Preview
  • A Little Devil in America

  • Notes in Praise of Black Performance
  • By: Hanif Abdurraqib
  • Narrated by: JD Jackson
  • Length: 9 hrs and 38 mins
  • 4.8 out of 5 stars (233 ratings)

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A Little Devil in America

By: Hanif Abdurraqib
Narrated by: JD Jackson
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Publisher's summary

National Book Award Finalist

“A masterpiece” (Minneapolis Star Tribune), a “devastating” (The New York Times) meditation on Black performance in America from the MacArthur “Genius Grant” Fellow and best-selling author of Go Ahead in the Rain

One of the 10 Best Books of the Year: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly • One of yhe Best Books of The Year: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist

“Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.” (Brit Bennett, number one New York Times best-selling author of The Vanishing Half)

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines - whether it’s the 27 seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder”, a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt - has layers of resonance in Black and White cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.

Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space - from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

©2020 Hanif Abdurraqib (P)2020 Random House Audio

Critic reviews

“Hanif Abdurraqib’s genius is in pinpointing those moments in American cultural history when Black people made lightning strike. But Black performance, Black artistry, Black freedom too often came at devastating price. The real devil in America is America itself, the one who stole the soul that he, through open eyes and with fearless prose, snatches back. This is searing, revelatory, filled with utter heartbreak, and unstoppable joy.” (Marlon James, author of Black Leopard, Red Wolf)

“Poignant...Abdurraqib has written an important book on the transformative power of...love.” (The New York Times)

“Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual.” (Vulture)

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Editor's Pick

Another standout from a contemporary favorite
If you’ve had a conversation with me lasting longer than five minutes, it’s entirely possible that I’ve recommended the work of Hanif Abdurraqib. A poet and essayist with a radical capacity for empathy, Abdurraqib’s writing on music and art transcends mere commentary. Instead, in highlighting the connection between what we love and who we are, he finds memories, politics, and family nestled in the liner notes. In A Little Devil in America, Abdurraqib wields his lyrical writing style to craft a bright, breathing portrait of Black performance and artistry, putting these landmark cultural moments in conversation with historical context and personal anecdote alike. The essays span in focus from Merry Clayton’s iconic belt in The Rolling Stones’s “Gimme Shelter” to Whitney Houston’s rendition of “I Wanna Dance with Somebody” at the 1988 Grammys to the loss and enduring legacy of greats like Aretha Franklin, contemplating instances of Black joy and grief in equal measure. Alternating between poetic stream of consciousness and an academic’s attention to detail, but never faltering in heart and authenticity, this is Abdurraqib at his very best. —Alanna M., Audible Editor