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Narrado por:
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John Lee
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De:
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Will Self
Acerca de esta escucha
Will Self is one of the most important British novelists of his generation, and he is as acclaimed in the UK for his outstanding, daring journalism as he is for his fiction. Now finally available in America, Junk Mail is an original selection of pieces from Self's nonfiction and journalism that will introduce American listeners to Self as a literary journalist par excellence.
Animated by the scathing brilliance and unflinching determination to walk the road less traveled, Junk Mail is an often-irreverent trawl through a landscape of drugs, culture, art, literature, and current events - topics Self illuminates with a keen and entirely original eye. We follow Self into the operation of an upstanding crack dealer, behind the myth of the "pragmatist" approach to drug legalization on the streets of Amsterdam, and to lunch with Indian author Salman Rushdie. Whether he is writing about bad-boy British artist Damien Hirst, how literary renegade William Burroughs has changed our outlook on art and intoxication, or what the current state of transsexuality has to say about gender for all of us, this is a lively and necessary anthology from one of the defining voices of our times.
©2006 This collection copyright 2006 by Will Self. Some of this material has been previously published in twocollections of Will Self’s journalism published in the United Kingdom under the titles Junk Mail and Feeding Frenzy. Recorded by arrangement with Grove Atlantic, Inc. (P)2015 Audible Inc.Los oyentes también disfrutaron...
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'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.
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Historia
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Volume Two of the series presents the metaphor of the Bridge and the lessons of Bob’s early life that brought him to the wisdom of the Model Agnostic’s perspective. In Bob’s typical wide-ranging narratives, we learn, among other mind-blowing anecdotes, about the similarities between the Pope of Rome and the Wizard of Oz. Don’t miss this explosion of thought, when for the second time, Bob pulls the Cosmic Trigger.
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Be it as Nicky Hutchinson in Our Friends In The North, Maurice in The A Word, or his reinvention of Doctor Who, one man, in life and death, has accompanied Christopher Eccleston every step of the way – his father Ronnie. In I Love The Bones Of You, Eccleston unveils a vivid portrait of a relationship that has shaped his entire career trajectory, mirroring and defining his own highs and lows, from stage and screen triumph to breakdown, anorexia, self-doubt, and a deep belief in the basic principles of access and equality denied to generations.
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Recollections of My Nonexistence
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In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was 19, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer.
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Sontag
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No writer is as emblematic of the American 20th century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture.
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Cloying voice
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Feel Free
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Historia
Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers but also a brilliant and singular essayist. She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right.
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great material, thoroughly brilliant narration
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Coventry
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General
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Historia
Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential listening for our age: fearless, unrepentantly erudite, and dazzling to behold.
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This review is biased
- De Paul en 05-16-21
De: Rachel Cusk
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Changing My Mind
- Occasional Essays
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- Versión completa
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Split into five sections - Reading, Being, Seeing, Feeling, and Remembering - Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays, some published here for the first time, reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians, and Italian divas. Changing My Mind is journalism at its most expansive, intelligent, and funny - a gift to readers and writers both.
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There may be truths on the side of life
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Baggage
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- Narrado por: Alan Cumming
- Duración: 8 h y 37 m
- Versión completa
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General
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Historia
There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father’s Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.
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Entertaining but a little Helter-Skelter
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De: Alan Cumming