Mystery at Olympia
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Mystery at Olympia
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Narrado por:
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Gordon Griffin
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De:
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John Rhode
Acerca de esta escucha
The next time you visit Olympia, take a good look around and see if you think it would be possible to murder someone in the middle of the crowd there without being seen.
The new Comet was fully expected to be the sensation of the annual Motor Show at Olympia. Suddenly, in the middle of the dense crowd of eager spectators, an elderly man lurched forward and collapsed in a dead faint. But Nahum Pershore had not fainted. He was dead, and it was his death that was to provide the real sensation of the show.
A post-mortem revealed no visible wound, no serious organic disorder, no evidence of poison. Doctors and detectives were equally baffled, and the more they investigated, the more insoluble the puzzle became. Even Dr Lancelot Priestley’s un-rivalled powers of deduction were struggling to solve this case.
©2018 John Rhode (P)2018 HarperCollins Publishers LimitedLos oyentes también disfrutaron...
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5 out of 5 stars
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General4 out of 5 stars 124
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Narración:4.5 out of 5 stars 111
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When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.
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Charming criminal caper
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General4.5 out of 5 stars 85
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England, 1925. When a strange young woman is found murdered on the grounds of Unsworth Castle, the duke and his family are astounded at first, but quickly become enraged when the police begin asking all sorts of impertinent questions. And when suspicions dare to fall on one of their own, it is up to Mr. Quayle, Lord Unsworth's exceedingly efficient secretary, to find the true culprit and save the House of Unsworth from scandal and ruin.
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1 out of 5 stars
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so bad
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Reseñas de la Crítica
‘Deliciously convoluted . . . an old-fashioned thriller and none the worse for that.’
Barry Turner, Daily Mail
‘This is Mr Rhode at his best – and you know how baffling he can be.’
Daily Herald
‘He must hold the record for the invention of ingenious ways of taking life.’
Sunday Times
‘Readers know well what to expect from John Rhode, and in this story they will not be disappointed . . . The tale is neat and clear and logical, and there are no loose ends.’
Times Literary Supplement
‘Mystery at Olympia by John Rhode is, of course, admirably pieced together. One expects that or Mr Rhode; but it also marks an advance in the psychological treatment of his characters.’
Illustrated London News
‘John Rhode well deserves his reputation as a constructor of almost flawless detective story plots. To read any of his tales is a very agreeable intellectual exercise.’
DAILY MAIL
Lo que los oyentes dicen sobre Mystery at Olympia
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total5 out of 5 stars
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Ejecución5 out of 5 stars
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Historia5 out of 5 stars
- John
- 07-07-19
Dr. Priestly Takes a Back Seat at the Auto Show
In this, the 22nd novel featuring Dr. Priestly, he is very much a secondary character, playing the role of occasional consultant to the Scotland Yard man in charge of the case. Of course, his deductions prove correct in the end, but it was nice to have his bloodless logic and acerbic manners offstage for much of the story. Admittedly, this is only my second Priestly mystery, but in both he has exhibited none of the endearing peculiarities that make Holmes and Wimsey—or Rhode’s other major creation, Desmond Merrion—so fun to follow.
The mystery itself is very enjoyable; complex enough to satisfy the most discriminating armchair sleuth, with plenty of likely suspects and plausible motives, odd turns and unexpected confessions, all served up with the decorum one expects from classic Golden Age crime fiction. As usual, Gordon Griffin turns in a peerless performance at the mic.
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