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Punk In Translation

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Punk In Translation

De: Nuria Net, Judy-Cantor Navas
Narrado por: Ceci Bastida
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After listening to Punk in Translation, you will never again think of punk as the exclusive territory of white men with mohawks. In eight immersive episodes, this Audible Original reveals the overlooked yet crucial role of Latin artists and Latin music in the origins and evolution of punk.

Much of the rule-breaking sound and style of punk’s music and political attitude was created and defined by Latin punk pioneers in the US and Latin America, starting with Question Mark and the Mysterians, the sons of Mexican migrant workers who formed the first band ever to be described as “punk rock” in a music magazine.

The stories of the artists in our series show how shifting notions of Latino identity in the US have played out through punk over the decades. We’ll reveal the Latin rock and roll roots of punk with artists like Ritchie Valens and Peru’s Los Saicos, and unearth the secret Latino history of New York’s CBGB’s. Punk in Translation profiles the Latino awakening in Hollywood’s early punk scene, and the Chicano punk revolution in East LA. And we’ll go to Tijuana, Mexico, the infamous sin city that became a gateway for American punk musicians to Latin America, and birthed Tijuana No!, the revolutionary band whose sound broke borders. We’ll even demonstrate the surprising roots of the punk anthem “Louie Louie” -- it comes from a Cuban cha cha chá. Punk in Translation dives in with these unsung Latin heroes to reveal the secret punk histories-and herstories- that not only reshaped music and the sound of social activism, but impacted the next 50 years of American culture.

Punk in Translation is hosted in English and Spanish versions by Ceci Bastida, the Latin-Grammy nominated singer and songwriter who started her career with Tijuana No! when she was just a teenager.

Punk in Translation features a cast of influential artists: Latin punk icon Alice Bag, Dead Kennedy’s Jello Biafra, Los Lobos’ Louie Perez, Victoria Ruiz of Downtown Boys, Blondie drummer Clem Burke, Willie Herron of seminal East LA punk band Los Illegals, Latin Alternative star Julieta Venegas, John Doe of famed Los Angeles band X, Bobby Balderrama of Question Mark and the Mysterians, Spitboy drummer Michelle Cruz Gonzales, Tony Abarca of South Central LA punk band Generación Suicida, Cuban pianist Chucho Valdés, former The Cramps and Nick Cave guitarist and queer Latin punk pioneer Kid Congo Powers, Los Saicos’ frontman Erwin Flores, Johnny Davila from Puerto Rican punk band Davila 666, drummer Rosie Rex, who played with The New York Dolls’ Sylvain Sylvain; and legendary rocker Joan Jett.

©2021 Fresh Produce Media, LLC (P)2021 Audible Originals, LLC
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Episodios
  • Episode 1: A Band of Outsiders
    Mar 10 2022

    In 1971, a group made of sons of Mexican migrant workers was the first act to be described as “punk rock” in a magazine. That’s right -- Latin artists have been instrumental to the creation of punk music, even before it was called punk. In this episode, Question Mark and the Mysterians’ guitarist Bobby Balderrama reveals the story of the band of self-described “Mexican kids” from Michigan who performed onAmerican Bandstand and ruled the charts. As we’ll see in Punk In Translation, they were hardly the first - or last - Latinos to make a mark on punk.

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    36 m
  • Episode 2: "It's a Cha Cha Rock"
    Mar 10 2022
    Could a 1960s band from Peru be the original punk rockers? We’ll meet Erwin Flores, frontman of Los Saicos, whose visceral rebel yell would later echo throughout punk music. Also - punk’s surprising and deep Latin roots go all the way back to the Cuban cha cha chá in a song that would become a punk anthem for generations to come: “Louie, Louie,” recorded by Patti Smith and Black Flag, among others
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    31 m
  • Episode 3: CBGB’s Secret Latin History
    Mar 10 2022
    Did you know that the Mexican flag inspired the Ramones logo? Or that punk rockers were singing in Spanish at legendary venue CBBG during those archetypal punk days in 1970s New York City? We tell the story of Arturo Vega, the immigrant artist who designed the now globally ubiquitous Ramones logo. We meet pioneering Puerto Rican punk drummer and vocalist Rosie Rex who was welcomed at CBGB’s at the same time as she experienced racism at record companies. Blondie drummer Clem Burke talks about how Latin music permeated New York and influenced bands in that CBGB scene.
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    34 m

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About the Creator

Nuria Net is a journalist and the CEO and Co-Founder of podcast studio La Coctelera Music./n/nA digital entrepreneur and Latin music expert, Nuria co-founded the pioneering Latinx mediacompany Remezcla.com (http://remezcla.com/) in New York City in 2006 and served as its Editor-in-Chief. She is also a founding digital editor at Fusion (TV and digital network), where she was in charge of innovative storytelling on the brand’s Snapchat channel./n/nNuria spent over five years at Univision’s digital news operation in Miami, At Univision, she oversaw a team that created original content focused on Latin music for a young bilingual audience, and she created and launched the U-LAB Music brand. She also revamped music news coverage on Univision’s Uforia digital properties./n/nA graduate of Columbia Journalism School, Nuria has worked at MTV, Latina magazine, and The New York Times and has written for Rolling Stone, Billboard, EW, Mass Appeal, and The NY Daily News./n/nNuria has been part of Billboard’s 30 under 30 Top Executives in Media and was also included in LinkedIn's first-ever ‘Next Wave’—a list of 150 professionals, 35 and under, who are transforming key industries—in the media category. She was also chosen out of 500 applicants as part of the inaugural class of the Digital Women Leadership Academy organized by Poynter and the Online News Association.

