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Cocktails with George and Martha
- Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf?
- Narrated by: Alexa Morden
- Length: 11 hrs and 29 mins
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Publisher's summary
An award-winning writer reveals the behind-the-scenes story of the provocative play, the groundbreaking film it became, and how two iconic stars changed the image of marriage forever.
From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.
Then, Hollywood took a colossal gamble on Albee’s sophisticated play—and won. Costarring Elizabeth Taylor and Richard Burton, the sensational 1966 film minted first-time director Mike Nichols as industry royalty and won five Oscars. How this scorching play became a movie classic—surviving censorship attempts, its creators’ inexperience, and its stars’ own tumultuous marriage—is one of the most riveting stories in all of cinema.
Now, acclaimed author Philip Gefter tells that story in full for the first time, tracing Woolf from its hushed origins in Greenwich Village’s bohemian enclave, through its tormented production process, to its explosion onto screens across America and a permanent place in the canon of cinematic marriages. This deliciously entertaining book explores how two couples—one fictional, one all too real—forced a nation to confront its most deeply held myths about relationships, sex, family, and, against all odds, love.
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- Narrated by: Richard Ayoade
- Length: 4 hrs and 39 mins
- Unabridged
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At last, the definitive audiobook about perhaps the best cabin crew dramedy ever filmed: View from the Top starring Gwyneth Paltrow. In Ayoade on Top, Richard Ayoade, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece.
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Listened for an hour and a half, didn't laugh once
- By Wesley on 12-13-19
By: Richard Ayoade
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Music Theory: from Absolute Beginner to Expert
- The Ultimate Step-by-Step Guide to Understanding and Learning Music Theory Effortlessly
- By: Nicolas Carter
- Narrated by: Bryan Howard
- Length: 2 hrs and 52 mins
- Unabridged
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Have you ever been put off by music theory or thought that is too hard to learn? If the answer is yes, then this book is the answer for you. It covers everything that anyone who plays (or wants to play) music, and wishes to become better as a musician, should know. This is the most comprehensive book on music theory that you can find today. Not only that, but this book is written in a way that is really easy to follow, understand and internalize all the concepts explained.
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Title is misleading & no audio examples
- By JS on 02-25-17
By: Nicolas Carter
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Little House in the Hollywood Hills
- A Bad Girl's Guide to Becoming Miss Beadle, Mary X, and Me
- By: Charlotte Stewart, Andy Demsky
- Narrated by: Charlotte Stewart, Andy Demsky
- Length: 10 hrs and 17 mins
- Unabridged
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Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.
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Excellent and Entertaining
- By Fla on 09-18-17
By: Charlotte Stewart, and others
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Center of the YOUniverse
- By: Tituss Burgess, Jane Krakowski
- Narrated by: Tituss Burgess, Jane Krakowski
- Length: 1 hr and 24 mins
- Original Recording
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Center of the YOUniverse is an out-of-this-world spectacle starring Tituss Burgess and Jane Krakowski with music, laughter, and (probably) the salvation of humanity from its self-inflicted doom. Unaware of just how brightly the other one shines, Tituss and Jane will attempt the impossible: a double-booking. In a unique blend of song and storytelling, they’ll stop at nothing to upstage each other and steal the spotlight…until they realize the true purpose of being ridiculously attractive and having immeasureble talent: to unite and heal the world.
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Yikes, it had potential but…
- By Chantal Noordeloos on 12-27-23
By: Tituss Burgess, and others
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The Way I See It
- A Look Back at My Life on Little House
- By: Melissa Anderson
- Narrated by: Jane Pfitsch
- Length: 6 hrs and 52 mins
- Unabridged
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From age 11, in 1974, until she left the show, in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as the blind sister - and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes listeners onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash.
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self serving
- By Tina L. on 02-24-20
By: Melissa Anderson
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Probably Most Effective If You’ve Never Seen a Hitchcock Film
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The rise and fall of peak TV
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Oscar Wars
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In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes.
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Fascinating and FUN
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Everywhere an Oink Oink
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David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.
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Poor Mr. Mamet
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What listeners say about Cocktails with George and Martha
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Thomas Bagwell
- 03-11-24
not that insightful
Most of the material in this book is available elsewhere. If you've read the Albee bios there isn't much in here to add to that. There's a lot of filler at the end as well.
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1 person found this helpful
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- TPH
- 02-25-24
Another Bad Narration
Mispronunciation of numerous names and words. Does no one listen to and edit these narrations? For me, more books are ruined by the narration than by the content.
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4 people found this helpful
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- Hayworth
- 03-26-24
Well researched, well written, well read, but...
...so many errors, both in the writing and in the reading. For example, THE LION IN WINTER was not written by William Goldman but by his brother James Goldman. Lots of bad pronunciation - who is James Aggie? And so on...Does anyone ever "proof read" audio books???
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- J Nanney
- 03-15-24
Well-researched, scholarly, entertaining
Deep background on the playwright, the director, the producer, the performers, the machinations of Hollywood and moviemaking and especially the iconic impact of a remarkable play and movie. Some annoying mispronunciations of words but did not detract too much from my enjoyment.
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1 person found this helpful
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- Barbara Nordin
- 02-23-24
Excellent book, irritating reader
Loved the rich details and history. The reader’s odd pronunciation and stresses detracted, but only slightly.
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2 people found this helpful
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- Vandy Starkweather
- 03-21-24
Absorbing, detailed, well written
The reader mispronounces so many words, it’s exasperating, but she nevertheless gives an excellent performance. No sing song here, she’s really good, has lively energy and makes it interesting.
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- Anonymous User
- 02-22-24
A Rollicking Good Tale
Couldn’t stop listening to this well researched, astutely observed and wonderfully well written work. Not only does it take a deep dive into the Hollywood sausage factory at a pivotal time in the culture, but it captures the culture—the one we used to share before today’s Balkanization, as Gefter notes, and a circle of gods we all used to admire and or concern ourselves with. It is ancient history brought beautifully to life. I’m left with the image of Richard Burton driving Elizabeth Taylor in the Rolls Royce she bought for Eddie Fisher that always brings a smile.
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- Eric
- 03-02-24
If you are thinking of — or involved in — marriage, read this
As to the level of detail, think of Farley Mowatt analyzing wolf scats in the Keewatin pine barrens. It’s a meticulous look, but evocative, true to the craft of amorous relationships (and their exposition), and highly entertaining.
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- Observer
- 02-25-24
Fabulous book - narration
This is a terrific book. The mispronounced words were a distraction. Also less than ideal was the narrator’s occasional use of a tone suggesting she was trying to sell a particular point of view.
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3 people found this helpful
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- Doris Allen
- 03-04-24
Writer had a point of view and carried it out.
Often, these readers mispronounce the simplest words and get titles wrong.
“The Lion in Winter” is “the lion in the winter”,,.
But that is minor. I appreciate not being fed precis of, to me, famous people, the way some recent non-fiction does.
The gossip is terrif, (straight from the producer) and the writing is clear and erudite without striving.
This writer loved the subject and she or he has done the reader a great service.
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1 person found this helpful