Theater Director

Peter Brook's seminal book, The Empty Space, sets out many of the ideas about theater which have informed his lifelong work as a theater director, from his iconic "white box" production of A Midsummer Night's Dream and his groundbreaking adaptation of The Mahabharata, to his ongoing work at the International Centre for Theatre Research. More than 50 years on from its first publication in 1968, The Empty Space remains a cornerstone of thinking about theater.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

Become a Better Theatre Teacher and Director with the BEST Must-Have Resources for Every High School Theatre Educator! Stop wasting time and money blindly purchasing resources hoping to find what you need! This book provides a list of the absolute must-have books and online resources with detailed information about what you will get and how you can use it to better your instruction and your theatrical practice. Inside you will find the only resources you ever need for… Drama Games for the Classroom with Educational Insights Purposeful Drama Games for Rehearsals Acting Theory & Practice ...

This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company, from 2012 until 2022. My Shakespeare uniquely captures the excitement, energy, surprises, joys and agonies of working on the greatest of plays; sheds new light on these plays through Doran’s own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director.

In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances.

On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John Du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle before it could find its way into existence. Now, Eric Idle shares original journal entries and raw email exchanges, revealing the sometimes bumpy, always entertaining, path to the show’s unforgettable run.

From master meditation and yoga practitioner, Yogi Theo Mann, comes this posthumously published short, simple, and helpful guide on how to meditate. Yogi Theo dedicated much of his life to the study and practice of meditation. He distilled his vast knowledge of the subject into a guide for beginning and intermediate practitioners that focuses on what works and what doesn’t work when one is seeking enlightenment through meditation. Written for his friend’s father in 2011, The Essence of Meditation is now available to the general public. From the Author (Book Excerpt): I hope that this ...

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

I’ve spent eight years hiding in the shadows of the Thorne Theater. Stage manager. Control freak. Professional invisible woman. My job? Make sure everyone else shines while I stay safely in the dark, clipboard clutched like armor, emotions locked down tighter than our ancient stage door. Then Leon Hale walks into my theater. Legendary director. Gorgeous alpha. The kind of man who sees too much and demands even more. He terrifies me. But worse than that—he sees straight through me to the woman I’ve buried for years. When he creates a role called “the Shadow” and puts me on the ...

Adventures in the Cinema from the sticky seats. Snippets of script, pieces of wisdom, poolside reading fun. Thoughts about movies from a former fan, working writer. Includes --, writing scary movies,sitting in the dark with a medium buttered popcorn and a large drum of Coke and re-living adventure! With brief excusions into "Why Movies (nowadays) Suck" and the making of my own childhood classic The Grandfather! (with apologies to Coppola)..Errant fragments of dreams, stuck to the floor of the neighborhood movie house like that kid's red gum to the sole of my shoe. Madness, mayhem, and ideas...

You know how they release those "Director’s Cut” versions of movies and they’re mostly self-indulgent nonsense?

Blending a behind-the-scenes history of New York City’s Public Theater with an affecting remembrance of her husband, Public Theater founder Joe Papp, Public/Private is Gail Merrifield Papp’s enthralling and heartfelt memoir of a legendary theatrical institution.

George Arliss was an actor, author, playwright, and filmmaker who was active from 1887 to his retirement in 1939. This genial gentleman spent much of his life in the Victorian Era, and in many respects, he was a child of his times. However, as the 20th century advanced, Arliss realized that times had changed. By the 1910s a contraption called “motion pictures” was competing with his domain of the legitimate theater in which he was one of its most popular stars. Arliss realized that films could no longer be ignored when he received several persistent offers to star in them. When he began...

Chelsea’s backstage crush on her older brother’s best friend was an epic, embarrassing fiasco. She'd thought that Dean Riley was the man of her dreams back then. But she was wrong. Now, she'd rather break a leg than risk handing him her heart again.

A timeless classic by George Bernard Shaw, Arms and the Man is a comedy about love, ideals, and romance. A young woman from a wealthy Bulgarian family is visited in her room by an enemy captain in his flight to evade capture, and this chance encounter threatens her engagement and her high-minded idealism.

Julia Lambert is in her prime, the greatest actress in England. Off stage, however, she is bored by her handsome husband, coquettish, and undisciplined. She is at first flattered and amused by the attentions of a shy and eager young fan, but before long Julia is amazed to find herself falling wildly, dangerously, in love.

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theatre for all.