About the Performer

Born and raised in Tijuana and now living in Los Angeles, Ceci Bastida joined the iconic Mexican ska-punk band Tijuana NO when she was just 15 and became one of the first women to rise in the ranks of contemporary Latin rock. In 2000 spent eight years as part of the touring band of acclaimed singer Julieta Venegas, including a featured role in her 2008 MTV Unplugged special. Bastida embarked on her solo career in 2006 with the ep Front BC, and in 2010 released Veo La Marea (I See the Tide), a mix of electronica, rock, and hip-hop that The Fader dubbed "bodacious, clicky, and gongy" and The Los Angeles Times described as "a marching-band traipsing through the Amazon rainforest." The album, which included hot-button songs about immigration and the drug war, featured guest spots by Diplo, Rye Rye, and Tim Armstrong. It earned her a Latin Grammy nomination, appearances on NPR’s Weekend Edition and KCRW’s Morning Become Eclectic, and a spot on the 2011 Lollapalooza bill. Her solo album, La Edad de la Violencia (The Age of Violence) was produced by Luke Top (Fool's Gold) & XXXChange (Spank Rock) and includes songs inspired by the rise of everyday violence in the US and Mexico—from the drug war to the Sandy Hook shooting and the Boston Marathon bombing—and by Haruki Murakami’s novel Kafka on the Shore. Her latest album, an EP featuring collaborations with Aloe Blacc, Mexican Institute of Sound, Spoek Mathambo, and Mariel Mariel "Sueño" is out with Nacional Records. Bastida is also a member of the all-star band Mexrrissey, a Mexican homage to the songs of Morrissey and The Smiths. She is currently finishing her fourth album.

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thank you for this..
a wonderful flow+ . i learned sooOOooO much!,
InsPiRinG,,,, & a lot to ResEaRch & discover!!!*¨`*. ♥✸♥✸❋.✶*¨`*.

LOvE it!!!*¨`*. ♥✸♥✸❋.✶*¨`*.

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Found lots of new bands to look for. Definitely worth a listen. For those giving one star reviews for the use of the term Latinx, stop being such a snowflake and „don’t judge a book by its cover“. It was amusing to read in the reviews that „the term is offensive to Latinos“, well, Ceci is Latin and my guess is that like me, there are many more Latinos who do not give a toss one way or the other.

Interesting

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Great in depth stories. Very inspiring and the production is excellent. Highly recommend to the punk community.

Educational and eye opener

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Latino is a valid word for referring to a group of gender mixed people despite having a masc definition. If you really wanted to be extra, you would use Latine. Or hell, LATIN. Latinx is unpronounceable and only exists as white people try to tell us how to live. Nothing about this made up, insulting, belittling word is punk rock.

Latinx is not it, guys.

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Not some drab, boring, clinical review of the history of music, but instead an in-your-face blow-by-blow of some of the more shocking and wild moments of punk rock history, this series ties together the narrator's own personal history and opinions with the stories of so many others involved in the Latinx history of punk. Music clips, interviews, and plenty of attitude make you feel like you're finally hearing about chapters of history you've been missing.

It Rocks (Loudly)

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Forget about which terms used by Europeans to define who were are is correct. Define yourself. I'm Mexica, Mayan, and Celtic! its brilliant to see other ethnic groups get the recognition they deserve in the history of punk and hard core. These are great oral histories being told. Just the way our indigenous ancestors did. We need more of this! Keep this going!

LatinX, Latino, and Hispanic are all umbrella term

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I'm blown away by the amount of information whitewashing keeping this information from being known. Never shocked by whitewashing, but the sheer amount of punk history taken from the founders and handed to a group of white dudes that were put together like N*Sync.

Information every punker needs.

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As a gringa, I never thought of the challenges Latin Americans faced and how the channeled their struggles into brave protests through music. It was very enlightening. My only complaint is I would’ve liked more musical excerpts, such as the various versions of Louie Louis to hear other musicians’ interpretations.

Interesting. Who knew?

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I really enjoyed hearing the stories of these people whose names were mostly new to me. More a story about the people than the music, which I liked. I also have newfound appreciation for my old cha cha cha and ranchera records!

A fascinating story, well told

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love finding out more about Latin Alternative music and the whole punk LantinX culture.

Como me canto

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