The Power
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Narrado por:
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Adjoa Andoh
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De:
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Naomi Alderman
In The Power, the world is a recognizable place: there's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family.
But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: they can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets. From award-winning author Naomi Alderman, The Power is speculative fiction at its most ambitious and provocative, at once taking us on a thrilling journey to an alternate reality, and exposing our own world in bold and surprising ways.
"Captivating, fierce, and unsettling...I was riveted by every page. Alderman's prose is immersive and, well, electric." —New York Times Book Review
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Editor's Pick
It's a gender bender (too soon?)
"I love a truly post-apocalyptic novel, in which we've moved far past the point of catastrophe and destruction. Society has been rebuilt, and its members are left puzzling over the artifacts salvaged from our current civilization, trying to piece together the facts of our world. In Alderman's version, the patriarchy has been flipped on its head, with women the dominant gender, and Alderman paints a vivid picture of just what extreme circumstances it took to get us there. (Spoiler alert: it's not pretty.)"
—Emily C., Audible Editor
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Faulty Premise
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With regard to the voice actor, the “American” accents were terrible - to the point of distraction. I had previously listened to another book voiced by Ms. Andoh and she did a fine job. Further, Brits - even non actors - can usually do a passable American accent, so this was disappointing. No one speaks like this! It was beyond caricature. That said, it was probably a bridge too far to require a single actor to accomplish the wide range of US regional accents, genders, and ages, in addition to all the international accents. The Nigerian, Middle Eastern, and East European accents weren’t horrible, although far from accurate. The East Indian and presumably Latin American accents weren’t great either. It would perhaps have been more believable to just use her English accent throughout. She did, of course, do a good job with the nuances of regional English accents - Cockney-like for the gangsters, Queen’s English otherwise.
Overall, a decent read.
Interesting premise, clever elements
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Great book but voice ruins it
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disturbing role reversal
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Constantly had my attention
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