Tragic Mind

Some books emerge from a lifetime of hard-won knowledge. Robert D. Kaplan has learned, from a career spent reporting on wars, revolutions, and international politics in Europe, the Middle East, and East Asia, that the essence of geopolitics is tragedy. In The Tragic Mind, he employs the works of ancient Greek dramatists, Shakespeare, German philosophers, and the modern classics to explore the central subjects of international politics: order, disorder, rebellion, ambition, loyalty to family and state, violence, and the mistakes of power.

Following the defeat of Chiang Kai-shek in 1949, after a bloody civil war, Mao hoisted the red flag over Beijing's Forbidden City, and the world watched as the Communist revolution began to wash away the old order. Due to the secrecy surrounding the country's records, little has been known before now about the eight years that followed, preceding the massive famine and Great Leap Forward. The Tragedy of Liberation bears witness to a shocking, largely untold history.

Pressured into a political career by his traditional, establishmentarian family, Nick Dormer longs to be a painter. Eventually, encouraged by the carefree aesthete Gabriel Nash, reminiscent of Oscar Wilde, he resigns from Parliament and follows his artistic dream. His journey is counterpointed with that of budding young actress Miriam Rooth, the subject of Nick's most successful paintings, and the "tragic muse" of the title, who too sacrifices an affluent life (marriage with Nick's cousin Peter) for her art.

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Tragedy is one of the greatest challenges to resilience, and the ability to be resilient is a defining characteristic of a hero. In these two short tales, author Michael Haase takes a concise and focused magnifying glass as two different heroes face ultimate tragedies in their lives. Two different types of resilience are explored, and both ask the listener to consider their own choices in the face of tragedy.