Adam

Kings of Guardian, Book 3
Narrated by: Matt Haynes
Series: The Kings of Guardian, Book 3
Length: 7 hrs and 42 mins
Categories: Romance, Military
5 out of 5 stars (36 ratings)

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Publisher's Summary

Dr. Adam Cassidy knew two things: life isn’t easy and fate’s a bitch. 

Adam's last mission cost him an eye, his memory, and any chance of staying with his military brothers-in-arms on Guardian's Alpha Team. He'd scraped together the remnants of his life. He’d refined, rebuilt, and pushed on alone, while every night, sleep tortured him with the fleeting memory of the warm, welcome press of the soft breasts and lips of a faceless, nameless woman. 

Keelee Marshall knew all about loss. She couldn't forget their brief nights of passion - but Adam had. The man she loved beyond reason had disappeared on the battlefields of Afghanistan. It seemed she would have to win his love all over again, and in Adam's ignorance, he was pushing her into the arms of a man she didn’t want and a future devoid of romance. 

Love can trump the cards fate has dealt both of them. But only if the man holding the cards is a Guardian.

©2016 Kris Michaels (P)2019 Kris Michaels

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

A great don’t give up story!

Keelee Marshall loves Dr Adam Cassidy beyond all reason even after he hurt her. Doc realized what a treasure he had with her and then was injured on his mission. He lost so much but losing his memories of Keelee as well as his confidence caused him to push her towards another direction. I loved the strength of Keelee. She sticks to her guns no matter the costs. Matt Haynes gives feeling and strong emotional reactions through his performance. Job well done!

1 person found this helpful

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    5 out of 5 stars
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Love, love, love

D. Cragg
Have enjoyed all3 books .
Can’t wait to read #4. Have to know
What happens to the entire team.

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    4 out of 5 stars
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    5 out of 5 stars

Poor Narration

Great voice and enunciation but very unrealistic reading of oral exchanges.
The oral narrative in fiction needs to be better “acting”.
Perhaps oral editing is poor.
Example: “Yes sir, John and James are handling this.” Vs “Yes sir, John AND James are handling this.”
There is a dramatic implication that James will be significant at some future point. The listener is left waiting for the follow up.
The narrator is not involved and becomes a poor reader which distracts from story.