Episodios

  • Triple Feature: The Pirates of Penzance/De-Lovely/A Prairie Home Companion
    Apr 3 2026
    Tonight we examine a Kevin Kline Performance Trilogy—The Pirates of Penzance (1983), De-Lovely (2004), and A Prairie Home Companion (2006)—three films that showcase his command of musicality, wit, and character across eras. Pirates, adapted from the New York Shakespeare Festival production, was directed by Wilford Leach and preserves Gilbert & Sullivan’s operetta for film, with Kline’s Pirate King earning a Golden Globe nomination and cementing his theatrical pedigree. De-Lovely, directed by Irwin Winkler, casts Kline as Cole Porter in a stylized biopic featuring an ensemble of contemporary artists interpreting Porter’s catalog, blending stage sensibility with cinematic structure. Finally, Robert Altman’s A Prairie Home Companion captures Kline in a live-wire ensemble alongside Meryl Streep and Lily Tomlin, merging radio nostalgia with Altman’s signature overlapping dialogue. Together, these films chart Kline’s enduring legacy as a performer who bridges stage and screen, high art and populist entertainment.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
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    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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    1 h y 7 m
  • Damn You Hollywood: Ready or Not 2 - Here I Come
    Mar 31 2026
    Ready or Not 2: Here I Come is a 2026 American comedy horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, and written by Guy Busick and R. Christopher Murphy. It serves as a direct sequel to Ready or Not (2019), with Samara Weaving reprising her role as Grace MacCaullay. The film also stars Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, and Elijah Wood. Set immediately after the events of Ready or Not, it follows Grace as she must protect her estranged sister while being hunted by several elite families in a high-stakes ritual to claim a seat of ultimate power.

    Ready or Not 2: Here I Come premiered at the South by Southwest Film & TV Festival on March 13, 2026, and was released theatrically in the United States by Searchlight Pictures on March 20. The film received mixed-to-positive reviews[6] and has grossed $23 million.


    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
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    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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    1 h y 39 m
  • Comic Stripped: Road to Perdition
    Mar 28 2026
    Road to Perdition began as Max Allan Collins’ stark, Depression-era graphic novel—a crime saga rooted in pulp, myth, and the cyclical nature of violence between fathers and sons. In 2002, Sam Mendes reinterpreted that material into a prestige film, stripping away some of the broader mob mythology to focus on mood, visual storytelling, and emotional inheritance, with Tom Hanks recasting Michael Sullivan as a quiet, tragic enforcer rather than a hard-edged archetype. Both versions follow a hitman and his son on a road of revenge after betrayal within an Irish crime family, but they diverge in tone, structure, and purpose. Today on Comic Stripped, we’re examining how and why those changes were made—what was lost, what was gained, and how each version reflects its medium in telling a generational story about violence, identity, and whether anyone ever truly escapes the life they inherit.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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    1 h y 11 m
  • Triple Feature: Swimming with Sharks/Suicide Kings/American Psycho
    Mar 27 2026
    Tonight we’re examining late-90s American cinema through a single corrosive lens—power as pathology—using Swimming with Sharks (1994), Suicide Kings (1997), and American Psycho (2000). George Huang’s indie Hollywood satire, born from his own assistant experience, pairs Kevin Spacey and Frank Whaley in a low-budget Sundance breakout that exposed abuse as industry currency. Peter O’Fallon’s Suicide Kings, riding the post-Pulp Fiction wave, assembles Christopher Walken, Denis Leary, and a crop of rising young actors in a contained, dialogue-driven crime piece that underperformed theatrically but grew on video. Mary Harron’s American Psycho, adapted from Bret Easton Ellis, retooled after multiple development shifts, cast Christian Bale in a career-defining role, and turned modest box office into lasting cultural capital. Together, these films document a moment when masculinity, ambition, and capitalism collapsed into performance, leaving a legacy that still shapes how film portrays power, status, and identity.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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    1 h y 35 m
  • TV Party Tonight: One Piece (Season 2)
    Mar 25 2026
    The hunt for the One Piece continues! David Wright joins Alexis Hejna from Honeysuckle Rose Creations as they look at Netflix's live-action adaptation of the popular manga from Eiichiro Oda.

    Day and night to our delight
    The voyage never ends!


    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 24 m
  • Damn You Hollywood: Project Hail Mary (2026)
    Mar 24 2026
    Project Hail Mary is a 2026 American science fiction adventure film produced and directed by Phil Lord and Christopher Miller, and written by Drew Goddard, based on the 2021 novel by Andy Weir. It stars Ryan Gosling (who also produced the film), Sandra Hüller, James Ortiz, and Lionel Boyce. The film follows the story of Ryland Grace, a man who awakens on an interstellar spacecraft with no memory of how he came to be there.

    Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, 2026. The film received positive reviews and has grossed $141 million, becoming the ninth highest-grossing film of 2026.



    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 50 m
  • Metal Hammer of Doom: Rob Zombie - The Great Satan
    Mar 23 2026
    Before he was a brand, Rob Zombie came up through White Zombie, where albums like La Sexorcisto (1992) and Astro-Creep: 2000 (1995) balanced groove, structure, and horror aesthetics into actual songs. That discipline carried into Hellbilly Deluxe (1998), but as the solo run continued—The Sinister Urge (2001), Educated Horses (2006), Hellbilly Deluxe 2 (2010), Venomous Rat Regeneration Vendor (2013), The Electric Warlock… (2016), and The Lunar Injection… (2021)—the balance shifted. More samples, looser structure, less editing. He didn’t lose the idea—he lost the filter. The result is a catalog that drifts between fun, hooky chaos and half-formed collage.

    Now we get The Great Satan (2026), produced by Zeuss, marketed as a heavier return to form with familiar collaborators and a tighter runtime. Reviews split: some call it energized and back-to-basics, others say it’s more of the same—loud, fast, and unfocused. It’s not reinvention. It’s recalibration. So the question tonight is simple: is this the version where the chaos finally locks into something great—or just another spill?







    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
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    1 h y 54 m
  • Sessions vol 2: Planet Hulk (Song)
    Mar 20 2026
    On this episode of Sessions, we take our Planet Hulk discussion and push it through the machine—turning a long-form comic breakdown into a tight, synth-driven song. We strip the story down to its core: a monster exiled by people who feared him, only to become something bigger, louder, and impossible to ignore. Along the way, we pull from our own takes—the irony of the Illuminati’s failure, the wrestling logic of forcing an unstoppable force to suffer, and the tragedy of a character who never wanted the crown in the first place. From arena battles to found family to betrayal from within, we translate conversation into rhythm, theme into hook, and analysis into something you can actually hear. This isn’t just a recap—it’s adaptation.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 48 m