Infinite Jest (30th Anniversary Edition)

De: David Foster Wallace, Michelle Zauner - introduction

Narrado por: Sean Pratt, Michelle Zauner

The 30th anniversary edition of the virtuosic, wickedly comic modern classic about the pursuit of happiness in America, with a new foreword written and read by Michelle Zauner, author of the New York Times bestselling sensation Crying in H Mart.

“To my mind, there have been two great American novels in the past fifty years. Catch-22 is one; this is the other.” —Stephen King, Entertainment Weekly

Set in an addicts’ halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.

Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human—and one of those rare books that renews the idea of what a novel can do.

“Uproarious ... Infinite Jest shows off Wallace as one of the big talents of his generation, a writer … who can seemingly do anything.” ―Michiko Kakutani, The New York Times

“The next step in fiction ... Edgy, accurate, and darkly witty ... Think Beckett, think Pynchon, think Gaddis. Think.” —Sven Birkerts, The Atlantic

One of Time magazine’s “100 Best Novels” (1923—2005)

Publishers note: This unabridged audiobook edition includes all footnotes, signaled by a brief chime, and read in sequence throughout the main text as part of the full immersive listening experience.

Objects and Knee Meat...

Brando, Jim, Jesus, B-r-a-n-d-o. Brando the new archetypal tough-guy rebel and slob type...

It seems impossible that this classic work could be improved, but Sean Pratt's reading is that brilliant.

I love this book and have read it twice, but we all agree, that's an undertaking. So dense, it has eluded many. Now that this audio version is available, many more people will experience this stunning work. The book interweaves several plot lines, each in the voice of an artfully drawn, idiosyncratic character, and Sean Pratt brings them all to life. Wallace would have been more than pleased by this performance of his opus.

Infinitely jesting but thankfully not interminably so

Review First Half to footnote 202:

Seduction strategies #12 and #16 being applied… but in the end it’s just Christ on a jetski! Complaint, but seriously: I had to look up “soccum” - hundreds of footnotes, but none explaining that? C’mon! …

Presenting: speedy seduction strategy #7! It never fails! We like chortles - chortles are good! Let the EEC pay for their own defense! Motions are gone through … then I took a breather - after 32h, I think I deserved it! …

Also, just coming to my mind: I really, at this point, could not imagine anything I’m less interested in than prep school or college tennis. Needed to say that. Québec is okay, though, somehow.

Review Second Half on from footnote 203:

“The unfortunate me” - unfinished, unreleased … The Year of the “let’s vote for the guy who we can be sure screws all of us over intentionally rather than for the lady who just pretends to care about us” Election … They took away my belt and my shoe strings - but I noticed they didn’t take away my feelings! …

“Now, you’re going to risk vulnerability and discomfort and hug my ass or do I goin’ to rip off your head and shit in your neck!” … It’s the chill of inspiration and all the girls in grass skirts. The daily bullshit here is hip-deep. The terror over the fall is overcome by the terror of the flames.

“No towardness. No narrative movement toward a real story.” Exactly. “This is no “saliva sticking to frozen metal”-type of situation.” No, it isn’t, or what sayest thou, Madame Psychosis, or Phully (sic!) Phunctioning (siccer!) Fill (siccest!), no DDD?

Although … … … Up to about 50h in, I thought about this book as sidetracks of sidetracks to sidetracks, with yet more sidetracks sidetracking these sidetracks… and when the author couldn’t narratively handle the third or fourth sidetrack level (it’s his book, after all, fair enough) he just put it into a sidtrack, uh, sorry: footnote.

Now, towards the end, it starts to feel like there is a book or story here. Unfortunately, it is a semi-bleak, semi-neutral, semi-detached - but beautifully worded - illicit drug addiction story in funny and/or graphic detail. And yeah, those poor drug users. Good thing we don’t have to worry about the other ppl who get robbed, fleeced, injured, killed, damaged by these drug users. At least not in this book. They’re not even in the footnotes here. Because that might just have made it less easy to read and too senselessly bleak? I understand noone is a winner here, baby, that’s the truth, and all are victims, but aren’t there some perpetrators, anywhere at all???

I read about David Foster Wallace only in the last hour of listening to this… and: what a surprise! He was a tennis-playing drug addict abuser. I am shocked - shocked, I tell ya!

What do I hear? I should be nice to him, post mortem? I think we should be as nice to him as he was to Linda McCartney, okay?

Oh, well. On to shorter oeuvres.

Magnificent book. Extraordinary narration!

I long felt this book HAD to be read. As in, holding the book in your hands, locked in on the page, flipping back and forth from the text to the end notes . . . (And I still think you should make the effort to at least read large swaths of it, even if only your favorite parts.) But then, in wanting to revisit some longer sections of the book while on my walks, I gave the Audible version narrated by Sean Pratt a try . . . And I was completely blown away. Not only does he pull it off, through his performance he actually makes the book even MORE fun. Even the end notes are handled masterfully in the way they are merged seamlessly with the narrative. And honestly, there's a section nearly halfway into the book, where the President (and former lounge singer) Johnny Gentle is portrayed as sitting in on a meeting about what will soon become the Great Concavity, and all he can do is periodically laugh like a lunatic . . . It's worth an Audible credit just to hear Sean Pratt do that laugh. Highly recommended book. Highly recommended narration. A virtuosic masterpiece in every way.

An Impressive Recording, All Things Considering — The Narrator Is Brilliant, Does Not Give One ‘The Fantods’

For first time readers/listeners, as well as those that are unfamiliar with D.F.W, do yourself a favour and read the book while you’re listening. Read a few hundred pages then listen to ten hours or so, and just keep on until you’re done with both. There is a common misconception that D.F.W is dense. He is not dense at all. He is wonderfully easy to read and understand. The predicament with Infinite Jest is its length, and for first time readers/listeners a lot will simply get missed because it’s such a significant amount of literature to digest. So read while you’re listening.

The voices Sean Pratt hear employees are well deployed and useful. There are so many characters,and each are lengthily-developed and more complex than the last. Listening to this work be performed so to speak allows one to paint stronger mental images about what is occurring, why it is occurring, and how each segment is connected to the next/last.

I am of the impression that there are two types of D.F.W. readers; those who are interested in being entertained and potentially generating some input on entertainment as well as addiction, and those who are attempting to decipher what Infinite Jest is “really all about.” I think moreover that both types are of course linked at least to a degree… This recording with Sean Pratt will help you determine just which type they are.

Moreover; being that this is as long of a work as it is, a few pointers: A) Look up words you don’t know… B) Don’t pause the recording in the middle of a footnote as you’ll get confused/lost when you un-pause… C) Abstain from reading/watching any critical analysis of this work before or while you’re reading; this will impede your ability to paint your own imagery and/or draw your own responses.

-Noah Balfour
Listened from the 1st of May, finished on June 19th — 2024; re-read the work throughout the month of May 2024