My Name Is Red

De: Orhan Pamuk, Erdag Goknar - translator

Narrado por: John Lee

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of 16th-century Istanbul, from one of the most prominent contemporary Turkish writers.

The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn't know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery - or crime? - lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle,

My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex, and power.

Translated from the Turkish by Erdag Goknar.

©2008 Orhan Pamuk (P)2008 Random House, Inc.

Reseñas de la Crítica

"It is neither passion nor homicide that makes Pamuk's latest, My Name is Red, the rich and essential book that it is. . . . It is Pamuk's rendering of the intense life of artists negotiating the devilishly sharp edge of Islam 1,000 years after its brith that elevates My Name is Red to the rank of modern classic. . . . To read Pamuk is to be steeped in a paradox that precedes our modern-day feuds beteween secularism and fundamentalism." (Jonathan Levi, Los Angeles Times Book Review)

"Straddling the Dardanelles sits the city of Istanbul . . . and in that city sits Orhan Pamuk, chronicler of its consciousness . . . His novel's subject is the difference in perceptions between East and West . . . [and] a mysterious killer... driven by mad theology. . .Pamuk is getting at a subject that has compelled modern thinkers from Heidegger to Derrida . . . My Name is Red is a meditation on authenticity and originality . . . An ambitious work on so many levels at once." (Melvin Jules Bukiet, Chicago Tribune)

"A murder mystery set in sixteenth-century Istanbul [that] uses the art of miniature illumination, much as Mann's Doctor Faustus did music, to explore a nation's soul. . . . Erdag Goknar deserves praise for the cool, smooth English in which he has rendered Pamuk's finespun sentences, passionate art appreciations, sly pedantic debates, [and] eerie urban scenes." (John Updike, The New Yorker)

Interesting and Exhausting in it’s attention to detail

Not for the faint of heart
I loved the way different perspectives were used in this very cerebral homage to history and artistry rolled in there was a “who done it” that for me was anticlimactic by the time it was answered. Not without it’s merits I wouldn’t be quick to recommend or reread this. The narrator’s voice was lovely.

A good choice

I really enjoyed this slightly unconventional book. The narration was also excellent. there were 2 things that I didn't like about it. it was a little long and repetitive and it was confusing in parts.

A Nobel, Bravura Performance

A hysterically funny, sardonic, classic work by a magnificent writer. It's historical, moving, and wonderfully performed by the great John Lee. I read the book and listened to it twice on Audible. Gets better every time.

Poor performance

The narrator pronounces almost all the names totally wrong and with difficulty. He struggles with the Persian and Arabic words so bad that ruins the experience of listening. His sense of timing and choices of intonations are inconsistent and predictable. The performance does not elevate the text but degrades it.

Worthy of it’s Nobel

Orhan Pamuk has managed to pour all that is great and important about the history of a highly artistic, religious, and everchanging land with a great deal of elegance and mystery. The best parts of the book come to life because you understand so well how artists and religion are colliding during this time, the historical background is painted for you just enough to build up the fighting and fear and mystery and love. Excellently narrated, is there anything they got wrong? This story is a gem, as an audiobook it comes alive even more.

Great reader

I loved and enjoyed the exquisite interpretation of this amazing story.
Absolutely recommended
And looking forward to Re-listen it again

A wonderous philosophical story..

A beautiful novel set in Ancient Turkey during the height of the Ottoman empire. A story that honors the art of miniaturists, the rivalries between them, Sultan power, politics, and all the intricacies between. A journey that is both dangerous and loving. This one was hard to put down.

Good story, but fairly repetitive.

Story is pretty fascinating, and gives a good peek at the period -- but there are a lot of very repetitive lines - gets tedious occasionally.

Lush detail - had to read along

I very much enjoyed this story. It was lushly told and rich in detail. I checked the book out of the library so I could read along and clarify details I might have missed. The reader needs to be attentive. I didn’t want to miss anything!

Poor narration

I really wanted to love this book, but my god, it is tedious. It is so much longer than it needs to be. The tedium is compound but the poor narration, which has at times left me furious. For example, the way the narrator tries to make certain words and names sound ethnic is utterly misguided. It's Ahmad, not Akhmed; it's shah, not shakh!