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Evil and the Mask
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Overall3.5 out of 5 stars 29
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Performance4 out of 5 stars 28
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The second book by prize-winning Japanese novelist Fuminori Nakamura to be available in English translation, a follow-up to 2012’s critically acclaimed The Thief—another fantastically creepy, electric literary thriller that explores the limits of human depravity—and the powerful human instinct to resist evil.
When Fuminiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. “I created you to be a cancer on the world,” his father tells him.
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Last Winter, We Parted
- By: Fuminori Nakamura
- Narrated by: Feodor Chin, Paul Michael Garcia, P. J. Ochlan
- Length: 4 hrs and 51 mins
- Unabridged
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Overall4 out of 5 stars 19
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Performance4 out of 5 stars 13
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Story4 out of 5 stars 12
Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura's latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity. A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime.
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The Boy in the Earth
- By: Fuminori Nakamura
- Narrated by: Brian Nishii
- Length: 2 hrs and 25 mins
- Unabridged
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Overall3 out of 5 stars 4
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Performance4 out of 5 stars 4
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Story3 out of 5 stars 4
Fuminori Nakamura's Akutagawa Prize-winner plunges us into the depths of a young man's winding, troubled psyche. An unnamed taxi driver in Tokyo has experienced a rupture in his everyday life. He cannot stop daydreaming of suicide, envisioning himself returning to the earth in what soon become terrifying blackout episodes. His live-in girlfriend, Sayuko, is in a similarly bad phase, surrendering to alcoholism to escape the memory of her miscarriage.
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Men Without Women
- Stories
- By: Haruki Murakami, Philip Gabriel - translator, Ted Goossen - translator
- Narrated by: Kirby Heyborne
- Length: 7 hrs and 18 mins
- Unabridged
-
Overall4.5 out of 5 stars 547
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Performance4.5 out of 5 stars 500
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Story4 out of 5 stars 500
Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.
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5 out of 5 stars
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Murakami Being Murakami
- By Jay Quintana on 05-10-17
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Kafka on the Shore
- By: Haruki Murakami
- Narrated by: Sean Barrett, Oliver Le Sueur
- Length: 19 hrs and 8 mins
- Unabridged
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Overall4.5 out of 5 stars 2,684
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Performance4.5 out of 5 stars 2,446
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Story4.5 out of 5 stars 2,442
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
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5 out of 5 stars
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Love it!
- By bleadof on 10-04-16
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Seventeen
- A Novel
- By: Hideo Yokoyama
- Narrated by: Tom Lawrence
- Length: 12 hrs and 38 mins
- Unabridged
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Overall4 out of 5 stars 12
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Performance4 out of 5 stars 12
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Story4.5 out of 5 stars 12
1985. Kazumasa Yuuki, a seasoned reporter at the North Kanto Times, runs a daily gauntlet of the power struggles and office politics that plague its newsroom. But when an air disaster of unprecedented scale occurs on the paper’s doorstep, its staff is united by an unimaginable horror and a once-in-a-lifetime scoop. Seventeen years later, Yuuki remembers the adrenaline-fueled, emotionally charged seven days that changed his and his colleagues’ lives. He does so while making good on a promise he made that fateful week.
-
Evil and the Mask
- By: Fuminori Nakamura
- Narrated by: Kirby Heyborne
- Length: 9 hrs and 11 mins
- Unabridged
-
Overall3.5 out of 5 stars 29
-
Performance4 out of 5 stars 28
-
Story3.5 out of 5 stars 27
The second book by prize-winning Japanese novelist Fuminori Nakamura to be available in English translation, a follow-up to 2012’s critically acclaimed The Thief—another fantastically creepy, electric literary thriller that explores the limits of human depravity—and the powerful human instinct to resist evil.
When Fuminiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. “I created you to be a cancer on the world,” his father tells him.
-
Last Winter, We Parted
- By: Fuminori Nakamura
- Narrated by: Feodor Chin, Paul Michael Garcia, P. J. Ochlan
- Length: 4 hrs and 51 mins
- Unabridged
-
Overall4 out of 5 stars 19
-
Performance4 out of 5 stars 13
-
Story4 out of 5 stars 12
Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura's latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity. A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime.
