Radulich in Broadcasting Podcast Por Mark Radulich arte de portada

Radulich in Broadcasting

Radulich in Broadcasting

De: Mark Radulich
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Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more.

Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well.

Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network.

Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the networkCopyright W2M Network Arte Música
Episodios
  • Damn You Hollywood: Scream 7

    Damn You Hollywood: Scream 7
    Mar 3 2026
    Scream 7 (2026) is the seventh installment in the long-running slasher franchise and a direct sequel to Scream VI (2023). Directed by Kevin Williamson, who co-wrote the screenplay with Guy Busick from a story by Busick and James Vanderbilt, the film sees Neve Campbell return as Sidney Prescott alongside Jasmin Savoy Brown, Mason Gooding, David Arquette, Matthew Lillard, and Courteney Cox. New cast members include Isabel May, Anna Camp, Mckenna Grace, and Joel McHale. The story centers on a new Ghostface killer targeting Sidney’s daughter.

    Originally set to be directed by Matt Bettinelli-Olpin and Tyler Gillett’s successor Christopher Landon, the film underwent major creative changes following the departures of Melissa Barrera and Jenna Ortega. Williamson ultimately stepped in as director. Filming ran from January to March 2025. Released February 27, 2026, by Paramount Pictures, the film drew negative reviews but delivered the franchise’s biggest opening weekend.


    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    2 h y 20 m
  • Triple Feature: Hollywood Shuffle/The Meteor Man/The Five Heartbeats

    Triple Feature: Hollywood Shuffle/The Meteor Man/The Five Heartbeats
    Feb 28 2026
    Robert Townsend is a filmmaker, actor, and independent architect of late-20th-century Black cinema who proved you didn’t have to wait for permission from Hollywood to tell your own story. Frustrated by typecasting, he financed and co-wrote Hollywood Shuffle (1987) on credit cards, building a sketch-structured satire that exposed casting as economic coercion. Featuring early appearances from comedians like Keenen Ivory Wayans, it became a blueprint for media self-critique. With The Five Heartbeats (1991), Townsend shifted to music melodrama, chronicling the rise and exploitation of an R&B group; though modest at the box office, it became a generational cult classic about contracts, ego, and ownership. Then came The Meteor Man (1993), one of the first Black-directed superhero films, centering community empowerment over lone-wolf dominance. Across genres, Townsend’s legacy is infrastructural: independence, authorship, and the fight to control the image.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    57 m
  • Triple Feature: Glory/Mo' Better Blues/John Q

    Triple Feature: Glory/Mo' Better Blues/John Q
    Feb 27 2026
    Denzel Washington’s rise to cultural dominance can be traced through three defining performances that showcase his evolution as both actor and box-office draw. In Glory (1989), directed by Edward Zwick, Washington’s portrayal of Trip earned him the Academy Award for Best Supporting Actor and introduced him as a performer of raw intensity and emotional gravity. The film grossed over $26 million domestically on a modest budget and became a prestige historical staple. Just one year later, in Spike Lee’s Mo’ Better Blues (1990), Washington headlined opposite Wesley Snipes, anchoring a jazz drama aimed at adult urban audiences; while its box office was modest, it reinforced his leading-man charisma within Black cinema. By the time John Q (2002) arrived, Washington was a certified star. The film opened at number one and grossed over $100 million worldwide, tapping into working-class anxieties around healthcare. Across genres—historical epic, auteur drama, populist thriller—Washington proved bankable, award-winning, and culturally resonant, cementing his legacy as one of Hollywood’s most durable and influential leading men.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 19 m
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