
The Casebook of Victor Frankenstein
A Novel
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Compra ahora por $18.00
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Narrado por:
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John Lee
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De:
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Peter Ackroyd
When two 19th-century Oxford students - Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley - form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors.
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner.
But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men - the resurrectionists - whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity.
Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the 21st century.
©2009 Peter Ackroyd (P)2009 Random HouseListeners also enjoyed...





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Reseñas de la Crítica
Monster? What Monster?
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Literary Monster
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The book is the story of Victor Frankenstein and his monster transplanted to the England of Lord Byron and Percy Shelley. The rough outlines of the plot are still here, but Ackroyd fills in a lot of the details: where Mary Shelley coyly avoided describing the life-giving process Frankenstein developed, Ackroyd explains it all, chapter and verse.
It doesn't matter that much of the biography and history recorded here are inaccurate. It doesn't matter that bits of the novel are mixed in with doses of scientific nonsense. It's all in fun: it's a bit like "Rosencrantz and Guildenstern Are Dead" in that respect.
Ackroyd had me up to the last couple of pages. But I enjoyed the rest of it so much I can't bring myself to downgrade it too badly on that account. And John Lee's narration is as buoyant and energetic as always.
Interesting fantasia
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What to make of this? Revising and recording in his journal the "facts" of the fictional Victor's life is a clever strategy, but I found myself a bit irritated by the distortion of Percy Shelley's biography; a good historical fiction writer would not have gone this far. As a result, I found myself puzzling over diversions from Mary Shelley's novel as if it, too, was biography. Readers who are as familiar with Frankenstein as I am may find themselves lost in a strange book, somewhere between fact and fiction (but always, predominantly fiction). But perhaps this is what Ackroyd intended: to shake up our notions of reality and of genre.
Rather Disappointing
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Astonishngly Bad
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