
Started Early, Took My Dog
A Novel
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Narrado por:
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Graeme Malcolm
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De:
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Kate Atkinson
Acerca de esta escucha
Waterhouse leads a quiet, ordered life as a retired police detective - a life that takes a surprising turn when she encounters Kelly Cross, a habitual offender, dragging a young child through town. Both appear miserable and better off without each other - or so decides Tracy, in a snap decision that surprises herself as much as Kelly.
Suddenly burdened with a small child, Tracy soon learns her parental inexperience is actually the least of her problems, as much larger ones loom for her and her young charge.
Meanwhile, Jackson Brodie, the beloved detective of novels such as Case Histories, is embarking on a different sort of rescue - that of an abused dog. Dog in tow, Jackson is about to learn, along with Tracy, that no good deed goes unpunished.
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Reseñas editoriales
Hard-boiled with a heart of gold what more do you want in a private eye? But Jackson Brodie, in Kate Atkinson’s Started Early, Took My Dog, is no stereotypical gumshoe. For one thing, the Yorkshireman reads Emily Dickinson, quoted in the novel’s title. A recurrent character in previous Atkinson novels, Brodie here shares a plot with the equally compelling Tracy Waterhouse, a retired Police Superintendent turned mall cop.
Atkinson’s wonderfully woven tale features more complex and credible characters than are often found in the murder mystery genre. And narrator Graeme Malcolm realizes them with pitch-perfect, understated brio befitting the grief, longing, jadedness, and cautious joy they variously express. While the characters all possess been-around-the block, self-mocking voices, Malcolm, while making each personality distinct, conveys the raw and secret sorrow that’s within them all underneath the cynicism.
Early in the story, Tracy acts on a radical impulse. Middle-aged and single, she takes a child actually purchases one from a criminal and abusive mother. Handing the mother a wad of cash intended for home renovations in exchange for a bedraggled 4-year-old girl, Tracy begins a fugitive life, instantly, unsentimentally mothering on the fly. She’s pursued, but not, as she assumes, for kidnapping, but because years earlier she investigated the murder of a prostitute before superiors took the case from her. That case featured the first of the novel’s many ‘lost children’: the prostitute’s son.
This same crime draws Brodie’s interest on behalf of a client seeking her biological mother. Forever haunted by the murder of his sister when he was a child, Brodie is aware of his penchant for lost girls and the women they have become, both professionally and in his failed marriages.
Meanwhile, there is a third central character, the elderly, increasingly senile actress, Tilly Squires, playing her last role on a TV soap and still mourning the baby she aborted decades ago, while under the spell of a rival actress ‘friend’. Malcolm movingly and without melodrama takes us afloat her streams of consciousness and stumblings for elusive words and wallets.
Atkinson’s plot threads back and forth between the 1970s and the present; Malcolm agilely indicates time changes with the subtlest of pauses and inflections. Shepherding us through the unraveling of the mystery, he lets us experience the palpable sense Atkinson conveys of the profound, unremitting consequences born of an abandoned or neglected child. But in the end, we also feel, as Dickinson notes, that hope can be “heard it in the chillest land, and on the strangest sea”. Elly Schull Meeks
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Pamela is a newly retired teacher with time on her hands. She’s finding it hard to muster enthusiasm for what’s ahead: exhausting postdivorce dating rituals and an uneasy relationship with her emotionally stunted, live-at-home son. But for Pamela, there’s a surprise in store that could challenge the status quo and, against all expectations, make life interesting again.
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1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven, whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie’s empire faces threats from without and within.
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Really terrible
- De Teatime2 en 09-13-20
De: Kate Atkinson
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Normal Rules Don't Apply
- Stories
- De: Kate Atkinson
- Narrado por: Paterson Joseph
- Duración: 5 h y 37 m
- Versión completa
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General
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Narración:
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Historia
A dazzling collection of eleven interconnected stories from the bestselling, award-winning author of Shrines of Gaiety and Life After Life, with everything that listeners love about her novels—the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop.
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Playful jigsaw puzzle of stories
- De ReallyNelie en 02-24-24
De: Kate Atkinson
Surprising and sad
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Where does Started Early, Took My Dog rank among all the audiobooks you’ve listened to so far?
great narration, very good story, A mystery with many layers.....I would definitely suggest this bookwonderful!
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Get this series. You won't regret it.
Great series.
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Quite dark and depressing.
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the characters
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Such a complex plot
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Complex and entertaining
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Not what I expected
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loved this book
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Started Early Took My Dog
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