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Just Above My Head
- Narrated by: Kevin Kenerly
- Length: 20 hrs and 45 mins
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Publisher's summary
The stark grief of a brother mourning a brother opens this novel with a stunning, unforgettable experience. Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that inflames his nonfiction work.
Here, too, the story of gospel singer Arthur Montana and his family becomes both a journey into another country of the soul and senses - and a living contemporary history of black struggle in this land.
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What listeners say about Just Above My Head
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- Africa
- 12-02-18
Wonderful poignant story
The story of Arthur Montana is heartbreaking because of the world in which he finds himself, a world that rejects his black and gay self. Baldwin is a master at revealing the workings of the human heart. As a gospel singer, Arthur travels the world and no where does he face hatred and violence such as that confronted in the Deep South, the Bible Belt.
Baldwin’s love scenes are explicit and not for the faint of heart.
I read the novel back in the 70s but enjoyed listening to it EXCEPT when the reader tried to imitate a woman’s voice . His rendition was excruciating. Why not have an actual woman read those parts ?
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57 people found this helpful
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- Vicky
- 05-24-16
Excellent
This is the best book on Audible. And trust me I have listened to close to 1,000 and I hardly ever review.
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31 people found this helpful
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- Joe Kraus
- 09-22-19
Baldwin's Flourish, in a Flawed Novel
Baldwin’s “Sonny’s Blues” is one of the three or four greatest short stories I know. I’ve read it at least a dozen times, often to prepare for teaching it, and I have teared up almost every time. It takes a perspective “we” can almost know – a middle-aged African-American high school teacher who’s served in the army – and has him serve as “our” guide to the great artistry and deep hurt of his jazz-inspired brother. The story somehow collapses the whole of the brothers’ lives – there’s a line about our narrator catching Sonny when he takes his first steps – and even echoes the deeper experience of African-Americans as a whole. And it also may be the greatest primer to the possibilities of jazz that anyone has ever written.
I’ve put “we” and “our” in quotes because It’s a deep question when it comes to defining who it is Baldwin is writing for. I think “Sonny’s Blues” is powerful in part because it’s a supposedly marginal figure who’s able to make his story accessible to a generic – read “white” as near synonym – audience. Of course, it’s more than that as well, and part of its power is the way it ultimately makes me realize how wide the world of perspective is beyond my own.
This novel comes more than two decades later, but I think “Sonny’s Blues” informs it. The novel begins as almost a reprise, with our narrator, Hall, writing of how he learned of his brother Arthur’s death. (“Sonny’s Blues” begins with the narrator learning of Sonny’s arrest for heroin possession.) Then it spends a good chunk of the first “book” exploring how they came to be estranged and how they came to understand one another.
This novel is, in its way, even more ambitious, though. It deals not just with the African-American experience and the power of music (Arthur is a successful gospel singer) but also the civil rights struggle, sexual abuse, and homosexuality as an emerging cultural possibility.
This is an important book, as is anything Baldwin ever wrote. And, since it is Baldwin, there are moments of soaring prose. (Consider two quick gems: “Music does not begin as a song. It can become a song, but it begins as a cry.” Or “Our suffering is our bridge to one another. Everyone must cross this bridge.”) And, given that this is written in 1979, it’s an important landmark in naming the LGBT experience as authentic to the American experience as a whole.
This is not, in the end, though, a great novel. Its ambition weighs it down throughout, and it seems often to be reminding us of all it’s trying to do. I often found myself admiring some of the characters’ insights, but I seldom found myself caught up in the story itself. I felt good about being someone who was reading it, but I didn’t enjoy the reading as I would have hoped.
For starters, the dialogue here is clumsy. Characters don’t talk to each other so much as make speeches in front of one another. (The grand quality of many of them reminds me of the social realism novels of the 1930s, of something James Farrell might have written in the years before he discovered James Joyce.) Or, when they aren’t, they’re moving the narrative forward in awkward ways, introducing each other and explaining things in dialogue that we could get more efficiently through other narrative forms.
