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The Museum of Modern Love
- Narrated by: Laurel Lefkow
- Length: 8 hrs and 1 min
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Publisher's summary
Our hero, Arky Levin, has reached a creative dead end. An unexpected separation from his wife was meant to leave him with the space he needs to work composing film scores, but it has provided none of the peace of mind he needs to create. Guilty and restless, it is almost by chance that he stumbles upon an art exhibit that will change his life.
Based on a real piece of performance art that took place in 2010, the installation that the fictional Arky Levin discovers is inexplicably powerful. Visitors to the Museum of Modern Art sit across a table from the performance artist Marina Abramovic, for as short or long a period of time as they choose. Although some go in skeptical, almost all leave moved. And the participants are not the only ones to find themselves changed by this unusual experience: Arky finds himself returning daily. As the performance unfolds over the course of 75 days, so, too, does Arky. Connecting with other people drawn to the exhibit, he slowly starts to understand what might be missing in his life and what he must do.
This is a book about art, but it is also about success and failure, illness, death, and happiness. It's about what it means to find connection in a modern world. And most of all, it is about love, with its limitations and its transcendence.
An iBooks bestseller. Winner of the 2017 Margaret Scott Prize. Winner of the 2017 Christina Stead Prize for Fiction. Winner of the 2017 Stella Prize. Shortlisted for the Australian Literature Society's 2017 Gold Medal. Shortlisted for the 2017 University of Queensland Book Award for Fiction.
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- Joe Kraus
- 08-25-19
The Art of Presence
In college, I spent a lot of time trying to think about Frank O’Hara’s poem, “Why I Am Not a Painter.” Part of that was because my father and O’Hara split the major Hopwood Awards at the University of Michigan in 1950 – Dad won for prose and O’Hara for poetry – so that difference in genre seemed personal. And part of it was for the poem itself: what might it mean to go after a similar artistic statement in paint rather than words.
This novel explores a real-life conceptual artist’s work. Marina Abramovic sat at a table in a New York gallery for 75 days, and hundreds of people sat across from her briefly to meet her gaze. She was “present” to strangers, and it was an event that resonated. I was surprised to hear that even my children had heard of it.
It was also, it seems, powerful for the thousands who witnessed it, and Heather Rose has set out here to transform some of that experience from the performance genre to the novel.
As a result, this is both an effort to reclaim Abramovic’s original experiment – what does it feel like to be present for anyone who comes before you? – and an experiment in genre. It’s a little bit of what O’Hara was doing in trying to bring a painting into his poem.
I love that ambition, and I love that this novel works as well as it does to make Abramovic’s work resonate. I don’t know whether I’d have been moved by the actual experience of it, but I do know that I appreciate having it brought to me through multiple perspectives – including Abramovic’s own (thought much of that, I gather, is fictionalized from her biography).
Conceptually, then, this is more than worth it.
As a novel itself, though, it has its ups and downs. Our main protagonist is a composer of movie soundtracks. And, as such, he is himself invested in the work of transforming the images of cinema art into musical art.
Arky Levin is carrying a deep sadness. His best friend and closest collaborator has died in a recent car accident, and his wife is slowly dying from a wasting neurological disease. What’s more, because she remembers how devastated her father was when her mother died in similar fashion, she has fashioned a legal care document that denies him access to her. She’s left him all the money and resources he needs to continue his art, but he’s not allowed to come see her.
I get why that situation has emotional power here – and I get that it sets up an emotionally effective conclusion when [SPOILER:] Levin finally insists on visiting his nearly unconscious wife and being fully present for her as Abramovic has been for him – but I can’t escape the deeply contrived nature of it. The genuine power that Rose gives this is diminished by the clear artificiality of the barriers she’s thrown up for Levin.
There are a range of other characters too, most prominently a gentle woman from the South who’s lost her husband to cancer and sought distraction in New York. I love the way she and Levin bond over watching Abramovic watch others, and I love the way Rose conjures a sense of community among those who have been moved by the experience.
