English Theater

As the Colony continues to develop and thrive, there's too much to do! Territory to seize, nests to build, Champions to train! Anthony will have his mandibles full trying to teach his new protege Brilliant while trying to keep a war from breaking out with the ka'armodo. However, when the Mother Tree comes looking for his help against a particular breed of monster, there is no way he can refuse. After all, no ant can resist a fight against their ancient nemesis... the Termite!

If given the chance to be a genius, few people would say no. Outstanding talent is a key component of great success, after all. What form this ‘great success’ takes is largely up to the individual, but it is often associated with money, fame, and power. Selfish pursuits, yes, but it is only natural to look out for number one first and foremost. This is true even of the altruistic. For instance, if some wonder-child figures out a foolproof way to achieve lasting world peace they would still need an immense amount of influence and resources to turn that idea into reality.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

Eldritch Blackwood Jr. never quite fit the mold of a proper necromancer. Instead of raising armies of the dead, he specializes in bringing beloved pets back to life. But when Eld’s prestigious family forces him to enroll at Bathurst Academy of Post-Mortem Studies, his unlife takes an unexpected turn. Between dodging his father’s ever-growing expectations and navigating the bizarre social landscape of underworld academia, Eld stumbles upon something far more terrifying than final exams—a buried girl in the academy’s graveyard.

John Ratey, best-selling author and clinical professor of psychiatry at Harvard Medical School, lucidly explains the human brain's workings, and paves the way for a better understanding of how the brain affects who we are. Ratey provides insight into the basic structure and chemistry of the brain, and demonstrates how its systems shape our perceptions, emotions, and behavior. By giving us a greater understanding of how the brain responds to the guidance of its user, he provides us with knowledge that can enable us to improve our lives.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

Mike Mangini: Precision as Philosophy is the definitive deep dive into one of progressive metal’s most exacting and innovative drummers. From dismantling gadgets in a Massachusetts garage to engineering world-record speed, Mangini has built a career on the fusion of mechanics, musicality, and relentless refinement. This biography delivers an inside look at his evolution—spanning early practice grids, Berklee College of Music training, Boston club adaptability, technical metal with Extreme, chart-by-chart execution with Steve Vai, and the precision demands of Dream Theater. Drawing on ...

In the glorious chronicles of the US Marine Corps, no name is more revered than that of Lt. Gen. Lewis B. "Chesty" Puller. The only fighting man to receive the Navy Cross five separate times - a military honor second only to the Congressional Medal of Honor - he was the epitome of a professional warrior.

The Ants go marching and it sure isn't one by one! The Dungeon of Pangera is a dangerous place and for Anthony, there's only way to go: down! The third stratum beckons, a place of fire, ash and the monsters classed as demons. So, so, many demons. Join our Antrepid Antventurer as he blazes a trail into the third layer of the Dungeon, facing new foes, new challenges and new developments within his own, rapidly expanding family!

Sorry... Really? Thrust? Anyway, Danny Kendrick was a down-on-his luck performer who always struggled to find his place. He certainly never wanted to be a hero. He just hoped to earn a living doing what he loved. That all changes when he pisses off the wrong guy and gets sucked into a fantasy realm straight out of a Renaissance Fair. Getting used to a new world is tough. It's even tougher when you're surrounded by axe-wielding barbarians, super hot elf assassins, strange magic, and a jaded System that doesn't appear interested in being charged with yet another companion.

Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company's movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

Actors! Engage your mind and your body in order to develop your characters fully. The Lucid Body technique breaks up stagnant movement patterns and expands your emotional and physical range. Through energy analysis, this program shows how to use physical training to create characters from all walks of life - however cruel, desolate, or neurotic those characters may be.

If you read a standard history of magic, you learn that it begins in ancient Egypt with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic.

Elise was always made fun of for her big ears and buck teeth. She tried her best to overcome the mockery, only to work herself to death and wake up as... a big-eared, buck-toothed rabbit. Now, with nothing but an almost worthless System Assistant to help her, she needs to survive in a world full of magic and monsters. On top of all that, for some reason she's been given the ominous [Mark of Fate] skill. She has no idea what it does, but things keep happening to her, most of them unpleasant.

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.