Movie Criticism

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

A collection of his finest writing on horror cinema by the acclaimed critic and journalist, Jon Towlson. Essays range from studies of auteurs Tod Browning and George A. Romero to reflections on Universal horror, analysis of the 1978 classic Dawn of the Dead, and commentaries on contemporary international horror cinema. The volume contains reviews of over 25 modern horror films, including Jennifer Kent’s The Babadook (2014) and Brandon Cronenberg’s Possessor (2020). Plus, interviews conducted with leading creatives in horror cinema: Jason Blum (Blumhouse Productions), Scott Derrickson (...

Continuing the pitch-perfect critiques begun in The Great Movies, Roger Ebert's The Great Movies II collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and...

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

Buster Keaton was a master silent film comedian in the 1920s comparable to Charlie Chaplin. After 15 years, the advent of sound and his personal troubles with alcohol and interference from the studio caused the swift and sudden crash of his career and personal life. Recognized later by film historians and the public for his hilarious movies, Keaton continued to work until his death. In The Persistence of Comedy Imogen Sara Smith brings together all the historical research on Keaton and his films with a discerning, but loving eye and wonderfully readable prose. Illustrated with stills from ...

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" ( Entertainment Weekly), which is now an international phenomenon.

Here is the epic human drama behind the making of the five movies nominated for Best Picture in 1967 - Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde - and through them, the larger story of the cultural revolution that transformed Hollywood and America forever.

You can learn a lot from the movies—about sex and relationships, about business, about history. Sure, there’s a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public’s understanding of and assumptions about disability.

America’s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made. Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called "The Great Movies," in which he offered a fresh and fervent...

Life is full of choices. Right now, yours is whether or not to buy the autobiography of a mid-grade, kind of hammy actor.

COME BACK TO THE WORLD OF "B" MOVIES AND GENRE FILMS AS WILLIAM SCHOELL OF "GREAT OLD MOVIES" REVIEWS HUNDREDS OF CLASSIC AND NOT-SO-CLASSIC PICTURES IN THE CATEGORIES OF HORROR, SCIENCE FICTION, INTRIGUE, MONSTER MOVIES, ALFRED HITCHCOCK FILMS, SPIES, EXPLOITATION, CLIFFHANGER SERIALS, AND VINTAGE TV SHOWS IN A LIVELY, INFORMATIVE, AND ENTERTAINING FASHION. ILLUSTRATED. WILLIAM SCHOELL IS THE AUTHOR OF DOZENS OF BOOKS INCLUDING "CREATURE FEATURES: NATURE TURNED NASTY IN THE MOVIES;" AND "MARTINI MAN: THE LIFE OF DEAN MARTIN." A CULT HORROR AUTHOR, HE HAS ALSO WRITTEN SUCH NOVELS AS "...

The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre.

Rush Limbaugh is a way of life for over twelve million avid and devoted listeners. For three hours every day this comic conservative of the airwaves with “talent on loan from God”​​ entertains, provokes and persuades friend sand enemies alike in a no-holds-barred show that is one of the...

In 1969, Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words - "That's what it's all about, man" - to heart, they abandoned their comfortable upper-middle-class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a rollicking, funny, at times tender exploration of the way movies can change our lives.

Based on characters created by Archie Comics, Josie and the Pussycats was a box office disappointment for MGM and Universal who produced and distributed the movie but has gone on to become a cult classic in the years since. Best Movie Ever is the product of dozens of hours of interviews with members of the movie’s cast and crew, as well as industry analysts, comic book creators, and the fans who helped keep the movie alive after the filmmakers had been told it was “dead on arrival".

The Sound of Music is a classic film cherished in the hearts of millions. It won five Oscars, including Best Picture, upon its release in 1965. This tribute to a Hollywood classic is sure to thrill everyone who's ever sung along to "My Favorite Things" at one of the many screenings that still take place today. Through interviews with the cast and crew, in-depth access to memorabilia and personal scrapbooks, and archival research at Fox Studios, author Julia Antopol Hirsch reveals the lively human story behind the making of the von Trapp family film.

A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi Yo, Silver” -- The Lone Ranger! All Six Volumes In One Collection! - Huge Savings On The Entire Series! All 6 Volumes in the Acclaimed Lone Ranger Series have been gathered here in one ebook! With a Foreword by Dawn Moore, Clayton Moore's Daughter! Relive the nostalgia, the thrilling adventure, the inspirational friendship, and the astounding heroism and courage of those original icons of American culture, the authentic Lone Ranger and Tonto. Discover: > why the original radio show was a smash hit for over 21 years...

A playfully critical journey through the Coen brothers' filmography From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly...

In this time between worlds and time between stories, we stand poised between a potential dystopia and an unimaginably beautiful future. Only a new Story of Value as a context for our diversity can change the vector of history towards a possible utopia. Movies are often the channel through which the voice of culture discloses itself. Hidden in the public texts of culture is a movement towards a new human and a new humanity. Understanding the hidden text of She—woven into the fabric of our public stories—is a key part of this new Story of Value.