That said, though, I think the second half of this begins to run a little out of steam. The intense focus of the beginning, when Levin and his new friend forge a connection of mourners who can’t quite name their pain, gives way to other sub-plots that deal more with the world of art, its making, and its marketing. The characters that emerge there are ones, as I see it, who are less affected by the experience of the art than by the work of creating it. All that still works, but without quite the same beautiful edge of the opening chapters.
In any case, this is certainly a strong and moving work. It’s a reminder of how hard it is to open yourself to another’s pain, and that’s worth exploring in every medium we have.
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7 people found this helpful
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- Joseph Mckenna
- 08-11-19
A grown up book for grown up people.
Thought you would know yourself by 50? Guess what...age doesnt provide the answers, just better articulated questions. Read this novel and let author Heather Rose, help. The insights and reflections will hit home. Whatever your age, we all need love.
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4 people found this helpful
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- Paige
- 09-07-20
nothing exceptional
I didn't like it. The author failed to make me care about any of her characters. Perhaps my life experience hasn't provided me with any context to identify with them, but that typically isn't, and shouldn't be required with good writing. For example, I rate “A Constellation of Vital Phenomena” as the greatest fiction I’ve ever read, and I started with zero basis to identify with the story or characters. Granted, my bar is set high, but “Museum of Modern Love” by comparison, barely tried.
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- Geoffrey
- 09-14-19
interesting concept that lost me along the way.
I started this over twice, just so I could get all the characters straight. maybe a third time would help? since the narration is constant without dialogue, it's difficult to keep what is happening straight.
it's the kind of story better read than heard, as it requires too much sustained concentration. Or at least more than I could muster. Go for it if you have dedicated, no other distraction, listening time.
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- Zoe
- 08-31-19
I Only Finished Listening Because My Book Club Selected It
The novel was well written but an agony to finish. I found it pretentious. Furthermore, none of the characters spoke to me.
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- Jaye Nelia
- 01-10-23
Art and fiction, working it out
This book is a marvel—a twining of several love stories with the work of artist Marina Abramovic, who was “Present” in the atrium of the Museum of Modern Art in NYC for 75 days in 2010. Obviously this book isn’t for everyone, but you don’t have to be interested in Abramovic or performance art as a discipline to appreciate the beautiful writing and narrative. I knew nothing about Abramovic going in and quite a lot coming out, and I like what I learned. The author placed several characters in proximity to the extraordinary exhibition, and showed how it transformed them. That’s all the plot description I feel equal to right now. You don’t need more. If you love excellent fiction, you’ll love this. It will make you feel alert and in love with the world!
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- C Lee
- 12-20-22
Meh...
the story just didn't grab me at all. and the narrator was good except for her male voices which were cartoonish.
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- Essay Elle
- 12-14-22
Very Different
I vacillated between “this is deep” to “this is bizarre” ultimately landing on “this is different but I get it!” I do recommend this book. You have to keep an open mind but it is profound.
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- Tasch G
- 07-02-22
Thoughtful and tender
The reviews indicate this book isn’t for everyone but if you are a creator or lover of art I think it will speak to you.
It may lack a plot twists and tension pulling you forward but it speaks to a depth of connection, the rawness of being human and the unspeakable reasons we find one another.
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- Lisa Jason
- 06-23-22
A Breath of Fresh Air
Beautifully written & conceived! Memorable, Thought -Provoking, Sweet & Sad but with Hope & Promise. It was recommended on Audible and I agree that is the ideal format.
This book prompts Thought, the Age-Old Questions and allows Pause to Ponder.
Simply Brilliant!
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Story
In Pulitzer Prize-winner Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation.
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Too bad zero was not a choice...
- By IVAL on 04-28-13
By: Jennifer Egan
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Heaven
- A Novel
- By: Mieko Kawakami
- Narrated by: Scott Keiji Takeda
- Length: 6 hrs and 22 mins
- Unabridged
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Overall
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Performance
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Story
Hailed as a bold foray into new literary territory, Kawakami’s novel is told in the voice of a 14-year-old student subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormenters.
