How to Pronounce Knife
Stories
No se pudo agregar al carrito
Solo puedes tener X títulos en el carrito para realizar el pago.
Add to Cart failed.
Por favor prueba de nuevo más tarde
Error al Agregar a Lista de Deseos.
Por favor prueba de nuevo más tarde
Error al eliminar de la lista de deseos.
Por favor prueba de nuevo más tarde
Error al añadir a tu biblioteca
Por favor intenta de nuevo
Error al seguir el podcast
Intenta nuevamente
Error al dejar de seguir el podcast
Intenta nuevamente
$0.00 por los primeros 30 días
POR TIEMPO LIMITADO
Obtén 3 meses por $0.99 al mes + $20 de crédito Audible
La oferta termina el 1 de diciembre de 2025 11:59pm PT.
Exclusivo para miembros Prime: ¿Nuevo en Audible? Obtén 2 audiolibros gratis con tu prueba.
Por tiempo limitado, únete a Audible por $0.99 al mes durante los primeros 3 meses y obtén un crédito adicional de $20 para Audible.com. La notificación del bono de crédito se recibirá por correo electrónico.
1 bestseller o nuevo lanzamiento al mes, tuyo para siempre.
Escucha todo lo que quieras de entre miles de audiolibros, podcasts y Originals incluidos.
Se renueva automáticamente por US$14.95 al mes después de 3 meses. Cancela en cualquier momento.
Elige 1 audiolibro al mes de nuestra inigualable colección.
Escucha todo lo que quieras de entre miles de audiolibros, Originals y podcasts incluidos.
Accede a ofertas y descuentos exclusivos.
Premium Plus se renueva automáticamente por $14.95 al mes después de 30 días. Cancela en cualquier momento.
Compra ahora por $17.09
-
Narrado por:
-
James Tang
-
Kulap Vilaysack
Winner of the 2020 Scotiabank Giller Prize
“As the daughter of refugees, I’m able to finally see myself in stories.” —Angela So, Electric Literature
Los oyentes también disfrutaron:
Reseñas de la Crítica
"An impressive debut...Thammavongsa's spare, rigorous stories are preoccupied with themes of alienation and dislocation, her characters burdened by the sense of existing unseen... Her gift for the gently absurd means the stories never feel dour or predictable, even when their outcomes are by some measure bleak...It is when the characters' sense of alienation follows them home, into the private space of the family, that Thammavongsa's stories most wrench the heart."—NEW YORK TIMES BOOK REVIEW
**Named one of the most anticipated books of 2020 by Electric Literature, The Millions, and Ms. Magazine**
**Named one of the most anticipated books of the month by the New York Times, O. The Oprah Magazine, Vogue, Bustle, and Salon**
**Named one of the most anticipated books of the month by the New York Times, O. The Oprah Magazine, Vogue, Bustle, and Salon**
"These poignant and deceptively quiet stories are powerhouses of feeling and depth; How to Pronounce Knife is an artful blend of simplicity and sophistication."—MARY GAITSKILL, author of VERONICA and SOMEBODY WITH A LITTLE HAMMER
"In sparse prose braced with disarming humor, Thammavongsa offers glimpses into the daily lives of immigrants and refugees in a nameless city, illuminating the desires, disappointments, and triumphs of those who so often go unseen...Though short enough to read in one sitting, [these stories] feel vast in their scope, offering ample room to wander."—THE PARIS REVIEW
"I love these stories. There's some fierce and steady activity in all of the sentences-something that makes them live, and makes them shift a little in meaning when you look at them again and they look back at you (or look beyond you)."
—HELEN OYEYEMI, authorof WHAT IS NOT YOURS IS NOT YOURS and GINGERBREAD
—HELEN OYEYEMI, authorof WHAT IS NOT YOURS IS NOT YOURS and GINGERBREAD
"In Thammavongsa's work, refugees don't have to be just tragic or sad but can be imbued with humor, complexity, and the unexpected. Most importantly, Thammavongsa doesn't write for a white audience. She writes, tenderly and profoundly, for her characters. Her love is apparent in her delicate descriptions: confident children protect their parents, workers perform jobs with care and pride, and messy love stories show us that leaving is proof we are alive. The power of How to Pronounce Knife lies in seeing the unseen. I know that firsthand--as the daughter of refugees, I'm able to finally see myself in stories."—ANGELA SO, ELECTRIC LITERATURE
"Fourteen piercing sketches illuminate the workaday routines and the interior lives of Laotian refugees. Characters who undertake 'the grunt work of the world', laboring in poultry plants, hog farms, and nail salons, also harbor vivid fantasies... brief glimpses of freedom in otherwise impenetrable places."—NEW YORKER
Las personas que vieron esto también vieron:
A truly delightful book
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Good collection
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Resonated...
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
I came away from this book with mixed feelings. On the one hand, with my experience of having lived most of my life as a foreigner (American) living in an Asian country, and also my work with Vietnamese refugees trying to adapt to life in America while trying to overcome the personal traumas they had experienced in Vietnam and as boat people escaping from there, I feel I better understood some of their feelings. I identified with so many things about the characters in the book, from their struggle with the language, of looking so different and out of place, the giggles when you make cultural faux pas and you don’t even know what you said or did wrong, and the dependence on others sometimes to help with the most basic and simplest of tasks. Of course, I didn’t experience most of this to the same extent as they did, partly because the people where I lived were so gracious and wanting to help, and also because I didn’t have to struggle with low-paying jobs and others looking down on me for my position. Still, there was a great deal that struck home.
But, I was looking for more coherence to the stories. I kept expecting to find some characters that appeared in more than one story. And, I found each story cut off too soon, just at the point where you might think that something was about to happen, for better or worse. The author could have told me more. I wanted some conclusions, some endings to the stories.
Yet, it still kept pushing my thinking. Maybe the lack of endings was on purpose. Real lives don’t have conclusions until death, and even then the endings are not complete. In fact, maybe the point was that, for immigrants from a culture so very different from ours and especially for those who come from the bottom rung of the ladder, the best that most can hope for is continuation, not conclusion. The focus of most Americans is on immigrants taking jobs from Americans, but in this book, we see more of immigrants being exploited and held back. It exposes racism and our own assumptions that we are an equal society where anyone can get ahead.
The adults are just trying to survive, sometimes by holding everything inside and plodding on, sometimes by focusing on a narrow area and trying to make that their own, from becoming a rabid fan or Randy Travis to working so hard to be the best at your job that you provoke the resentment of others.
The children are torn between wanting to fit in and yet trying to still be Lao. Others go to the extreme of one or the other. And even among the immigrants there are sometimes similar divisions that can divide them.
These are brief snippets built around one short turning point in a life, but in the end they do come together to show the struggles with the dreams. And maybe this book will help others see the real people who clean their offices, do their nails, and work on farms. By the end, I found that I liked the book better than I had thought.
When Hope Is Survival
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Wow
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Wonderful collection
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Amazing
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
I listened to the audiobook version and the narrators generally performed well. I felt the female narrator expressed more emotion in her performance as opposed to the male narrator who more or less reads words from a page and rarely sounds as if he's truly invested in making the stories sound unique and separate in their own right. At the same turn, I highly respect all narrators who work hard to record my much-loved audio entertainment, as I would sound like an uncultured Southerner with a frequently incomprehensible backwoods drawl by comparison.
Short. Sweet. Different. Real.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Meh
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
The readers brought out all the emotions to the surface. These short stories belong to the same class as NPR’s Selected Shorts.
Bravo, well done!
What a treat! I loved this Book
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.