Grief Culture

Megan Devine offers a profound new approach to both the experience of grief and the way we help others who have endured tragedy. Having experienced grief from both sides - as both a therapist and as a woman who witnessed the accidental drowning of her beloved partner - Megan writes with deep insight about the unspoken truths of loss, love, and healing.

Children who grow up outside of their parent’s passport country, third culture kids (TCKs), experience a significant number of losses, grief-inducing experiences, and traumas during their developmental years. These events stack up like blocks on a tower throughout the life of the TCK, creating what Lauren Wells has coined the Grief Tower. If it continues to stack without these experiences being processed, a TCK's Grief Tower is likely to crash in their early adulthood. B

We live in a culture that suppresses our ability to truly feel our grief—deeply, safely, and on our own terms. But each person’s experience is as unique as the grief itself. Here, Camille Barton’s take on grief speaks directly to the ways that BIPOC and queer readers disproportionately experience unique constellations of loss.

YOUR BUSINESS IS LOSING MONEY RIGHT NOW...a lot of money, due to GRIEF’S INFLUENCE in your workplace. And this can only happen for one or more of a few reasons:~ You mistakenly believe that grief has no impact on your business ~ You just ignore it, because facing mortality is uncomfortable ~ You believe outsourcing it to an EAP will fix an emotionally troubled employee ~ You are unwisely indifferent to your most valuable assets outside the job Were you aware that even before the devastating impacts of COVID, available studies show: American Businesses Lose Over $100 Billion in Revenue ...

Ayesha Shetty lost her brother seven years ago, the same time she lost everything else important to her: her dreams, her fierce independence, and the man she loved. Not wanting to see her mother hurt anymore, she put her wild self away and became the dutiful daughter her mother needed and took on her brother’s role in the family business. Now her best friend’s big, fat Indian wedding is a chance to get away from her endless duties at the restaurant and maybe even have some fun (if she remembers how).

Muitas pessoas que sofreram uma grande perda se sentem julgadas, ignoradas ou incompreendidas por uma cultura que tenta “resolver” o luto e “curar” uma dor que não pode ser remediada. Em Tudo bem não estar tudo bem, Megan nos convida a construir a melhor vida possível - uma vida que comporte a dor e a saudade, que não tente negar o vazio deixado pela perda. A partir dessa nova perspectiva, você vai aprender a dar pequenos passos para reconstruir seu mundo, respeitando seu tempo, ignorando conselhos ineficazes e honrando o amor daquele que se foi.

Some girls call their mother their best friend. Marisol Martin? She could never relate. She and her mom were forever locked in an argument with no beginning and no end. Clothes, church, boys, no matter the topic, Marisol always felt like there was an unbridgeable gap between them that they were perpetually shouting across, one that she longed to close. But when her mother dies suddenly, Marisol is left with no one to fight against, haunted by all the things that she both said and didn’t say.

After her brother died unexpectedly and her mother moved into a dementia-care facility, spiritual travel writer and Episcopal deacon Lori Erickson felt called to a new quest: to face death head-on, with the eye of a tourist and the heart of a pastor. Blending memoir, spirituality, and travel, Near the Exit examines how cultures confront and have confronted death by investigating Egypt's Valley of the Kings, Mayan temples, Colorado cremation pyres, Day of the Dead celebrations, Maori settlements, and tourist-destination graveyards.

Have you ever thought about your loved ones who have passed, dreamt about them, or experienced them in ways that made you ask, "did I just experience that or was it my imagination?" It is my hope that upon listening to my story, you will understand that it is possible to experience your loved ones even after they have passed. It was not a figment of your imagination, but in fact a supernatural occurrence we are so often afraid to speak about. I hope my story encourages you to share your own story and make it known that our loved ones are always with us, in more ways than we think.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.