
Ronald Rabbit Is a Dirty Old Man
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Compra ahora por $14.95
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Narrado por:
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Theo Holland
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De:
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Lawrence Block
"This is either the funniest dirty book or the dirtiest funny book ever written!" (Isaac Asimov)
Somewhere around 1969, I began to grow dissatisfied with the underlying principle of most novels - that a disembodied voice in the first or third person was telling us a story.
I liked the idea of novels passing themselves off as documents and drew inspiration from Mark Harris's Wake Up, Stupid and Sue Kaufman's Diary of a Mad Housewife, the first, ostensibly a collection of letters, the second, duh, a diary. (One could, of course, go back further, to the very beginnings of the English novel in the works of Daniel Defoe and Samuel Richardson.) I also found myself interested in writing with greater candor about sexual topics. I had knocked out dozens of soft-core paperbacks, and wanted to try anew with greater freedom and more realism.
I wrote three paperback original novels for Berkley under the pen name Jill Emerson, two of them in diary form, the third a presumed collaborative novel written in concert by the three viewpoint characters. These were fun to do and worked out well, and they led to Ronald Rabbit Is a Dirty Old Man. I riffed on the experience of my friend George Dickerson, who, like the novel's protagonist, had the magazine he was editing folded out from under him.
George went on reporting to his empty office for several months, until they found him out when they noticed he'd stopped using his expense account. A man of many talents, George went on to serve as a reporter for Time Magazine for several years, then segued into a career as an actor; he had a principal role in Blue Velvet.)
I spliced in an experience of my own, when I drank for hours at the Kettle of Fish on Macdougal Street, emerging only to be picked up by a carful of rich Catholic schoolgirls from the Academy of the Sacred Heart in Noroton, Connecticut, who essentially kidnapped me and drove me back to school with them.
These things happen.
I wrote the book in four furious days in an apartment on West 35th Street. I did so, thinking it would be another pseudonymous paperback, and that no doubt gave me the freedom to write it as I did; after it was written, the friends who read it liked it so much that I was persuaded to publish it as a hardcover novel, and under my own name.
My agent sent it to Bernard Geis, a quirky publisher whose editor - Don Preston - loved the book. Bernie had offices on two floors in midtown Manhattan, and had installed a fireman's pole in case one wanted to get from 9 to 8 in a hurry. All I recall of Don is he told me to avoid seeing Carnal Knowledge, which he hated, and that I must hurry to see McCabe and Mrs.Miller, which he loved. Once I'd managed to sit through McCabe and Mrs. Miller, I knew I'd love Carnal Knowledge.
Around the time the story was published, Bernard Geis slid into chapter 11. I can't think this had a salutary effect on sales. Martin Levin in The New York Times book review pointed out that the book was written in the form of a series of letters, which was also the case with Richardson's Pamela, generally acknowledged to be the first English novel. And that, Mr. Levin said, was as much as he had to say on the subject. Well, that's fair.
I had the publisher send a copy to Isaac Asimov, whom I'd met a few times over the years. "That's either the funniest dirty book or the dirtiest funny book I've ever read," Isaac told me. "That would make a wonderful blurb," I said. "Over my dead body," he replied.
Well, okay. Isaac's been gone over 25 years now, and while I wish he were still around, he's not. And so, I'll just remember him fondly, and thank him for giving Ronald Rabbit Is a Dirty Old Man a helping hand, all these years later.
©1971, 2015 Lawrence Block (P)2020 Lawrence BlockListeners also enjoyed...





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A Nasty Little Treat
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Isaac Asimov was right about this book.
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If you enjoy audiobooks, Theo Holland delivers his usual excellent work as narrator. It is more than easy to fall into the rhythm of his voice as he reads and in this, a comedy, the humour is never lost. Holland’s work makes this a good one to check out if you haven’t listened to a book before.
Very funny
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LB is the man!
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Hilarious
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Speaking of compliment - narrator Theo Holland does it again. He understands "funny," the pacing the use of voice, inflection, and all. His artistry seems to life the story off the page. Mr. Holland never gets in the way, but always enhances the listing enjoyment.
I highly recommend two things - 1) this book, especially if you feel the need to laugh; 2) do NOT listen to this with other people around or at peak sound with your car window down! For the fainthearted - this is not for you, it is extremely x-rated in language and situational descriptions.
A win...or dare I merely say "Wow!"
Screwball, (very x-rated), Hilarity!
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I don't usually like books that are told through letters. I always think you lose something in the two-dimensional world. That was soooo not the case with this book. I felt every emotion and saw every event (sometimes too clearly.) There were some salacious moments but some seriously funny one's as well. Our dirty old man was shrewd!!!
As for the narration, I think I've found a new favorite!!
This book is not for everybody but man, am I glad I found it. It made for a very engaging listen and I needed that today.
What did I just listen to???!!!!
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I spent the night laughing at Larry's rich and varied correspondence with those he perceives as ruining his life. I could not stop listening until the audiobook had concluded.
This is one of Block's early works and shows the sense of humor that comes up in so much of his later writing. Further, it shows the clarity of style he always displays. While epistolary novels are not really my thing, this one rates right up there with the best of the genre. It actually reminded me in several instances of Lawrence Sterne's THE LIFE AND OPINIONS OF TRISTAM SHANDY in its rollicking ramble through the days following Larry's separation from both his wife and his employment on the same day. It also reminded me of Westlake's DANCING AZTECS (the quintessential New York novel), and Vonnegut's CAT'S CRADLE in terms of sheer craziness.
The only caveats I can see are that some folks might object to the "vulgar" language and the main character's attitudes towards women in general and his ex-wives in particular.
I highly recommend this book to anyone who needs a good laugh and appreciates having it served up with good writing along the way.
Oh, and if you are at all amenable to audiobooks, get this one as an audiobook! Theo Holland's narration just makes it better than plain print ever could.
An Unexpected Pleasure
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Funny
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I was given this free review copy audiobook at my request and have voluntarily left this review
wasn't for me
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