And then there are the explicit sex scenes. I have no problem with the content, but they often feel almost clinical, like we are being asked to acknowledge that, yes, human animals experience arousal and lust of this sort. They make me think a little of the great Monty Python skit where, for a sex education class, John Cleese, as a professor, invites his wife into the room, and they proceed to go at it on a desk. Then he interrupts himself occasionally to scold the students for laughing. Maybe nothing about this books says “ ’70s novel” more than that, but it feels dated and awkward. It’s great that he’s showing that we should be no more shocked by gay sex than by hetero, but neither comes across as authentic.
But the biggest problem I have is with the fundamental narrative structure. Our narrator is Hall, but it seems as if Baldwin is bored with him. (There’s even a part, at the start of the final book, when Hall asks himself why he is trying to tell this story – a telling bit of uncertainty – and he concludes that it’s to make sense of Arthur’s story more than his own.) Most of this story, then, concerns Arthur – or others like their neighbor and some-time lover Julia – often in private moments Hall could never have known.
In other words, Hall is a narrator telling us about events he can’t possibly have seen, which undermines him as a narrator/character.
Narrative technology has come a long way in the forty years since this came out. I think of what I like to call the rhizomatic novel where we get a series of only tangentially connected stories in a single volume, stories that, in conversation, tell more than any one figure could know. Or we get the proliferation of excellent short story cycles that have come out since. Instead, this seems like a novel trapped in a form of story-telling that can’t quite encompass it.
There is greatness here. I suspect there’s greatness in anything Baldwin ever put down on paper. But this work as a whole doesn’t come together as it might. I am glad I read it, but I am also glad I am finished reading it.
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27 people found this helpful
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- Amazon customer
- 09-04-17
Novel & Performance: AMAZING
Both Performance and Novel are stunning. Author's genius is complemented to perfection by reader's impressive talent. Bravo
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16 people found this helpful
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- Alison
- 05-27-16
Riveting love story and the evolution of self.
I think this love story really spoke to self awareness. The homosexuality peace was almost just a backdrop. James Baldwin's Vivid accounting made you feel like you were there in Harlem or Paris
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12 people found this helpful
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- Charles V.
- 02-20-19
A Compelling Chronicle of the Black Experience
I chose this book after seeing the movie, If Beale Street Could Talk. I had never read James Baldwin, I am sorry to say. This book popped up and I’m so glad I selected it. It is an account of the black experience set in Harlem during the 50s and 60s, with forays into the Deep South in the beginnings of the civil rights movement. It is beautifully written. Be warned, however, that it graphically and realistically portrays the sexual experience. I have no problem with this but some might. I highly recommend this book.
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- AISHA
- 07-16-16
Riveting!
Everything about this book was relevant to contemporary times. James Baldwin's storytelling is beautiful and rich. The actor was amazing as well.
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- Jaron
- 01-31-20
I love Baldwin but...
I can't lie. we love Baldwin because of how he so eloquently paints pictures of the black diaspora, the life of black people in America, and the life of gay people in the black culture... but... damn this was a hard book to hold onto. I found myself slipping in an out of the text because it was just so wordy. I could have never read this book by hand, I would have passed out at every page trying to remember what I had read on the previous page.
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- Ekua
- 12-22-18
Excellent !
This is a brilliant book written by a gifted artist! James Baldwin is inspirational to me.
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- Kindle Customer
- 10-19-17
Fantastic! Love Kevin Kenerlys voice!
I have always been a fan of James Baldwin. Loved this storyline very much. Thanks
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Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s entire world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers. The Nazis track down Aubrion’s team and give them an impossible choice: Turn the resistance newspapers into a Nazi propaganda bomb that will sway public opinion against the Allies, or be killed.