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Great listen
- By Anthony on 07-30-21
By: Mieko Kawakami
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Five Tuesdays in Winter
- Stories
- By: Lily King
- Narrated by: Bronson Pinchot, Mark Bramhall, Stacey Glemboski, and others
- Length: 6 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Lily King’s literary mastery, her spare and stunning prose, and her gift for creating lasting and treasured characters is on full display in this curated selection of short fiction. Five Tuesdays in Winter showcases an exhilarating new form for this extraordinarily gifted author writing at the height of her career.
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Depressing and Unfulfilling
- By Anonymous User on 11-16-21
By: Lily King
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Mitz
- The Marmoset of Bloomsbury
- By: Sigrid Nunez
- Narrated by: Wanda McCaddon
- Length: 2 hrs and 56 mins
- Unabridged
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Overall
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Performance
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Story
In the summer of 1934, “a sickly, pathetic marmoset” called Mitz came into the care of Leonard Woolf. He nursed her back to health and from then on was rarely seen without her on his shoulder. A ubiquitous presence in Bloomsbury society, Mitz moved with Leonard and Virginia Woolf and their circle, developing special relationships with such associates as T. S. Eliot and Vita Sackville-West. She accompanied the Woolfs on their travels and even played an important role in helping them to escape a close call with Nazis in Germany.
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A great pleasure
- By hh on 02-20-13
By: Sigrid Nunez
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The Vanishing Act of Esme Lennox
- By: Maggie O'Farrell
- Narrated by: Anne Flosnik
- Length: 7 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Story
Iris Lockhart is busy tending to the everyday business of her vintage clothing shop and her complicated love affairs when she receives a stunning phone call. Her great-aunt Esme, whom she never even knew existed, is being released from a psychiatric hospital where she has been locked away for over 60 years.
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The Vanishing Act of Esme Lennox
- By Jessica on 06-19-08
By: Maggie O'Farrell
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The Spectator Bird
- By: Wallace Stegner
- Narrated by: Edward Herrmann
- Length: 7 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
Joe Allston is a retired literary agent who is, in his own words, "killing time before time gets around to killing me." His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. But a postcard from a friend causes him to return to the journals of a trip he had taken years before.
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Fabulous
- By Joyce on 09-15-13
By: Wallace Stegner
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The Invisible Circus
- By: Jennifer Egan
- Narrated by: Madeleine Lambert
- Length: 11 hrs and 21 mins
- Unabridged
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Overall
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Performance
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Story
In Pulitzer Prize-winner Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation.
-
-
Too bad zero was not a choice...
- By IVAL on 04-28-13
By: Jennifer Egan
-
Heaven
- A Novel
- By: Mieko Kawakami
- Narrated by: Scott Keiji Takeda
- Length: 6 hrs and 22 mins
- Unabridged
-
Overall
-
Performance
-
Story
Hailed as a bold foray into new literary territory, Kawakami’s novel is told in the voice of a 14-year-old student subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormenters.
-
-
Great listen
- By Anthony on 07-30-21
By: Mieko Kawakami
-
Five Tuesdays in Winter
- Stories
- By: Lily King
- Narrated by: Bronson Pinchot, Mark Bramhall, Stacey Glemboski, and others
- Length: 6 hrs and 10 mins
- Unabridged
-
Overall
-
Performance
-
Story
Lily King’s literary mastery, her spare and stunning prose, and her gift for creating lasting and treasured characters is on full display in this curated selection of short fiction. Five Tuesdays in Winter showcases an exhilarating new form for this extraordinarily gifted author writing at the height of her career.
