apologetics in regard to understanding the character of today's age. Truly he is C.S. Lewis's predecessor in unraveling the metanarratives that bind the common man of today.
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esto le resultó útil a 4 personas
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- O.
- 02-27-24
A Rare Find - Great Wit, Superb Narration
G.K. Chesterton has a broad appeal. His cantankerous and brilliant wit and his Christian convictions shine with a very human yet steely resolve in his watertight prose to make him one of the great essayists, a strong influence on Jorge Luis Borges himself. Intellectual but accessible, Chesterton is a marvel, far better than manufactured projects like Oscar Wilde and Mark Twain. Henry Schrader's uncanny narration makes the experience even more pleasurable. Schrader is one to keep an eye (or, ear) on. This is one of my top 5 "finds" on Audible. Enormously impressive!
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- Joe Royal
- 10-04-22
A good deal, 3great books for the price of one!
I loved it.. If you,v like C,s Lewis... this was one of his favorite writers, you can definitely see how GK had inspired so much of his style of writing.
The book narrates with irony and reductios ad absurdum the folly of unbelief,,
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- Chad M. Houk
- 07-09-24
Somewhat lacking
In terms of its content, Heretics is classic Chesterton, although it is a bit more tedious than some of his other works. Unless you are well aware of important British literary figures of the late 19th and early 20th centuries--and appreciate their influence on English culture-- it will be a difficult read.
Having said that, the main object of my critique here is not the content but the narrator. Several reviewers have held him up as an excellent narrator, but I must demur. I do think he has a pleasant voice, and his style of delivery is engaging enough. However, I do not believe that he is equal to the task of reading this particular work. He mispronounces more than his fair share of words, and these mistakes quickly become distracting. In my opinion, literature of this rank warrants a narrator who is more self-aware, conscientious, and linguistically qualified.
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