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Extraordinary Storytelling
- By Trudy W. on 10-01-19
By: E. R. Ramzipoor
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The Two Lives of Sara
- By: Catherine Adel West
- Narrated by: Adenrele Ojo
- Length: 11 hrs and 38 mins
- Unabridged
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Overall
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Performance
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Story
Sara King has nothing, save for her secrets and the baby in her belly, as she boards the bus to Memphis, hoping to outrun her past in Chicago. She is welcomed with open arms by Mama Sugar, a kindly matriarch and owner of the popular boardinghouse The Scarlet Poplar. Like many cities in early 1960s America, Memphis is still segregated, but change is in the air. Black literature and music provide the stories and soundtrack for these turbulent and hopeful times, and Sara finds herself drawn in by conversations of education, politics and a brighter tomorrow with Jonas.
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Review
- By Marti Perronie on 09-20-22
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The Memory
- By: Lucy Dawson
- Narrated by: Clare Corbett
- Length: 10 hrs and 16 mins
- Unabridged
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Overall
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Performance
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Story
She’ll never forget...I’ll never forgive. People always notice my daughter, Isobel. How could they not? Incredibly beautiful...until she speaks. An unsettling little-girl voice, exactly like a child’s, but from the mouth of a full-grown woman. Izzie might look grown up, but inside she’s trapped. Caught in the day it happened...the day that broke her from within. Our family fell apart that day, and we never could pick up the pieces....
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Occult Heavy
- By S. L. Cutler on 03-26-19
By: Lucy Dawson
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Tell Me How Long the Train’s Been Gone
- A Novel
- By: James Baldwin
- Narrated by: Kevin Kenerly
- Length: 14 hrs and 55 mins
- Unabridged
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Overall
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Performance
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Story
At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage.
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A masterpiece!!! A naked truth.
- By Eric Coker on 01-05-16
By: James Baldwin
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The Summer List
- By: Amy Mason Doan
- Narrated by: Sarah Naughton, Kate Rudd
- Length: 10 hrs and 54 mins
- Unabridged
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Overall
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Performance
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Story
Laura and Casey were once inseparable: as they floated on their backs in the sunlit lake, as they dreamed about the future under starry skies, and as they teamed up for the wild scavenger hunts in their small California lakeside town. Until one summer night, when a shocking betrayal sent Laura running through the pines, down the dock, and into a new life, leaving Casey and a first love in her wake. But the past is impossible to escape, and now, after 17 years away, Laura is pulled home and into a reunion with Casey she can’t resist - one last scavenger hunt.
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A deeply touching story of two girls coming of age
- By KatrinaD on 07-21-18
By: Amy Mason Doan
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All This I Will Give to You
- By: Dolores Redondo, Michael Meigs - translator
- Narrated by: Timothy Andrés Pabon
- Length: 18 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
When novelist Manuel Ortigosa learns that his husband, Álvaro, has been killed in a car crash, it comes as a devastating shock. It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets. The man to whom Manuel was married for fifteen years was not the unassuming man he knew.
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Enrapturing
- By John Scott on 02-22-19
By: Dolores Redondo, and others
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The Ventriloquists
- A Novel
- By: E. R. Ramzipoor
- Narrated by: Nancy Peterson
- Length: 20 hrs and 20 mins
- Unabridged
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Overall
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Performance
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Story
Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s entire world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers. The Nazis track down Aubrion’s team and give them an impossible choice: Turn the resistance newspapers into a Nazi propaganda bomb that will sway public opinion against the Allies, or be killed.
-
-
Extraordinary Storytelling
- By Trudy W. on 10-01-19
By: E. R. Ramzipoor
-
The Two Lives of Sara
- By: Catherine Adel West
- Narrated by: Adenrele Ojo
- Length: 11 hrs and 38 mins
- Unabridged
-
Overall
-
Performance
-
Story
Sara King has nothing, save for her secrets and the baby in her belly, as she boards the bus to Memphis, hoping to outrun her past in Chicago. She is welcomed with open arms by Mama Sugar, a kindly matriarch and owner of the popular boardinghouse The Scarlet Poplar. Like many cities in early 1960s America, Memphis is still segregated, but change is in the air. Black literature and music provide the stories and soundtrack for these turbulent and hopeful times, and Sara finds herself drawn in by conversations of education, politics and a brighter tomorrow with Jonas.