-
-
Depressing and Unfulfilling
- By Anonymous User on 11-16-21
By: Lily King
-
Mitz
- The Marmoset of Bloomsbury
- By: Sigrid Nunez
- Narrated by: Wanda McCaddon
- Length: 2 hrs and 56 mins
- Unabridged
-
Overall
-
Performance
-
Story
In the summer of 1934, “a sickly, pathetic marmoset” called Mitz came into the care of Leonard Woolf. He nursed her back to health and from then on was rarely seen without her on his shoulder. A ubiquitous presence in Bloomsbury society, Mitz moved with Leonard and Virginia Woolf and their circle, developing special relationships with such associates as T. S. Eliot and Vita Sackville-West. She accompanied the Woolfs on their travels and even played an important role in helping them to escape a close call with Nazis in Germany.
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A great pleasure
- By hh on 02-20-13
By: Sigrid Nunez
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Metropolitan Stories
- A Novel
- By: Christine Coulson
- Narrated by: Jill Eikenberry
- Length: 4 hrs and 29 mins
- Unabridged
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Overall
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Performance
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Story
A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.
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Stories of enchanting, lyrical, Magical Realism
- By Lili on 10-19-19
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The Art Forger
- By: B. A. Shapiro
- Narrated by: Xe Sands
- Length: 10 hrs
- Unabridged
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Overall
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Performance
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Story
Making a living reproducing famous artworks for a popular online retailer and desperate to improve her situation, Claire is lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting - a Degas masterpiece stolen from the Gardner Museum - in exchange for a one-woman show in his renowned gallery. But when that very same long-missing Degas painting is delivered to Claire's studio, she begins to suspect that it may itself be a forgery. Her desperate search for the truth leads Claire into a labyrinth of deceit where secrets hidden since the late 19th century may be the only evidence that can now save her life.
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The Art Forger
- By Cynthia on 01-02-13
By: B. A. Shapiro
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Euphoria
- A Novel
- By: Lily King
- Narrated by: Simon Vance, Xe Sands
- Length: 6 hrs and 53 mins
- Unabridged
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Overall
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Performance
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Story
English anthropologist Andrew Bankson has been alone in the field for several years, studying the Kiona river tribe in the territory of New Guinea. Haunted by the memory of his brothers' deaths and increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when a chance encounter with colleagues, the controversial Nell Stone and her wry and mercurial Australian husband, Fen, pulls him back from the brink. Nell and Fen have just fled the bloodthirsty Mumbanyo and, in spite of Nell's poor health, are hungry for a new discovery.
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Anthropologists in Love
- By David on 08-21-14
By: Lily King
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The 126 Year Old Artist
- By: C. Quintana
- Narrated by: Julissa Calderon, Sagan Chen, Zuleyma Guevara, and others
- Length: 1 hr and 35 mins
- Original Recording
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Overall
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Performance
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Story
"If this is one of those robocalls, please delete my number,” orders Reinalda Paraíso, a painter whose work lies at the heart of C. Quintana’s new play, The 126-Year-Old Artist. On the other end of the line is Yésica Ortega, a young, queer, Latine curator who “discovers” Reinalda's work at a flea market and becomes obsessively determined to make a name for them both.
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Beautiful play!
- By BrooklynArts on 06-18-23
By: C. Quintana
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Marrow
- By: Aditi Brennan Kapil
- Narrated by: Harriet Harris, Zehra Fazal, Michael Cullen
- Length: 3 hrs and 52 mins
- Original Recording
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Overall
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Performance
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Story
Aspiring audio producer Harriet (Fazal) gets the career boost of a lifetime: the chance to interview internationally famous thriller writer Lili Novak, who has agreed to give a masterclass about her creative process. The dream gig takes a dark turn, however, as Lili immediately dives into an eerie recount of her childhood.
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I was initially confused..
- By Samantha Wirkus on 03-30-23
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The Bone Witch
- The Bone Witch, Book 1
- By: Rin Chupeco
- Narrated by: Emily Woo Zeller, Will Damron
- Length: 12 hrs and 8 mins
- Unabridged
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Overall
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Performance
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Story