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Narrado por:
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Stacey Lind
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De:
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Hope Mirrlees
Acerca de esta escucha
In the land of Dorimare, on the shores of the Dapple and the Dawl, the law-abiding residents of Lud-in-the-Mist are plagued by an illegal influx of fairy fruit enticing people to acts of poetry, dancing, and other dangerous flights of fancy. When respectable Mayor Nathaniel Chanticleer finds his family entangled in the scandal, he must call upon both his sharp legal mind and his unacknowledged creative spirit to craft a reconciliation with the Faerie. Dare to embrace your wild side in this classic fantasy. Suitable for ages eight and up.
Public Domain (P)2022 Stacey Lind, in cooperation with Spoken RealmsLos oyentes también disfrutaron...
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Directed by the skillful hand of Megan Follows (Directors Guild Award winner) and featuring the voices of Golden Globe® winner Sandra Oh, Emmy Award® Winner Catherine O’Hara, and Emmy Award® Winner Victor Garber, Anne Shirley’s (Emmy Award® winner Michela Luci) adventures come to life in a fresh adaptation of a timeless tale. Immerse yourself in the breathtaking beauty of Canada’s Prince Edward Island with the magic of an original score and immersive sound design.
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The unapologetic intensity with which Emily Brontë wrote this story ensures that it will forever be considered one of the greatest works of English literature. A passionate tale of a chaotic and often violent love, Wuthering Heights transcends your average romance and, with its Gothic undertones, takes the listener on a journey through one man's lustful hunt for revenge.
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George MacDonald, described by W.H. Auden as "one of the most remarkable writers of the 19th century", was valued in his own time as an original thinker and spiritual guide. Of all his writing, it is the fairy tales that have retained their fascination, and this collection includes all 11 stories. The fairy tales feature the stock characters of traditional tales—fairies both good and bad, and children undertaking precarious journeys. Often adopting paradox and nonsense as Lewis Carroll did, the stories invite adults to deploy the same open-mindedness as children.
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When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.
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The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.
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- De Henry V en 02-26-21
De: Susanna Clarke
Lo que los oyentes dicen sobre Lud-in-the-Mist
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- unco
- 12-30-23
The story was enchanting
Stacy Lind has a pleasant enough voice yet I find she does not have much inflection but a sing-song voice that would rock a babe to sleep. It is difficult to understand at times.
The book remained difficult for me. There seemed to be no difference in the voices of many of the characters and the odd cadence seemed to me to exacerbate that problem. The story itself was delightful.
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- Kai
- 06-13-23
A classic for a reason
I’m surprised it took me so long to discover this book. I will definitely revisit it in years to come.
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- Sean Phillips
- 05-30-23
great narrator
A great narrator and wonderful classic story about truth, hope and life. Very much enjoyed.
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- mhong
- 07-03-24
Beautiful narration
Stacey Lind has such a lovely musicality to her narration and it lends itself well to this fantastical story. Her character voices are well developed and easy to follow. The story itself wasn't really cup of tea, but Stacey's narration made it bearable.
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- R & L
- 12-31-24
Excellent Prose, Unenticing Story
Got through a third of the book before deciding this book isn't for me.
There is an in undercurrent of degeneracy that is intolerable to me. I find all mention of Duke Auburn and his exploits absolutely revolting and have no desire to finish the book.
The writing itself is well done and the exposition is vivid. The author even uses descriptions I haven't ever heard before.
But I don't enjoy the story or the characters and I'm not intrigued enough to see it through.
As for the performance, it felt like the narrator had three "voices" and there are so many different characters and so much talking that I kept losing track of who was speaking. It was passable, but I wasn't much impressed.
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