The Golden Age of Murder

De: Martin Edwards

Narrado por: Leighton Pugh

Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.

Detective stories of the Twenties and Thirties have long been stereotyped as cosily conventional. Nothing could be further from the truth.

The Golden Age of Murder tells for the first time the extraordinary story of British detective fiction between the two World Wars. A gripping real-life detective story, it investigates how Dorothy L. Sayers, Anthony Berkeley, Agatha Christie and their colleagues in the mysterious Detection Club transformed crime fiction. Their work cast new light on unsolved murders whilst hiding clues to their authors’ darkest secrets, and their complex and sometimes bizarre private lives.

Crime novelist and current Detection Club President Martin Edwards rewrites the history of crime fiction with unique authority, transforming our understanding of detective stories, and the brilliant but tormented men and women who wrote them.

©2015 Martin Edwards (P)2015 HarperCollins Publishers Ltd

Reseñas de la Crítica

‘Few, if any, books about crime fiction have provided so much information and insight so enthusiastically and, for the reader, so enjoyably’ THE TIMES

‘Illuminating and entertaining – provides a new way of looking at old favourites. I admire the way that Martin Edwards weaves the sometimes violent, sometimes unlawful, and always gripping true stories of these writers with the equally wild tales they tell in their books.’ LEN DEIGHTON, author of SS-GB

‘Forensically sharp and exhaustively informed… Crime fiction is driven by death. In this superbly compendious and entertaining book, Edwards ensures that dozens of authorial corpses are gloriously reborn.’ MARK LAWSON, GUARDIAN

‘Edwards knows his business. He understands how to parcel out the clues and red herrings so as to feed the reader enough information to keep a variety of possibilities open, while making sure to prepare for a satisfying solution.’ SEATTLE POST

‘You can learn far more about the social mores of the age in which a mystery is written than you can from more pretentious literature. I mean, if you want to know what it was like to live in England in the 1920s, the so-called Golden Age, you can get a much better steer from mysteries than you can from prize-winning novels.’ P. D. JAMES

Should Have Bought the Kindle Book

This is a nonfiction book about the founding members of the Detective Club, a club set up by a group of British mystery writers. Some are familiar: Dorothy L. Sayers, Agatha Christie, G. K. Chesterton, E. C. Bentley, Ronald Knox, Baroness Orczy and Freeman Willis Crofts, some not so well known, and some downright obscure.

I've never thought that Martin Edwards was a particularly scintillating author. I've listened to one of his mysteries and read another. In this case I was interested in the information he provided, but I didn't much care for the narrator and with no way to locate particular passages in the audio book, it isn't nearly as useful as I would like.

Something that really annoyed me was the fact that the author was trying not to "spoil" the mysteries which makes it hard to really appreciate what he was trying to say about the books. Of course I belong to the group that believe that no really good book can be spoiled because it is the journey that is interesting not the ultimate conclusion. The writers of the period appear to have regarded their mysteries as somewhere between a crossword puzzle and literature.

I did end up ordering a few books that I had never known existed though.

Fascinating

This multiple award winning book studies the early history of the Detection Club, a social organization for mystery and crime authors, from it's inception in 1930 through the start of World War II. Martin discusses the life and interests of these Golden Age writers, such as their fascination with real life crime, their relationships with each other, and the various secrets in their own lives. He focuses more in depth on Agatha Christie, Dorothy L. Sayers and Anthony Berkeley than the most, but still includes a good deal of anecdotes and information on many other members.

The Golden Age of Murder is an ode to the mystery novels and authors of the Golden Age (the years between the two World Wars), and it's obvious that Edwards loves these devotedly. Using the resources available to him as current President of the Club, he gives reams of stories about these authors that are enlightening as well as entertaining. He discusses the real life murders that so interested this group, as well, and shows how those crimes influenced some of the Golden Age novels.

Edwards debunks popular myths about the genre and it's creators, as well as showing how current events shaped many of the plots, and further, how these books impacted future crime writers.

He discusses many of the most famous Golden Age stories, as well as mentioning lesser known authors and their works. He is careful not to spoil the solutions of any of the novels, while giving tantalizing glimpses of the plots. I now have a list of new-to-me authors and books to explore.

Edwards also uses his own deductive powers to answer questions about the secrets of Christie, Sayers, and Berkeley. These are, of course, his own opinion and are meant to be taken as such, but he gives sound reasoning for his solutions.

I've seen complaints saying that if the reader does not have a basic understanding of this very specific period of fiction or a fascination with it, this book will be unreadable -- but why would such a one pick it up in the first place? The Golden Age of Murder is, I believe, intended to be a gift from Edwards to his fellow fanatics and I found it to be just that.

As this is nonfiction, and requires very little voice acting, it's hard to really judge Mr. Pugh's talent, but he the performance he gave was exactly what was needed.

Doesn't work as an audiobook

I was really looking forward to this book. I'm a longtime fan of Christie and Sayers and other 'Golden Age' authors. Which makes it all the more disappointing that frankly, this book sucks. I'll give it the benefit of the doubt; maybe it's OK as a print book (it does have great reviews), but as an audiobook it's just terrible. I'm halfway through part 1 and I don't think I want to waste another 12 hours of my life trying to listen to this. It's like a bad master's thesis: it jumps around in time and subject between the writers and the Murder Club in no logical order that I can figure out. It's written and read in a very dry manner that does not engage the listener. Every chapter ends with a couple of dozen footnotes that are dutifully read by the narrator. Can you imagine what it's like to listen to a list of footnotes one or 2 sentences long that are not placed in context? I just can't continue with it; it's getting returned.