In the Dust of This Planet
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Being and Time was published in 1927 during the Weimar period in Germany, a time of political, social and economic turmoil. Heidegger himself did not escape the pressures and his nationalism, and undeniable anti-Semitism in the following decades cast a shadow over the man, but not the work. Being and Time is not coloured by expressions of his later views (unlike other writings) and remains an outstanding document.
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What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.
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clear but mispronounced
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- Length: 8 hrs and 27 mins
- Unabridged
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Overall4.5 out of 5 stars 158
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His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.
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The author was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception. From this starting point, the author presented these seven lectures on The World of Perception to French radio listeners in 1948.
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Being and Time
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Overall5 out of 5 stars 11
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Performance5 out of 5 stars 11
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Being and Time was published in 1927 during the Weimar period in Germany, a time of political, social and economic turmoil. Heidegger himself did not escape the pressures and his nationalism, and undeniable anti-Semitism in the following decades cast a shadow over the man, but not the work. Being and Time is not coloured by expressions of his later views (unlike other writings) and remains an outstanding document.
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5 out of 5 stars
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Overall4 out of 5 stars 16
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Performance4.5 out of 5 stars 16
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For more than 30 years, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror fans crave. Now, with the 11th volume of the series, Daltow's back again to bring you the stories that will keep you up at night. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. This light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows.
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In this fully updated second edition, the author clearly introduces and assesses all of Freud's thought, focusing on those areas of philosophy on which Freud is acknowledged to have had a lasting impact. These include the philosophy of mind, free will and determinism, rationality, the nature of the self and subjectivity, and ethics and religion. He also considers some of the deeper issues and problems Freud engaged with, brilliantly illustrating their philosophical significance: human sexuality, the unconscious, dreams and the theory of transference.
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Excellent and for everyone!
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What is it that makes humans human? As science and technology challenge the boundaries between life and nonlife, between organic and inorganic, this ancient question is more timely than ever. Acclaimed object-oriented philosopher Timothy Morton invites us to consider this philosophical issue as eminently political. In our relationship with nonhumans, we decide the fate of our humanity. Becoming human, claims Morton, actually means creating a network of kindness and solidarity with nonhuman beings, in the name of a broader understanding of reality.
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Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.
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A match made in... well...
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Murdoch’s past has finally come crashing down on him. His former girlfriend. His Family. He’s been happily avoiding them for ages, trying to live something close to a normal life. But now he’s been drawn back into another one of their ludicrous attempts to bring about the end of all things. Anne is tired of living in the past. She’s finally looking to the future and embracing her destiny. She’s going to lead the Family forward on their greatest, final crusade to destroy the hated Machine of their long-time adversary.
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Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.
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There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.
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Great Introduction to Robert Chambers
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Publisher's Summary
The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book, Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world.
To confront this idea is to confront the limit of our ability to understand the world in which we live - a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror.
In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the underappreciated genre of supernatural horror in fiction, film, comics, and music.
"Thacker's discourse on the intersection of horror and philosophy is utterly original and utterly captivating..." (Thomas Ligotti, author of The Conspiracy Against the Human Race)
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