His Favorite Sin
A Priest. A Confession. A Forbidden Desire.
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Narrated by:
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Virtual Voice
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By:
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Bill Tarino
This title uses virtual voice narration
Virtual voice is computer-generated narration for audiobooks.
A woman who turns confession into seduction.
A desire that destroys them both.
Father Marcus Ellery has spent his life guarding his soul. His parish trusts him. His bishop praises him. His conscience is firm - until a woman slips into his confessional and calmly admits to seducing married men for sport.
She calls herself Eva.
Her voice is soft. Her sins are dark.
And she says them like prayers.
Marcus knows he should rebuke her.
He should send her away.
But something about her - her pain, her power, her control - hooks into the secret weak spot he never knew he had.
When Eva returns with new stories of temptation, Marcus tries to guide her toward repentance. Instead, she pulls him deeper into her twisted world. Soon he’s lying to his parish, skipping duties, and meeting her in the shadows where faith and desire collide.
Then a prominent parish leader is found dead by the river.
Eva arrives at the rectory shaking, with blood on her sleeve, whispering that it was “an accident.” But her version of events keeps changing - and so does Marcus’s role in it.
When blackmail begins, when hidden recordings surface, when the Church closes ranks to protect itself, Marcus realizes too late that Eva’s sins aren’t random.
They are revenge.
For her sister.
For the past.
For the Church that abandoned her family.
And Marcus is next.
But Eva isn’t the only one rewriting the truth.
Marcus has a story of his own. One he begins telling to a new audience, in a new town, long after he loses his collar.
A story that turns him from victim, into something far more dangerous.
Because his favorite sin wasn’t lust.
It wasn’t deceit.
It was the power he felt when someone whispered their darkest secrets, trusting him to judge them.
And now, collar or not, the confessional never really ended.
Disclaimer:
This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination. Any resemblance to actual persons, organizations, places or events is purely coincidental.
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