
Still Life with Bread Crumbs
A Novel
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Narrado por:
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Carrington MacDuffie
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De:
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Anna Quindlen
Acerca de esta escucha
A superb love story from the number-one New York Times best-selling author Anna Quindlen
Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.
Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.
©2014 Anna Quindlen (P)2014 Brilliance Audio, Inc.Los oyentes también disfrutaron...
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The Museum of Extraordinary Things
- A Novel
- De: Alice Hoffman
- Narrado por: Judith Light, Grace Gummer, Zach Appelman
- Duración: 12 h y 18 m
- Versión completa
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Coney Island: Coralie Sardie is the daughter of the impresario behind The Museum of Extraordinary Things, a boardwalk freak show that amazes and stimulates the crowds. An exceptional swimmer, Coralie appears as the Mermaid in her father's "museum", alongside performers like the Wolfman, the Butterfly Girl, and a 100-year-old turtle. One night Coralie stumbles upon a striking young man photographing moonlit trees in the woods off the Hudson River.
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Captivating historical fiction+Hoffman interview!
- De Brendolynne en 06-04-14
De: Alice Hoffman
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Lots of Candles, Plenty of Cake
- A Memoir of a Woman's Life
- De: Anna Quindlen
- Narrado por: Anna Quindlen
- Duración: 7 h y 7 m
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In this irresistible memoir, the New York Times best-selling author and winner of the Pulitzer Prize Anna Quindlen writes about looking back and ahead - and celebrating it all - as she considers marriage, girlfriends, our mothers, faith, loss, all the stuff in our closets, and more. Lots of Candles, Plenty of Cake is filled with the sharp insights and revealing observations that have long confirmed Quindlen’s status as America’s laureate of real life.
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Worth a listen!
- De Sheila A. Dechantal en 05-12-12
De: Anna Quindlen
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Write for Your Life
- De: Anna Quindlen
- Narrado por: Anna Quindlen
- Duración: 3 h y 19 m
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What really matters in life? What truly lasts in our hearts and minds? Where can we find community, history, humanity? In this lyrical new book, the answer is clear: through writing. This is a book for what Quindlen calls “civilians,” those who want to use the written word to become more human, more themselves.
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An inspiring telling
- De JV in FL en 08-22-22
De: Anna Quindlen
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A Short Guide to a Happy Life
- De: Anna Quindlen
- Narrado por: Anna Quindlen
- Duración: 34 m
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In this treasure of a book, Anna Quindlen, the best-selling novelist and columnist, reflects on what it takes to “get a life” - to live deeply every day and from your own unique self, rather than merely to exist through your days. “Knowledge of our own mortality is the greatest gift God ever gives us,” Quindlen writes, “because unless you know the clock is ticking, it is so easy to waste our days, our lives.”
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short=thin=not worth the price
- De CARL V PHILLIPS en 04-09-04
De: Anna Quindlen
Would you consider the audio edition of Still Life with Bread Crumbs to be better than the print version?
Miss reading her in the Times. Haven't read one of her books and this was an excellent place to start. Really enjoyed it.Excellent
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Story was not typical thanks AQ.
entertaining, and pleasant
Enjoyed AQ's discretions from dogs to houses
always the A Quindlin fan
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Didn't want it to end
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A truly lovely book for women over 50
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Not so! Stuffed with clunky stereotypes, improbable coincidences and dubious epiphanies, this book gives "chick lit" its reputation for triviality. Our heroine, Rebecca, is tall and effortlessly slender, like any romance novel heroine, except much more tastefully dressed -- black everything, straight un-dyed hair and no makeup, which I suppose is meant to signal her stature as a serious artist. (This is the first wrong note: If Nora Ephron taught us anything, it's that sixty for women is nothing if not relentless grooming). It has been twenty years since her divorce, but she chews over this old failure endlessly, with no apparent insight: her ex-husband is portrayed in terms so exclusively negative I half-expected him to start twirling a pair of mustachios. The village in which she finds herself has an equally manichean populace: one is either good and simple (the baker) or cruel and incompetent (the baker's husband). Our heroine's love interest is a rough-hewn, straight-talking man's man, who spends an awful lot of time setting a good example and threatening the folks who won't follow it. Lest you excuse him as just the male counterpart of Rebecca, acquiring the habit of warning kids off his lawn, he's much much younger than she. And an environmentalist. And, true to the romance genre, he has a Secret Sorrow, which provides the pivot on which this creaky tale balances. So careless is the plot that at one point I thought perhaps Rebecca was going to be revealed, thrillingly, as not an artist, but a dimwit: she writes a crucial letter to her love, but never sends it, because she does not know his address. Though she HAS been to his house, which is just down the road. And he's been faithfully plowing her drive all winter.
The author has some good descriptions of the domestic woes of a young mother, and has a sharp eye for the customs and citizens of high culture: I found myself wishing Rebecca would stay in this world and fight for her work. It would have been a truer, and harder-won, victory. But instead, I think we can confidently expect a middling Hollywood movie, starring Diane Lane or Julianna Margulies, with whoever is taking over Viggo Mortensen's roles as the younger hunk.
I now picture the NYT reviewer: well-educated, well-connected, in head-to-toe Eileen Fisher, who would never be caught with anything like Fabio on the cover of a book she reads, but who nonetheless yearns for Romance. The cover is completely respectable -- you can carry it without shame on the subway -- but the goods within are shoddy indeed.
A Gentrified Harlequin
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It was a pleasant story.
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What did you love best about Still Life with Bread Crumbs?
I enjoyed the narrator's somewhat staccato performance, as it seemed to mesh well with the main character's personality. I particularly enjoyed the author's use of the dog's perspective.A steady tale of escape from the expected
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Exquisite!!
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A pleasant story, an easy read
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Average Story, Not a Lot Happening
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