-
The Boy in the Earth
- By: Fuminori Nakamura
- Narrated by: Brian Nishii
- Length: 2 hrs and 25 mins
- Unabridged
-
Overall3 out of 5 stars 4
-
Performance4 out of 5 stars 4
-
Story3 out of 5 stars 4
Fuminori Nakamura's Akutagawa Prize-winner plunges us into the depths of a young man's winding, troubled psyche. An unnamed taxi driver in Tokyo has experienced a rupture in his everyday life. He cannot stop daydreaming of suicide, envisioning himself returning to the earth in what soon become terrifying blackout episodes. His live-in girlfriend, Sayuko, is in a similarly bad phase, surrendering to alcoholism to escape the memory of her miscarriage.
-
Men Without Women
- Stories
- By: Haruki Murakami, Philip Gabriel - translator, Ted Goossen - translator
- Narrated by: Kirby Heyborne
- Length: 7 hrs and 18 mins
- Unabridged
-
Overall4.5 out of 5 stars 547
-
Performance4.5 out of 5 stars 500
-
Story4 out of 5 stars 500
Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.
-
5 out of 5 stars
-
Murakami Being Murakami
- By Jay Quintana on 05-10-17
-
Kafka on the Shore
- By: Haruki Murakami
- Narrated by: Sean Barrett, Oliver Le Sueur
- Length: 19 hrs and 8 mins
- Unabridged
-
Overall4.5 out of 5 stars 2,684
-
Performance4.5 out of 5 stars 2,446
-
Story4.5 out of 5 stars 2,442
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
-
5 out of 5 stars
-
Love it!
- By bleadof on 10-04-16
-
Seventeen
- A Novel
- By: Hideo Yokoyama
- Narrated by: Tom Lawrence
- Length: 12 hrs and 38 mins
- Unabridged
-
Overall4 out of 5 stars 12
-
Performance4 out of 5 stars 12
-
Story4.5 out of 5 stars 12
1985. Kazumasa Yuuki, a seasoned reporter at the North Kanto Times, runs a daily gauntlet of the power struggles and office politics that plague its newsroom. But when an air disaster of unprecedented scale occurs on the paper’s doorstep, its staff is united by an unimaginable horror and a once-in-a-lifetime scoop. Seventeen years later, Yuuki remembers the adrenaline-fueled, emotionally charged seven days that changed his and his colleagues’ lives. He does so while making good on a promise he made that fateful week.
Publisher's Summary
The award-winning debut novel by Japanese noir master Fuminori Nakamura, translated into English for the first time.
From the moment university student Nishikawa spots the gun next to the dead man he's stumbled across on a nighttime walk, the world around him blurs. The gun - loaded with four bullets - brings an intoxicating sense of excitement to his life. But soon merely possessing the gun is not enough. He must shoot it.
Fuminori Nakamura's presence in the US has been steadily increasing since Soho's first publication of The Thief. A young, exciting Japanese author who has won Japan's prestigious Oe Prize (The Thief), Akutagawa Prize (The Boy in the Earth), and Shincho Literary Prize (A Gun). Nakamura's books always get great review coverage.
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- Chuck
- 08-10-17
this is one weird story.
Thie story reminded me of an Edgar Allan Poe story that could have been shortened by 80%. I kept listening on the promise that it might get better. The ending was obvious from the first but I continued to listen to confirm my suspicions. Thank goodness it was only a little over 4 hours long and not 10 or more
1 of 1 people found this review helpful
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Overall4 out of 5 stars
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Performance3 out of 5 stars
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Story4 out of 5 stars
- Bradly
- USA
- 05-01-16
The way of Gun
The narration sounded very much like an English Dubb of a background character at a subway station in a Japanese mystery. "Oh hey guy! You wanna that train there oh you crazy guy in such a hurry!" Still, not with out its charm.
The story is about who's really in control when one obtains power and how fast the distance between fantasy and action can meet.
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Overall3 out of 5 stars
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Performance4 out of 5 stars
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Story3 out of 5 stars
- Jay Quintana
- 01-19-16
An entertaining listen, but the protagonist is...
... not Raskolnikov. Since the book's rather obviously based on Crime and Punishment, it's impossible not to compare it to that work. And, well, it falls short. Not sure that's fair, but that's what I thought while I was listening to this. That said, I can't say this book bored me. If this were a film, it'd be a good, solid B-movie.
For some reason, it took me awhile to get used to the narrator's voice. Frankly, it was only about an hour into it that it stopped annoying me. After that, I had no problem with it.