Theater Classics

This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction; critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos; and much more. Nominated as one of America’s best-loved novels by PBS’s The...

Includes an introduction written and read by Jesmyn Ward, a foreword written and read by F. Scott Fitzgerald’s granddaughter, Eleanor Lanahan, and an afterword written and read by Professor James L. W. West III The only edition of the beloved classic that is authorized by Fitzgerald’s family...

No Friend to This House is an extraordinary reimagining of the myth of Medea from the Sunday Times bestselling author of Stone Blind, Natalie Haynes. This is what no one tells you, in the songs sung about Jason and the Argo. This part of his quest has been forgotten, by everyone but me...

This program is read by the authors (David Zucker, Jim Abrahams, and Jerry Zucker), Laura Orrico and Joe Praino, with special appearances by an all-star cast of comedy giants, including the film's stars, Julie Hagerty and Robert Hays, as well as Beau Bridges, Barry Diller, Michael Eisner, Peter...

In the dead gray cold of Starkfield, Massachusetts, farmer Ethan Frome is struggling to scrape out a living. His duties are to his wife, Zeena - an ungrateful, soul-sick hypochondriac as frigid as the New England winter. When Zeena’s cousin Mattie arrives to help with the farm, the ethereal, gentle-natured beauty brings a light and a fugitive affection into Ethan’s life. Yet for Ethan and Mattie, daring to be happy - and together - will have its consequences.

George Webber, a first-time author, writes a book that makes frequent references to his home town of Libya Hill. The book is a success, except in Libya Hill, where the residents believe that it paints an extremely distorted portrait of their town. They send Webber menacing letters, including death threats.

In the treasured follow-up to Little Women, Jo March returns as a mother of two sons and schoolmaster to twelve orphans. Now Jo Bhaer, literature’s beloved heroine has transformed Plumfield, the decorous New England estate of the March sisters’ youth, into a progressive school. During the coming year, newcomer Nat Blake joins the other restless, rascally seedlings as they grow under the tutelage of an equally spirited woman who extols the virtues of self-expression.

Charles Darwin’s theory of evolution now forms the basis for all the life sciences, but it ignited widespread controversy upon its 1859 publication. The idea that humans and animals might have evolved from a common source came as a shock to readers at the time, and people struggle with the implications of Darwin’s theory to this day. But Darwin foresaw this resistance and argued his case with extensive examples and rigorous logic - and his theory continues to push us toward a deeper understanding of life on Earth.

Charming, rich, and clever, heiress Emma Woodhouse has no need for an occupation - or a husband. Still, she considers herself quite skilled at matchmaking. Although her dear friend Mr. Knightley advises against it, there is nothing that she enjoys more than entangling herself in the romantic lives of others. But when one of her well-intentioned plans goes awry - as Mr. Knightley rightly predicted - Emma must face the consequences of her meddling.

Bequeathed a rare diamond by her late uncle, heiress Rachel Verinder has no idea it was stolen from an Indian temple or that it has a cursed history. When the diamond disappears on her eighteenth birthday, multiple suspects - including Rachel’s suitor, Franklin Blake - are implicated in its theft. Determined to prove his innocence, Franklin begins his own investigation. Did one of his fellow Englishmen steal the jewel? Or was it whisked back to India? The case, which unfolds through multiple narratives, takes startling twists and turns in pursuit of the truth.

Ten years ago, Mary Morstan’s father, an officer in an Indian regiment, vanished. Four years later, elegant pearls began to arrive, six in total, and now she holds an invitation to meet her mysterious anonymous benefactor. As Miss Morstan shares this peculiar tale with Sherlock Holmes and Dr. Watson, she urges the detectives to accompany her. Her only clues to her father’s disappearance: a map of a fortress with the names of four strangers and an assertion that she’s been dreadfully wronged.

The 1925 New York edition of Ernest Hemingway’s In Our Time trails readers through the years before, during, and after World War I. The collection’s first two stories, “Indian Camp” and “The Doctor and the Doctor’s Wife,” introduce Hemingway’s semiautobiographical character Nick Adams as a child. In total, seven stories portray the young man’s coming of age. All fourteen, including interspersed vignettes, embody the themes that Hemingway would return to throughout his career: alienation, grief, loss, and separation, as well as the regenerative powers of nature.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

In her moving account of how she came to understand the world around her despite being blind and deaf since childhood, Helen Keller confirms that no physical obstacle can hinder the achievements of the human mind. Included with Keller's poignant autobiography are her letters, spanning 15 years, which reveal her remarkable intellectual growth and empathic soul. Commentary by her teacher, Anne Sullivan, and the book's original editor is also featured, providing illuminating insight from two of Keller's closest companions.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

Do you remember BlockBuster video and the nostalgic cinematic experience this business offered consumers? Pick up a copy of this book and transport back in time today as we remember what it was like to Rent a movie from BlockBuster. Enjoy - C.

Leah Ly a driven, exceptionally talented, Chinese-American actress, working her way through Hollywood’s system, determined to make it on her own, involved with an equally driven Jewish man, discovers she has a Chinese fiancé, arranged at her birth when the Hong Kong businessman comes to LA to meet her. Life collides with life and Leah finds herself unhappy, torn, and conflicted between the love of two men she loves dearly and her heart's greatest desire, as she learns that in all things, she's the key to her happiness or unhappiness.

Mirele Efros, also known as "The Yiddish Queen Lear", is a sophisticated version of Ukrainian-born Jacob Gordin's work about honesty, decency and devotion towards family and community. Mirele, a wealthy and pious widow, whose devotion to her children even goes as far as hand-picking her eldest son's wife, makes a tragic mistake in evaluating her future daughter-in-law as giving and pious. Conflict ensnares the two in short order and a lesson about the value of piety is conveyed in the cautionary tale. Adapted in English by David Serero.

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.