Blind Descent
The Quest to Discover the Deepest Place on Earth
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Narrado por:
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Don Leslie
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De:
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James M. Tabor
In 2004, two great scientist-explorers are attempting to find the bottom of the world. Bold, heroic American Bill Stone is committed to the vast Cheve Cave, located in southern Mexico and deadly even by supercave standards. On the other side of the globe, legendary Ukrainian explorer Alexander Klimchouk—Stone’s polar opposite in temperament and style, but every bit his equal in scientific expertise, physical bravery, and sheer determination—has targeted Krubera, a freezing nightmare of a supercave in the Republic of Georgia, where underground dangers are compounded by the horrors of separatist war in this former Soviet republic.
Blind Descent explores both the brightest and darkest aspects of the timeless human urge to discover—to be first. It is also a thrilling epic about a pursuit that makes even extreme mountaineering and ocean exploration pale by comparison. These supercavers spent months in multiple camps almost two vertical miles deep and many more miles from their caves’ exits. They had to contend with thousand-foot drops, deadly flooded tunnels, raging whitewater rivers, monstrous waterfalls, mile-long belly crawls, and much more. Perhaps even worse were the psychological horrors produced by weeks plunged into absolute, perpetual darkness, beyond all hope of rescue, including a particularly insidious derangement called The Rapture.
James M. Tabor was granted unprecedented access to logs, journals, photographs, and video footage of these expeditions, as well as many hours of personal interviews with surviving participants. Blind Descent is an unforgettable addition to the classic literature of discovery and adventure. It is also a testament to human survival and endurance—and to two extraordinary men whose relentless pursuit of greatness led them to heights of triumph and depths of tragedy neither could have imagined.
Includes a 16-pg full-color insert
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"Heart-stopping and relentlessly gripping. Tabor takes us on an odyssey into unfathomable worlds beneath us, and into the hearts of rare explorers who will do anything to get there first."—Robert Kurson, author of ShadowDivers
"Holds the reader to his seat, containing dangers aplenty with deadly falls, killer microbes, sudden burial, asphyxiation, claustrophobia, anxiety, and hallucinations far underneath the ground in a lightless world. Using a pulse-pounding narrative, this is tense real-life adventure pitting two master cavers mirroring the cold war with very uncommonly high stakes."—Publishers Weekly (starred review)
"A fascinating and informative introduction to the sport of cave diving, as well as a dramatic portrayal of a significant man-vs.-nature conflict. . . . What counts is Tabor’s knack for maximizing dramatic potential, while also managing to be informative and attentive to the major personalities associated with the most important cave explorations of the last two decades."—Kirkus Reviews
"Holds the reader to his seat, containing dangers aplenty with deadly falls, killer microbes, sudden burial, asphyxiation, claustrophobia, anxiety, and hallucinations far underneath the ground in a lightless world. Using a pulse-pounding narrative, this is tense real-life adventure pitting two master cavers mirroring the cold war with very uncommonly high stakes."—Publishers Weekly (starred review)
"A fascinating and informative introduction to the sport of cave diving, as well as a dramatic portrayal of a significant man-vs.-nature conflict. . . . What counts is Tabor’s knack for maximizing dramatic potential, while also managing to be informative and attentive to the major personalities associated with the most important cave explorations of the last two decades."—Kirkus Reviews
Las personas que vieron esto también vieron:
BOGGLING
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Good book
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Good book in general
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I liked it...good because its real!
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What could James Tabor have done to make this a more enjoyable book for you?
1) Tabor sets up his story with the assertion that people historically have mourned the loss of exploration with each great discovery. After every accomplishment (crossing the Atlantic, stepping on the moon, etc.), people have thought that it is the end of exploration. Then Tabor says, “No! There is another! Finding the deepest cave is just as big a deal!” That’s fine with me—that seems worthy of being important. However, Tabor calls the discovery of the deepest cave “the LAST great discovery” many, many times. By saying this, he is guilty of doing exactly the thing that he so boldly ridiculed! Talk about undermining his own thesis!2) One of Tabor’s major themes is that caving is an equal among other kinds of exploration that have more recognition. Tabor tirelessly references other adventures: climbing Everest, reaching the South Pole, trying to reach the South Pole (Shackleton), walking on the moon, and deep sea diving. Basically, the book goes something like this:
“Caves are uninhabitable environments, just like Everest…You can die in a cave, just like you can die on a mountain…Caving is exploration, just like Columbus did….Caving is difficult, just like Everest, no wait, it’s more difficult than Everest…Caves are just as remote as the moon…Diving in caves is more dangerous that diving in open water…Caving is like climbing an 8000m mountain in reverse…Cave rescues are more difficult than mountain rescues…blah, blah, blah.”
Tabor’s support for his theme of the danger and greatness of caving is simply analogy after analogy. After the first few mentions of mountaineering, I started to yawn. Can't he let caving stand on it's own? He needs to quit using analogies and just to a better job of describing the subject on hand. Tabor was probably inspired by tales like “Into Thin Air” and “Endurance”, but his own story pales in comparison. Krakouer and Lansing had me on the edge of my seat and nearly crying when they told stories that were suspenseful, scary, and beautiful. The heroes in these stories were people that I marveled at. Tabor’s CONSTANT references to these other types of exploration were simply a crutch that he hoped would make his story equally impressive. The descriptions of caves were dull and the human elements were uninteresting. For example, one of Stone’s girlfriends made pancakes once, and I was like “Oh…so? Who cares if she made pancakes?”; that’s what the entire book was like.
3) Why did Tabor keep calling this thing a race? The competition between was between two different caves. It didn’t matter at all which explorers finished first, one cave was deeper. It never was a race.
4) Okay, I’ve criticized Tabor’s writing skills enough. This was my first book about caving. I looked at some pictures of Krubera online and it looks terrifying and awesome! The people who explore supercaves must be very brave and thoughtful. I would love to learn more from an author who is a stronger writer.
Any additional comments?
Sorry for all the complaining, but I didn't enjoy it much.Interesting subject, boring thesis and themes
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