Eavesdropping at the Movies Podcast Por Jose Arroyo and Michael Glass arte de portada

Eavesdropping at the Movies

Eavesdropping at the Movies

De: Jose Arroyo and Michael Glass
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"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo. "I just like the sound of my own voice." - Michael Glass.All rights reserved Arte
Episodios
  • 454 - Weapons
    Sep 5 2025
    One of the most hotly-anticipated horror films in recent memory, Weapons begins with seventeen third-grade children in a Pennsylvania town mysteriously waking up at 2:17am one Wednesday and running from their homes into the darkness. The shocking, unexplained disappearance and imagery of an empty classroom alone suggest an allegory of school shootings, and we ask what else can be read into the film, and discuss the depth with which it handles its themes. We have our issues with Weapons but enjoy it very much all the same, and find a lot to like. It's probably just a little overpraised. Two weeks later, with the film still on his mind, Mike opens up further discussion and proposes that maybe there's more to it than he gave it credit for - or that you have to be American to properly get it. Recorded on 10th and 24th August 2025.
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    48 m
  • 453 - The Shrouds
    Sep 1 2025
    A psychosexual thriller that's neither psychosexual nor thrilling enough, The Shrouds is a disappointment. There's great promise to businessman Vincent Cassel's invention of a technologically advanced shroud that creates a 3D model of the decaying body it houses, when we're shown the lust with which he observes his deceased wife's corpse. The film is peppered with recurrent imagery of her disfigured body, and its importance to Cassel's character is constantly reinforced, but the film is too talky, its imagery too bland, and its plot too convoluted to make the most of it. A shame. Recorded on 6th August 2025.
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    26 m
  • 452 - The Ballad of Wallis Island
    Aug 26 2025
    Mike loves Tim Key. This much has been true for some time, and he's thrilled to discover that the comic poet's unique approach to wordplay and social interactions finds a natural place on the cinema screen, in the character of an eccentric lottery winner who lures his favourite folk duo, long since broken-up, to the lonely island on which he lives for a private gig. Tom Basden's singer-songwriter finds the forced reunion an unwelcome intrusion from his past, and so begins a comedy about grief, loss, loneliness, and rice. The plot is easily predicted, the visual nous close to absent, but it has a good heart and, in Key, an irresistably energetic, unusual central performance. It filled the Mockingbird with laughter and left us all feeling warm and cuddly and sad and happy. The Ballad of Wallis Island is a charming film, well worth watching. Recorded on 5th August 2025.
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    31 m
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