
Hubris Maximus
The Shattering of Elon Musk
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Narrado por:
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André Santana
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De:
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Faiz Siddiqui
Acerca de esta escucha
The rise, fall, and revival of the Caesar of Silicon Valley.
Elon Musk has cast himself as the savior of humanity, an altruistic force whose fortune is tied to noble pursuits from halting our dependence on fossil fuels to colonizing Mars. Once frequently heralded as a modern-day Edison, Musk has taken up a new place in the public consciousness with his growing desire to disrupt not just the automotive and space industries but the policies that shape our nation, placing him at the center of America’s most complex undertakings in manufacturing, politics, and defense and technology, even as his increasingly erratic personal behavior has raised questions about his stability and judgement.
Musk famously leads his companies from a bully pulpit, eroding guardrails and cutting through red tape whenever possible with little regard for the fallout as long as it serves his larger goals. Many in his orbit have seen their lives upended or their careers throttled by believing in his utopian vision. As the scale of the wagers he makes with his fortune and concerns about his credibility have grown in recent years, he alternately seems to be in complete command or on the verge of a meltdown. Yet in the long run, he has only become wealthier, and now the stakes have risen. Thanks to astute political maneuvering, Musk is no longer limited to gambling with a company’s bottom line or the livelihoods of his workers; he is poised to apply his uncompromising approach to business to the foundational rules and regulations that hold our society together.
At a moment when America’s tech gods are more influential than ever, Hubris Maximus is a cautionary tale about the pitfalls of lionizing magnetic leaders. Washington Post journalist Faiz Siddiqui offers a gripping, detailed portrait of a singularly messy and lucrative period in Musk’s career, as well as a case study in the power of using one’s platform to shape the public narrative in a world that can’t turn away from its screens.
A Macmillan Audio production from St. Martin’s Press.
©2025 Faiz Siddiqui (P)2025 Macmillan AudioLos oyentes también disfrutaron...
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Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.
De: Andrea Long Chu
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Gandolfini
- Jim, Tony, and the Life of a Legend
- De: Jason Bailey
- Narrado por: Edoardo Ballerini
- Duración: 10 h y 26 m
- Versión completa
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In Gandolfini, critic and historian Jason Bailey traces the twinned stories of the man and the unforgettable roles he played. Gandolfini’s roots were working class, raised in northern New Jersey as the son of Italian immigrants, and acting was something he loved for a long time before he could see it as a career. It wasn’t until he was well into his bohemian twenties that he dedicated himself to a life on the stage and screen.
De: Jason Bailey
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Extremely Hardcore
- Inside Elon Musk's Twitter
- De: Zoë Schiffer
- Narrado por: Jaime Lamchick
- Duración: 8 h y 42 m
- Versión completa
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Before he conceived of the Department of Government Efficiency (DOGE), Elon Musk flexed his control and influence during his unprecedented, $44 billion buyout of Twitter. This is the stunning true story of how Musk managed to upend the world's largest free speech platform through sheer, unilateral force—and what that means for the protection of power in the modern age.
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THE EMPERORS NEW CLOTHES
- De C.Schillings~ en 03-20-24
De: Zoë Schiffer
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Friends of the Museum
- A Novel
- De: Heather McGowan
- Narrado por: Cassandra Campbell
- Duración: 19 h y 9 m
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When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride. Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters and a motley assortment of museum employees, each on the precipice of collapse or revelation.
De: Heather McGowan
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Character Limit
- How Elon Musk Destroyed Twitter
- De: Kate Conger, Ryan Mac
- Narrado por: Edoardo Ballerini
- Duración: 15 h y 19 m
- Versión completa
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The billionaire entrepreneur and Tesla CEO Elon Musk has become inextricable from the social media platform that until 2023 was known as Twitter. Started in the mid-2000s as a playful microblogging platform, Twitter quickly became a vital nexus of global politics, culture, and media—where the retweet button could instantly catapult any idea to hundreds of millions of screens around the world, unleashing raw collective emotion like nothing else before.
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Depressing but engrossing
- De Jason Jablonski en 10-25-24
De: Kate Conger, y otros
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Funny Because It's True
- How The Onion Created Modern American News Satire
- De: Christine Wenc
- Narrado por: Christine Wenc
- Duración: 12 h
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In 1988, a band of University of Wisconsin–Madison undergrads and dropouts began publishing a free weekly newspaper with no editorial stance other than “You Are Dumb.” Just wanting to make a few bucks, they wound up becoming the bedrock of modern satire over the course of twenty years, changing the way we consume both our comedy and our news. The Onion served as a hilarious and brutally perceptive satire of the absurdity and horrors of late twentieth-century American life and grew into a global phenomenon.
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Her lack of knowledge.
- De Anonymous User en 04-20-25
De: Christine Wenc
Lo que los oyentes dicen sobre Hubris Maximus
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- Avox
- 04-24-25
intriguing
The author did a good job of sourcing so it doesn't sound like he wrote it from news articles.
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