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The City on the Edge of Forever  By  cover art

The City on the Edge of Forever

By: Harlan Ellison
Narrated by: full cast,Orson Scott Card,Bonnie MacBird,Richard J. Brewer,Ryan C. Britt,Richard Gilliland,Larry Nemacek
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Publisher's summary

The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, The City on the Edge of Forever won the 1966-67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo Award.

The City on the Edge of Forever is, at its most basic, a poignant love story. Ellison takes the listener on a breathtaking trip through space and time, from the future all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe - and his one true love.

This edition makes available the astonishing teleplay as Ellison intended it to be aired. The author's introductory essay reveals all of the details of what Ellison describes as a "fatally inept treatment" of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?

For a full cast/character list and table of contents, please visit www.SkyboatMedia.com.

©1975 Harlan Ellison. © 1995 by the Kilimanjaro Corporation. Afterwords © 1995 and 2016 by the authors (P)2016 Skyboat Media, Inc.

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    4 out of 5 stars
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Ok Harlan, we get it

Harlan Ellison is a gifted writer, no question about it, but he's also an obnoxious, vicious, bitter old man. The first half of this book was an hours-long rant by Ellison, who inarticulately mumbled his way through a multitude of reasons why Gene Roddenberry was a jerk, Shatner was a prima donna, and he, Ellison, got screwed by everyone (except Nimoy), all the while insulting any and all Star Trek fans who happened to like the version of his story that aired.

I've been watching Star Trek for all its 50 years. No one who really understands what the Star Trek Universe is about would dispute that Gene Roddenberry was not a perfect human being. We all know that Shatner is self-absorbed and loves...Shatner...most...of...all. But the point is we don't care. We love what Roddenberry left us. We loved how Shatner (and his fellow crew-mates) grew into their parts as the series moved beyond TV.

It's too bad that Ellison was screwed over by Roddenberry...and I understand his being pissed off about it, but it might be time to let it go...or at least restrict your rant to a half hour at the most.

All that being said, this book is wonderful...I said I was an Ellison fan. I loved hearing the original concept version of City on the Edge of Forever...the one that didn't get made, and while I understand why it was changed, and recognize that it was very un-Trek-like in its original form, I would have liked to see it produced.

If you like Star Trek and all the history surrounding it, then I recommend this book...listen to the rant by Ellison understanding that he is angry and bilious. There is a lot of interesting information in his tirade. Then, when it's over, you'll be treated to some great versions of one of his most interesting stories.

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Oh Harlan.

Look, here's the deal. I have loved Harlan Ellison since before I was probably old enough to understand his wonderful prose. He was an inspiration to me in a number of ways as I grew up. This book though, isn't filled with any interesting insights other than a big "Fuck you" to Roddenberry, and implied insults to the reader if they prefer the version that aired.

Harlan, if you are reading this: let. It. Go. Jesus Christian man, do you think you are the only person who was fucked over by a job? You even came out of it ahead of the game, man. Two awards for two different scripts? Most beloved episode ever? Move on, dude. We all know you are brilliant, but also we all know that in 19-fucking-66 TV was much different. Roddenberry had to play by the rules or his show would get pulled. He made compromises, yes, but you got the credit and you got the basically story arc in place. And you know what? The telephone as filmed was pretty damned amazing. So, relax man.

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Lots of complaining but the story stands out

Ok, first of all there is a lot of fussing and complaining about how Harlan Ellison was treated by Gene Roddenberry, and how the original story was treated and changed before the show was filmed. It wasn't all bad because of all the information and details behind how this was made that was revealed. I can understand some of Harlans complaints but it seemed to drag on after a while. As for his original story, It was very good indeed, but not really Star Treky. I do agree somewhat with the revisions made and that they made for a better Star Trek episode. Multiple versions of the script are performed and you can judge for yourself. I did enjoy listening to the various versions and am glad they dropped the "space pirates".

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Harlan Ellison's hours-long diatribe ruined this

This book wasn’t for you, but who do you think might enjoy it more?

If you enjoy listening to several hours of invective and venom before even getting to the story you thought you purchased, then go ahead and get this audiobook; if you want to hear several versions of the same story, purchase this audiobook. It is interesting to listen to, from the perspective of variations on a screenplay, but it is not really worth wasting a credit on.

Has The City on the Edge of Forever turned you off from other books in this genre?

No. Just turned me off from any book that includes any intro, prologue, forward, or other narrative in Harlan Ellison's voice.

Who would you have cast as narrator instead of the narrators?

I would have completely removed the Harlan Ellison diatribe. Completely ruined the book for me.

You didn’t love this book... but did it have any redeeming qualities?

Nope.

Any additional comments?

Re-publish the book, but separate the Harlan Ellison diatribe into a physically-separated "book" so that the listener can see just how much they have wasted on his invective against the "Star Trek legacy".

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Author turned me off in an overly large intro

I wanted to hear Harlan Ellison's version, not a hostile blistering repudiation of Television rewriting.

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