The Passage
A Novel (Book One of The Passage Trilogy)
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Narrado por:
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Scott Brick
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De:
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Justin Cronin
ONE OF PASTE’S BEST HORROR BOOKS OF THE DECADE • ONE OF TIME’S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: The Washington Post, Esquire, U.S. News & World Report, NPR/On Point, St. Louis Post-Dispatch, BookPage, Library Journal
“It happened fast. Thirty-two minutes for one world to die, another to be born.”
An epic and gripping tale of catastrophe and survival, The Passage is the story of Amy—abandoned by her mother at the age of six, pursued and then imprisoned by the shadowy figures behind a government experiment of apocalyptic proportions. But Special Agent Brad Wolgast, the lawman sent to track her down, is disarmed by the curiously quiet girl and risks everything to save her. As the experiment goes nightmarishly wrong, Wolgast secures her escape—but he can’t stop society’s collapse. And as Amy walks alone, across miles and decades, into a future dark with violence and despair, she is filled with the mysterious and terrifying knowledge that only she has the power to save the ruined world.
Look for the entire Passage trilogy:
THE PASSAGE | THE TWELVE | THE CITY OF MIRRORS
Praise for The Passage
“[A] blockbuster.”—The New York Times Book Review
“Mythic storytelling.”—San Francisco Chronicle
“Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road: a story about human beings trying to generate new hope in a world from which all hope has long since been burnt.”—Time
“The type of big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News
“Addictive.”—Men’s Journal
“Cronin’s unguessable plot and appealing characters will seize your heart and mind.”—Parade
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“[A] blockbuster.”—The New York Times Book Review
“Mythic storytelling.”—San Francisco Chronicle
“Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road: a story about human beings trying to generate new hope in a world from which all hope has long since been burnt.”—Time
“The type of big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News
“Addictive.”—Men’s Journal
“Cronin’s unguessable plot and appealing characters will seize your heart and mind.”—Parade
“Cronin has given us what could be the best book of the summer. Don’t wait to dive into The Passage.”—USA Today
“Great storytelling . . . vital, tender, and compelling.”—O: The Oprah Magazine
“Cronin gets it just right; the combination of attentive realism and doomsday stakes makes for a mesmerizing experience.”—Salon
“Magnificently unnerving . . . A The Stand-meets-The Road journey.”—Entertainment Weekly
“Imagine Michael Crichton crossbreeding Stephen King’s The Stand and Salem’s Lot in that lab on Jurassic Park, with rich infusions of Robert McCammon’s Swan Song, Battlestar Galactica and even Cormac McCarthy’s The Road.”—The Washington Post
“Mythic storytelling.”—San Francisco Chronicle
“Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road: a story about human beings trying to generate new hope in a world from which all hope has long since been burnt.”—Time
“The type of big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News
“Addictive.”—Men’s Journal
“Cronin’s unguessable plot and appealing characters will seize your heart and mind.”—Parade
“Cronin has given us what could be the best book of the summer. Don’t wait to dive into The Passage.”—USA Today
“Great storytelling . . . vital, tender, and compelling.”—O: The Oprah Magazine
“Cronin gets it just right; the combination of attentive realism and doomsday stakes makes for a mesmerizing experience.”—Salon
“Magnificently unnerving . . . A The Stand-meets-The Road journey.”—Entertainment Weekly
“Imagine Michael Crichton crossbreeding Stephen King’s The Stand and Salem’s Lot in that lab on Jurassic Park, with rich infusions of Robert McCammon’s Swan Song, Battlestar Galactica and even Cormac McCarthy’s The Road.”—The Washington Post
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I didn't know what I was getting into
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I very much enjoy the skill of the author to develop the characters and scenes. I find it very enjoyable to listen to. And I also very much appreciate the skills of the narrators. The first male narrator was able to differentiate the characters very well, and really nailed the dialect of the African nun (I've spent a few years in that part of the world).
I'm not a horror story fan, not by any means. And I didn't know this book was somewhat along that genre. The immediate preceding book I listened to was the Abraham Lincoln, vampire killer book. That one was absolutely stupid. I had no idea this book had a vampire theme also, so had to laugh at myself for getting two consecutive books with similar topics. But I found this one to be very engaging. There is very little in it that is simply gratuitious horror nonsense.
My daily commute passes too quickly. Actually, I'm worried about my safety because I'm a little too much into the story while driving a fairly dangerous highway.
The best audio listen for me so far
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Reader almost ruins a good story
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There BETTER be a sequel !
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Great story but disappointing ending.
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