Good Things Out of Nazareth

The Uncollected Letters of Flannery O'Connor and Friends

By: Flannery O'Connor, Ben Alexander - editor

Narrated by: John H. Mayer, Dorothy Dillingham Blue, Various

A literary treasure of over one hundred unpublished letters from National Book Award-winning author Flannery O'Connor and her circle of extraordinary friends.

Flannery O’Connor is a master of twentieth-century American fiction, joining, since her untimely death in 1964, the likes of Hawthorne, Hemingway, and Faulkner. Those familiar with her work know that her powerful ethical vision was rooted in a quiet, devout faith and informed all she wrote and did.

Good Things Out of Nazareth, a much-anticipated collection of many of O’Connor’s previously unpublished letters—along with those of literary luminaries such as Walker Percy (The Moviegoer), Caroline Gordon (None Shall Look Back), Katherine Anne Porter (Ship of Fools), Robert Giroux and movie critic Stanley Kauffmann. The letters explore such themes as creativity, faith, suffering, and writing. Brought together, they form a riveting literary portrait of these friends, artists, and thinkers. Here we find their joys and loves, as well as their trials and tribulations as they struggle with doubt and illness while championing their beliefs and often confronting racism in American society during the civil rights era.

Praise for Good Things Out of Nazareth

“An epistolary group portrait that will appeal to readers interested in the Catholic underpinnings of O'Connor's life and work . . . These letters by the National Book Award–winning short story writer and her friends alternately fit and break the mold. Anyone looking for Southern literary gossip will find plenty of barbs. . . . But there’s also higher-toned talk on topics such as the symbolism in O’Connor’s work and the nature of free will.”—Kirkus Reviews

“A fascinating set of Flannery O’Connor’s correspondence . . . The compilation is highlighted by gems from O’Connor’s writing mentor, Caroline Gordon. . . . While O’Connor’s milieu can seem intimidatingly insular, the volume allows readers to feel closer to the writer, by glimpsing O’Connor’s struggles with lupus, which sometimes leaves her bedridden or walking on crutches, and by hearing her famously strong Georgian accent in the colloquialisms she sprinkles throughout the letters. . . . This is an important addition to the knowledge of O’Connor, her world, and her writing.”—Publishers Weekly

Interesting author

Very compelling biography of an author and poet from the early 20th century reflecting the southern USA

Good narrating, poor editing

The audio side is well done, and the woman reading Flannery is a delight. But the original editor of the book has done a poor job and is just lucky O'Connor isn't around to lacerate him with her steely wit. Before every letter he tells readers what's in it, as if we're grade schoolers, but often when there's a vague reference to a story, say, he fails to tell which one is being referenced. There are also repeated opinionated digressions that the publisher should either have struck out or insisted be part of the introduction. And I say that as someone who usually agrees with the opinions officiously inserted.

this narrator's faux southern accent is abominable

The narrator's fake southern impersonation made a great collection unlistenable.

A typical sentence by O'connor, such as " Am I squeezing blood from a turnip or the turnips out of my blood?" is read as "am ah squeezing' bluhhd from a turnip or the turnips outta man bluhd?" the word Cousin is pronounced "Cuddin". Its really comedically bad.

The reading by John Myer is clear and straight forward, The intro is excellent. Dorthy Dillinger , however, ruined this collection.