Eavesdropping at the Movies Podcast Por Jose Arroyo and Michael Glass arte de portada

Eavesdropping at the Movies

Eavesdropping at the Movies

De: Jose Arroyo and Michael Glass
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"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo. "I just like the sound of my own voice." - Michael Glass.All rights reserved Arte
Episodios
  • 459 - A Big Bold Beautiful Journey

    459 - A Big Bold Beautiful Journey
    Oct 14 2025
    A Big Bold Beautiful Journey, directed by former video essayist Kogonada, is beautiful to look at and very likeable, but derivative and ultimately unsatisfying. We discuss its lighting, its attitude towards people's histories and the memories that live with them, and why a rubbish script Mike once wrote makes him particularly keen to sneer at it. Recorded on 29th September 2025.
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    29 m
  • 458 - The Long Walk

    458 - The Long Walk
    Oct 6 2025
    Cheap, simple, high-concept and reasonably graphic, The Long Walk is a throwback to the days of the B-movie. In its dystopian, totalitarian version of the USA, an annual event, the Long Walk, is designed to inspire a work ethic and national pride in the citizenry, and in so doing restore the country to that self-defined global number one status it craves; to make America great again. The televised competition sets fifty young men, one from each state, against each other in a test of endurance: they must walk for as long as they can, maintaining a speed of over 3mph at all times, with success rewarded with unimaginable riches and the fulfilment of a personal wish, and repeated failure to keep up punished with on-the-spot execution. There is one winner. What promises to be quite dumb is not quite as dumb as Mike anticipates. The worldbuilding is fairly thin, and the premise of the competition an immediate hurdle for the audience to clear, but The Long Walk is able to develop thematically in surprising depth through the interactions and conversations between its competitors, who share their thoughts on the event, the personal histories that draw them to it, and their intentions if they win. With a number of reservations - we find its visual direction lacking and differ on how good the performances and screenplay are - it's easy to recommend The Long Walk, which shows us an America in need of revolution, and asks its characters what it might take to achieve it. Recorded on 28th September 2025.
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    25 m
  • 457 - One Battle After Another

    457 - One Battle After Another
    Oct 3 2025
    By far Paul Thomas Anderson's most expensive film, with a budget some four or five times what he's used to, and probably his most accessible, One Battle After Another entertains us enormously and effortlessly without sacrificing the complexity and nuance for which his work is known. Set in an alternate America oppressed by Christofascism, the alternate part is that there's a very active militant revolutionary group, the French 75, setting bombs off and freeing detained minorities. Leonardo DiCaprio is part of it, and sixteen years after the conclusion of his group's activities, their work has entered countercultural legend, but he's become a drug-addicted, paranoid burnout, trying to raise a teenage daughter. When the powers that be come looking for them, they're separated, all hell breaks loose, and he has to step up. José finds One Battle After Another to be the film of the moment, the state of the nation film that Eddington could only dream of being, a powerful, invigorating expression of what ails America and what it means to resist. Mike is more cynical, seeing an element of mockery in the revolution that has no apparent intention to end and is carried out over generations. We love the easygoing style of filmmaking that Anderson seems to have grown into, comparing it to the rigid formality of his early work, and finding that he has a talent for action cinema that's never quite come out before. We also discuss the film's themes of youth and ageing, parenting, the Christian right and more. One Battle After Another is an unmissable film, the kind that fifty years ago would have defined America's national conversation. Cinema no longer holds that level of cultural cachet, sadly, but One Battle After Another is a powerful, energetic, and very funny reminder of what film can do at its best. Recorded on 28th September 2025.
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    36 m
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