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Review
- By Marti Perronie on 09-20-22
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The Memory
- By: Lucy Dawson
- Narrated by: Clare Corbett
- Length: 10 hrs and 16 mins
- Unabridged
-
Overall
-
Performance
-
Story
She’ll never forget...I’ll never forgive. People always notice my daughter, Isobel. How could they not? Incredibly beautiful...until she speaks. An unsettling little-girl voice, exactly like a child’s, but from the mouth of a full-grown woman. Izzie might look grown up, but inside she’s trapped. Caught in the day it happened...the day that broke her from within. Our family fell apart that day, and we never could pick up the pieces....
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Occult Heavy
- By S. L. Cutler on 03-26-19
By: Lucy Dawson
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The Lehman Trilogy
- A Novel
- By: Stefano Massini, Richard Dixon - translator
- Narrated by: Edoardo Ballerini
- Length: 13 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
Spanning three generations and 150 years, The Lehman Trilogy is a moving epic that dares to tell the story of modern capitalism through the saga of the Lehman brothers and their descendants. Surprising and exciting, brilliant and inventive, Stefano Massini’s masterpiece - like Hamilton - is a story of immigration, ambition, and success; it is the story of America itself from a daring and original perspective.
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Astounding!
- By Lisa Scottoline on 05-04-21
By: Stefano Massini, and others
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The Waiting Room
- By: Emily Bleeker
- Narrated by: Sophie Amoss
- Length: 9 hrs and 33 mins
- Unabridged
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Overall
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Performance
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Story
Ever since her husband’s death collided with the birth of her daughter, postpartum depression has taken hold of Veronica Shelton. She can’t sleep, can’t work, and can’t bear to touch her beautiful baby girl. Her emotional state is whispering lies in Veronica’s ear: You’re a bad mother. But not everything can be reasoned away by Veronica’s despair. Can it? After all, the break-in at her house happened. The disturbing sketches she found in her studio are real. So is the fear for her daughter’s safety — especially when Veronica comes home to a silent nursery and a missing baby.
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Enthusiastic 5 well earned stars! Highly recommended.
- By Tammy Mitchell on 09-24-18
By: Emily Bleeker
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The Parisians
- By: Marius Gabriel
- Narrated by: Karissa Vacker
- Length: 13 hrs and 19 mins
- Unabridged
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Overall
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Performance
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Story
Paris, 1940. The Nazis have occupied the city - and the Ritz. The opulent old hotel, so loved by Parisians, is now full of swaggering officers, their minions and their mistresses. For American Olivia Olsen, working as a chambermaid at the hotel means denying her nationality and living a lie, every day bringing the danger of discovery closer. When Hitler’s right-hand man moves in and makes her his pet, she sees an opportunity to help the Resistance - and draw closer to Jack, her contact, whose brusque instructions may be a shield for something more....
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Not another WWII Book
- By CaliReader on 02-03-19
By: Marius Gabriel
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The Good Mother
- A Novel
- By: Sue Miller
- Narrated by: Marni Penning
- Length: 14 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
After an amicable divorce, piano teacher Anna Dunlap has built an independent life in New England for herself and her four-year-old daughter, Molly. It's all Anna thinks she needs—until she meets Leo Cutter, an artist who makes her feel desired, unabashedly sexual, and filled with certitude and passion for the first time. All it takes is a single unguarded moment for Anna's perfect world to implode. Leveling shocking charges against Leo, Anna's ex-husband crashes back into Anna's life and takes Molly with him.
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As meaningful as it was when it came out.
- By Minneapolis listener on 10-30-20
By: Sue Miller
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The Far Field
- A Novel
- By: Madhuri Vijay
- Narrated by: Sneha Mathan
- Length: 14 hrs
- Unabridged
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Overall
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Performance
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Story