Britain Crime

She slept with the devil. She killed with the devil. She never stopped loving the devil. July 1963: All of England is rocking to the music of Buddy Holly, Roy Orbison, and Elvis. It’s also the month when Myra Hindley and Ian Brady, two of England’s most prolific serial killers, would claim their first victim. He was a child they buried in the muddy, swampy moors near Manchester. Sleeping With The Devil: A Shocking True Crime Story of the Most Hated Woman in Britain is the tale of two bloody years in the 1960s. It was a time when British parents hugged their children a little tighter to ...

Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

From the bestselling true crime author behind the Brotherhood thriller series and Morgue Monster, Stu Armstrong brings you 'Crimes That Rocked Britain – Volume One', The first book in the 'Crimes that Rocked Britain Series' by Stu Armstrong, which is an unflinching deep-dive into the darkest corners of the UK’s criminal history. This gripping collection of real-life horror tells the stories behind the headlines where everyday life was shattered by moments of unimaginable violence, twisted obsession, and cold-blooded evil.

The 'H' is Silent. The Horror Isn't. The archives run deeper than anyone imagined. Welcome to Volume Six of the series that's redefining British true crime. This isn't just another collection; it's the beginning of a new era. Longer stories, deeper research, and the raw, unfiltered truth behind Britain's most chilling, and odd, crimes From the gaslit alleys of Victorian England to the stark, modern landscapes of unsolved cold cases, this is a proper smorgasbord of British villainy. Author Ben Oakley digs deeper than ever before, weaving together facts and forgotten details into narratives ...

Britain's Special Air Service - or SAS - was the brainchild of David Stirling, a young, gadabout aristocrat whose aimlessness in early life belied a remarkable strategic mind. Where most of his colleagues looked at a battlefield map of World War II's African theater and saw a protracted struggle with Rommel's desert forces, Stirling saw an opportunity: Given a small number of elite, well-trained men, he could parachute behind enemy lines and sabotage their airplanes and war matériel.

Who was Kim Philby? Those closest to him—like his fellow MI6 officer and best friend since childhood, Nicholas Elliot, and the CIA’s head of counterintelligence, James Jesus Angleton—knew him as a loyal confidant and an unshakeable patriot. Philby was a brilliant and charming man who rose to head Britain’s counterintelligence against the Soviet Union. Together with Elliott and Angleton he stood on the front lines of the Cold War, holding Communism at bay. But he was secretly betraying them both: He was working for the Russians the entire time.

The Suez Crisis of 1956 was the nadir of Britain's twentieth century, the moment when the once-superpower was bullied into retreat. "Great Britain has lost an empire and not yet found a role," said Dean Acherson, a former US secretary of state. Acheson's line has entered into the canon of great quotations: but it was wrong. Britain had already found a role. The leaders of the world just hadn't noticed it yet. Butler to the World reveals how Britain came to assume its role as the center of the offshore economy.

On November 7, 1974, a nanny named Sandra Rivett was bludgeoned to death in a Belgravia basement. Veronica, Countess of Lucan, was also attacked. The man named as perpetrator of these crimes, Richard John Bingham, 7th Earl of Lucan, disappeared in the early hours of the following morning. The case, solved in the eyes of the law, has retained its fascination ever since. Laura Thompson narrates the story that led up to that cataclysmic event, and draws on her considerable forensic skills to re-examine the possible truths behind one of postwar Britain's most notorious murders.

In Thunderstruck, Erik Larson tells the interwoven stories of two men: Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication. Their lives intersect during one of the greatest criminal chases of all time.

As the country's top forensic pathologist, Dr Richard Shepherd has spent a lifetime uncovering the secrets of the dead. When death is sudden or unexplained, it falls to Shepherd to establish the cause. Each post-mortem is a detective story in its own right - and Shepherd has performed over 23,000 of them. Through his skill, dedication and insight, Dr Shepherd solves the puzzle to answer our most pressing question: how did this person die?

For over four decades the story of the extraordinary evil that occurred at the Kincora Boys’ Home in East Belfast in the 1970s and the shocking attempts by MI5 to cover it up have haunted our political and social terrain for decades.

Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art - as well as extensive evidence - points to another name, one that's left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material - including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause - and applied cutting-edge forensic science to open an old crime to new scrutiny.

Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told.

They have names like Barmy Bernie, Daft Donald, and Steamin' Sammy. They like lager (in huge quantities), the queen, football clubs (especially Manchester United), and themselves. Their dislike encompasses the rest of the known universe, and England's soccer thugs express it in ways that range from mere vandalism to riots that terrorize entire cities. Now, Bill Buford, editor of the prestigious journal Granta, enters this alternate society and records both its savageries and its sinister allure.

Who lived to regret her "deathbed" confession? Was Amelia Dyer mad or wicked? Why did the judiciary look compassionately on women who committed infanticide? Among over 80 women whose stories appear in this book, some were tragic; some were evil; some were mad; and several were undoubtedly innocent of the murders for which they were hanged.

In early modern England, murder truly was most foul. Trials were gossipy events packed to the rafters with noisome spectators. Executions were public proceedings which promised not only gore, but desperate confessions and the grandest, most righteous human drama. Bookshops saw grisly stories of crime and death sell like hot cakes. This history unfolds the true stories of murder, criminal investigation, early forensic techniques, high court trials and so much more.

A real-life thriller in the vein of The Devil in the White City, Kate Winkler Dawson's debut, Death in the Air, is a gripping, historical narrative of a serial killer, an environmental disaster, and an iconic city struggling to regain its footing. In winter 1952, London automobiles and thousands of coal-burning hearths belched particulate matter into the air. But the smog that descended on December fifth of 1952 was different; it was a type that held the city hostage for five long days.

Charles Bronson knows more about life in prison than anyone else in Britain - on either side of the bars. Jailed originally in 1974, his life since then has been one unbroken stretch of over 45 years, much of it in solitary confinement, moved again and again as prison after prison failed to contain his explosive temper. It would be enough to break an ordinary man - but Bronson is no ordinary man, and this is no ordinary prison diary.

In 1986 Margaret Humphreys, a Nottingham social worker, investigated a woman's claim that, aged four, she had been put on a boat to Australia by the British government. At first incredulous, Margaret discovered that this was just the tip of an enormous iceberg. Up to 150,000 children, some as young as three years old, had been deported from children's homes in Britain and shipped off to a 'new life' in distant parts of the Empire, right up until as recently as 1970. Many were told that their parents were dead, and parents were told that their children had been adopted.